Showing posts with label Roger Stern. Show all posts
Showing posts with label Roger Stern. Show all posts

Monday, September 26, 2016

An Obscure Midnight Story - Iron Man Annual 4


Iron Man Annual #4 (1977) - Midnight story
"Death Lair"
Roger Stern-Jeff Aclin/Don Newton

Doug: You might think that it would be strange if I sought out the Midnight story when the main yarn in that summer extravaganza boasted pure Bronze Age heaven. Well, it would be strange, and I did not. But in reading this annual I did see the Midnight story tucked near the end, thought that in itself we had an oddity, and so bring it to you today. Think the story's obscure? Heck, Midnight's obscure!

Many among my Bronze Age brethren (and sisthren) were kung fu fighting during the 1970's. I was a pacifist in my pudgy pre-teen days, so was not. OK, that's not entirely true, because I did beat up my neighbor Donald one day because he'd irritated me one time too many. My issue with the kung fu books was strictly monetary. With only so many quarters in my pocket and out on my horizon, I wasn't going to stray too far from the superheroes I knew and loved. It was more of a nominal genre allocation problem than anything else. So without any sense that I didn't like those sorts of books in my youth, I will truthfully plead ignorance and trudge forth today. After all, this is only a 5-pager; if I don't like it, then we really won't have wasted much of our time, right?

I did know of Midnight back in the day, as they say. Everyone knows the Avengers was my mag, and everyone knows that the "Celestial Madonna" arc is one of my all-time fave stories. And who should appear in Avengers #131-G-S Avengers #3? Yup - Midnight. But that's all I knew of him. I had a copy of Iron Man Annual #4, but honestly did not remember this story until I laid eyes on it again several weeks ago. I'd wager that when I bought this as an 11-year old I didn't even read the back-up. As I said at the top... Iron Man and the Champions? Take two quarters!


I'm going to present this story in its entirety, so you can make your criticisms along with me, just below. I'll start by criticizing myself and my inability to provide a good scan when using PowerPoint to bring a .pdf file over from the DVD-ROMs. Just looks drawn... sort of like watching analog television in widescreen.




No 100-Word Review today -- that was so short, it probably didn't take you much longer to read the whole story! So, on with --

The Good: This was a compact story with no beginning and no end -- just a whole lot of middle. But I didn't mind that. Roger Stern's words and the art team of Jeff Aclin (I got nuthin'... anyone familiar with his work in other places?) and Don Newton moved things right along. Characterization on the toughs was pretty standard comic book fare, which was OK -- nothing campy or contrived. Without much background beyond his appearance in the Avengers, I am uncertain of whether or not I should root for Midnight. This Half-face guy was also a mystery to me. I think that's part of the appeal of this tale for me -- it has me curious. I am planning to somehow acquire the upcoming Deadly Hands of Kung fu Omnibus that reprints the '70s black-and-white magazines of the same name. I don't know if Midnight appears anywhere within, but I kind of hope he does.  

Tell me -- is it always a thing in martial arts comics to use the various weapons? Because that really ups my stress level, people start throwing stars and such. Man... those guys are super bad.

I'm also digging the ads adjoining that last page sample.

The Bad: My scans. Hate 'em. Other than that, really nothing to report. For a back-up story, and I'm left wondering what sort of stock filler this must have been, it was just that: filler for a large comic.

I like Midnight's look when wearing his coat and cape, but he really gives me a Death-Stalker vibe. When he's in the all-black body suit, I felt like he should have been lighted a bit more than he was. Otherwise he just shows as a void on the page. But maybe that's the point.

The Ugly: Nada.

That's it. Pretty short collection of thoughts for a really short story. But hopefully some of you who stopped by today will leave a thought of your own. I'd certainly appreciate some of our readers taking the time to educate me on Midnight, but also on kung fu comics in general. Thanks in advance.


Tuesday, December 29, 2015

BAB Classic: The Most Appalling Comic You Ever Read

NOTE: This post was originally published on February17, 2012


Karen: We usually discuss comics we like here. Sure, we may come across a dud now and then, but all in all, we like what we read. But I came across a story so appalling recently, that I thought I would throw open a discussion of comics that you may have read that you found revolting. I'm not necessarily talking about graphics that sicken you, but rather a storyline that you found morally reprehensible. The book that spurred me to write this post was Gunhawks #1, from 1972. I'm not a Western comics fan, but this issue was included in Marvel Firsts: The 70s, volume 1 trade paperback. It's the story of a pair of youths, one black, one white, who both fought in the Civil War -on the Southern side! There's this rambling soliloquy by the black character, Reno Jones, that just turned my stomach.

Reno: You see, not all the plantation owners were cruel masters with whips and chains! The man who owned me, for instance--he was a good man--treated me like a son--clothed me--educated me!...My mother was the chief cook in the mansion, and the kid's father had me tutored right along with his own son...It was a happy life! There was never any mention of slavery...and all the blacks there came and went as they pleased...in addition to being paid for their work!
K
aren: I don't know if it is willful ignorance at work here, revisionism, or some terrible attempt at putting a different spin on things, but whatever it is, it's horrible. I couldn't read any more of this crap. While I am sure some slave owners were less brutal than others, the fact of the matter is, they owned people. There's not much you can do to justify that or pretty it up. Black slaves did not have an idyllic life! What's even more odd about this tale is that it appeared in 1972 -the same year we got Luke Cage, Hero for Hire! Black culture was everywhere and yet we get this apologist drivel. It was written by Gary Friedrich, drawn by Syd Shores, and edited by Roy Thomas, and I think they all should have known better.

Karen: Another title that comes to mind in this category is the much-maligned
Avengers #200, where Ms. Marvel is mysteriously impregnated, gives birth in three days, is later revealed to have been mind-controlled into having sex with her assailant (ie. raped), and then at the end goes off with her rapist to live happily ever after. Her fellow Avengers act like a bunch of twits and let her go, even though they know she had been mind controlled. Fortunately Chris Claremont stepped in with Avengers Annual# 10 a bit later and thoroughly chastised the Avengers (and by default, the creative team on Avengers #200).

Karen: Are there any comics you've read that have made you feel appalled?


UPDATE - Doug: Although it's almost four years since this post originally ran, I thought I'd bring it forward for the purpose of adding to Karen's original question. For Christmas I received a hardcover copy of Captain America: Forever Allies, which reprints the four-issue mini-series of the same name as well as the Young Allies Comics 70th Anniversary Special and a full reprint of Young Allies Comics #1 from 1941. It's the latter that struck a major chord with me.

Doug: Roger Stern, author of the 2010 mini-series, took great pains to right a wrong perpetrated in America for much of its history, and that is the portrayal of Blacks in popular culture. Of note are the caricatures of Blacks that permeated print media from the early 20th century. The images below come from that Young Allies comic, and are of "Whitewash" Jones:


Doug: You'll note that Jones exists solely as the butt of jokes. He is a bumbling oaf, scared of a challenge, and superstitious. When he is successful it is an accident. He is rarely portrayed as a fighter, usually kept in the background. Likewise, the antagonists pay little attention to him. He is a non-person as a character in Young Allies Comics #1.

Doug: If you have time today, I'd like you to take a jump to the Marvel Wiki page for Washington Carver Jones, a member of the Young Allies -- but more than that, retconned to be a member of the Tuskegee Airmen and a WWII hero. The wiki page basically summarizes the Forever Allies mini-series; I think Stern's treatment certainly serves him better. And here is the art to prove it:

http://static.comicvine.com/uploads/original/1/15659/1909265-washington_jones_caricature_captain_america_forever_allies_1.jpg

Doug: And by the way, a 'thank you' to Edo Bosnar for heartily recommending the Stern Young Allies book. It was a fun read overall, and very nicely rendered. I enjoyed it (until the end of the book, that is...). I will finish by saying that Marvel did the right thing by not hiding from their history. That editorial chose to include the racist literature alongside the revisionist treatment served the new material -- it brought to light our negative past and treated the subject with dignity. I commend the folks at Disney Company and Marvel Entertainment for owning this.


Monday, October 5, 2015

Arc of Triumph... Phoenix Rising?


Doug: This one comes up around the BAB periodically, so we're going to use it as a launching pad for a larger discussion. As I've mentioned, I've been reading Ed Brubaker's run on Captain America from around 10 years ago. Previously having stated my disdain for the resurrection of Bucky Barnes, I've been converted. Given Brubaker's deft storytelling and "plausible" explanation (hey, it's still a funnybook) for Bucky's reappearance, I went to the Dark Side. But as I've also said, I've taken this with a hefty grain of "What If?" Many of you have remarked that there are certain deaths that simply should not be undone -- Ben Parker seems to top that list. So given today's story arc within the broader context of deaths in comics, we'd like you to expound on this as an issue. As another nugget for starting us out, why is it that long-time Cap fans just assume the Red Skull is going to pop again soon, regardless of how he met his "last" demise. Why is that OK?



Monday, May 25, 2015

Guest Reviews - Arc of Triumph? The West Coast Avengers Limited Series



Doug: Welcome, friends, to another guest review from our pal Mike W. After his thoughts on the Rocket Raccoon mini, Mike thought he'd walk us through the West Coast Avengers limited series. It's another one of those mid-80s curiosities of which I've not partaken. Maybe Mike's going to talk me into pulling the trigger. To be honest, his review of Rocket's story made me feel somewhat justified in not having purchased that one. But today -- today's fare is all about some of my favorite characters. So sales pitch or no? We shall see.                                               



M. S. Wilson: In my Rocket Raccoon review I mentioned that I didn’t read a lot of the Marvel miniseries back in the 80s; there were plenty to choose from, but most of them featured characters I didn’t care about all that much. But one miniseries I did buy (and loved) was West Coast Avengers, written by Roger Stern. Stern was writing the original Avengers title at the time (though I wasn’t a regular reader) and the West Coast spinoff seemed to grow organically from the Avengers storyline. It’s been a while since I’ve read this miniseries, so I hope it holds up (Aw, who am I kidding? Of course it’ll hold up ... it’s Roger Stern!).



West Coast Avengers #1 (September 1984) 
“Avengers Assemble”
Roger Stern-Bob Hall/Brett Breeding

As I mentioned, I wasn’t a regular reader of Avengers at this point in my life, so why did I buy this miniseries? I think the cover of issue #1 had a lot to do with it. A great shot of Hawkeye surrounded by potential Avengers: Red Wolf, Iron Man, Puck, Shanna (who I always mistook for Clea for some reason), Rom, Doc Samson, Mockingbird, Cyclops, Wonder Man, Black Widow, Tigra, Quicksilver, Hercules, Shroud, Namor, and Ant-Man. An interesting talent pool; of course, four of these characters actually do end up joining, but some of the others might have made interesting Avengers too. Some of them (Puck, Rom) seem like strange choices too. Maybe the editor just told Bob Hall to toss a bunch of random characters on the cover.  Anyway, the story starts with Hawkeye giving the “Avengers Assemble” call (which is also the issue’s title) to an empty Avengers Compound. So far, he and his wife Mockingbird are the only ones there. We get some playful banter between the two, who are still basically newlyweds at this point. This is certainly different from the vitriol they’ll eventually be spewing at each other. They get a video call from Vision, who is chairman of the East Coast Avengers at this point. This was during the storyline when Vision was trying to take over the world’s computers (or ISAAC was, using Vision as its pawn), and the creation of the West Coast branch was part of that whole scheme. Hawkeye reminds Vision that he and Mockingbird are the only ones on the new team, but Vision says he’s already got some other potential members in mind. 




We cut to San Francisco, where private investigator Jessica Drew is chatting with Tigra about a recent case she helped on. I like this acknowledgement of their friendship, which was established in the final few issues of Spider Woman. It seems like Jessica is about to offer Tigra a steady job, when Lindsay McCabe comes in and tells Tigra there’s a phone call for her. Tigra takes the call, then decides to take a sudden trip to Los Angeles. Jessica is suspicious, but figures she can’t follow Tigra herself, so she makes a phone call of her own, to someone in the L.A. area. Obviously Tigra's phone call was from Vision, asking her to join the new Avengers team. It’s interesting that Vision knew exactly where to find her ... he’s apparently keeping tabs on potential recruits. Also, why didn’t he offer Jessica a spot on the team? I know she’d turned down membership before, but that was for the East Coast team; you’d think Vizh would’ve at least considered it ... or was Jessica de-powered at this time? I know the Avengers “brought her back from the dead” not long before this, but I can’t remember if she lost most of her powers. I know she had them back by the time she was in Madripoor, but maybe she doesn’t have them at this point.



Out in the Mojave Desert, we see Wonder Man doing stunt work for what seems to be a James Bond pastiche (the star is referred to as Sean, but he doesn’t look that much like Connery to me). Wonder Man gets a call from Vision and decides to head to L.A. as soon as possible. Up in Silicon Valley, Iron Man (James Rhodes) gets a call from Vision as well, telling him to get to L.A. as fast as he can. I like the continuity references Stern keeps putting in ... first, the stuff with Jessica and Tigra, and now we get some acknowledgement of the current situation in the Iron Man comics, with Rhodey wearing the armor and moving to California with Tony and the Erwins to start their own company. Iron Man gets to L.A. fast, just in time to meet Tigra getting out of an airport limo. (Did Vision arrange that? Earlier, it seemed like Tigra was straped for cash.) Tigra knows Iron Man (or thinks she does), but Rhodey’s never met her before. He’s soon impressed, though! This is one of the differences in Tigra’s portrayal by Roger Stern ... she’s shown as being sexy (almost inadvertently sometimes), but she’s not sexualized; she isn’t flirting like crazy or throwing herself at everyone in sight. She seems more like the 70s Tigra here than the later Englehart-written character. Hawkeye greets Iron Man and Tigra and invites them in for the tour. They’re watched by a mysterious dark-clad figure (no, it’s not Batman). 

 



Hawkeye and Mockingbird brief the new recruits (and we find out how Vizh got Tigra to head south so quickly ... he offered her a $1000 bribe, uh, I mean “stipend”). Tigra is unsure whether she wants to rejoin, which is another nice bit of continuity. She was an Avenger before (for about five issues) and quit because she didn’t think she belonged in the big leagues. It makes sense she’d still have doubts. The intruder alarm goes off, and as everyone splits up to search for the culprit, we learn Tigra isn’t the only one with doubts. Iron Man doesn’t like the way Hawkeye barks orders, and Hawkeye himself is unsure about his leadership role and can’t help comparing himself to Captain America. Mockingbird finds the intruder (who turns out to be Shroud) and they mix it up a bit. Shroud is surprised by Mockingbird’s skill and he also doesn’t seem to recognize Iron Man, which seems ridiculous to me; even if they hadn’t met before (and I think they might have, in Super-Villain Team Up), he should know Iron Man by sight (yeah, I know Shroud is blind, but you know what I mean). Tigra has met Shroud before and quickly realizes it’s him, but he finally figures out he’s broken into Avengers headquarters and decides to get out while he can. Unfortunately, Wonder Man shows up at that exact moment (plot convenience, you say? No, Stern actually made a point of mentioning travel times from various destinations, so Wondy showing up as this precise moment is perfectly logical!) and bounces Shroud around, cracking some of his ribs. If you’re unfamiliar with Shroud’s shtick, he’s a crimefighter who pretends to be a criminal so he can keep tabs on the real bad guys ... kind of like the Green Hornet, I guess. Tigra tells them Shroud is one of the good guys and Hawkeye impulsively offers him membership in the new Avengers branch (and mentions that he introduced himself to the original Avengers the same way, by breaking into their HQ). Shroud says no, since it would blow his cover as a notorious gang kingpin.  Wonder Man is understandably confused, so Hawkeye gets ready to explain things again, and that’s it for this issue. I was kind of disappointed that we didn’t see more of the characters from the front cover. Some of them would’ve been unconventional choices (to say the least), but they actually end up going with people who have already been Avengers at this point. The only really new member is Mockingbird (and Rhodey, but at this point everyone still thinks he’s the original Iron Man).



West Coast Avengers #2 (October 1984) 
“Blanking Out” 
Roger Stern-Bob Hall/Brett Breeding

We open with Hawkeye, Mockingbird, and Tigra training against Iron Man. You’d think it would be kind of a one-sided fight, but the underdogs show that teamwork can trump raw power and they actually bring Iron Man down. Tigra seems confident during the fight, but afterwards still wonders to herself if she’s cut out to be an Avenger. She’s not the only one worrying; Rhodey isn’t sure whether he should tell his new teammates that he’s not the original Iron Man, as they all assume him to be. We jump to a suburb where Wonder Man is packing to move to Avengers Compound. We get a needless show of his strength when he lifts up the back wall of his house to remove his belongings; I really don’t see how that’d be any faster or more convenient than using the door. I think Wondy’s been in Hollywood too long. Anyway, he runs out of nails, so he and his director friend head down to the hardware store and stumble across a bank robbery. The crook is a new character ... so new he doesn’t even have a name; he takes the name The Blank from a random comment by one of the bank patrons (and no, it wasn’t Betty Ross). Blank (fittingly, we never do learn his real name) is obviously new to the bank robbing game, and to the superhero game as well. He sems surprised at Wonder Man’s abilities (doesn’t anyone watch the news in L.A.?), but Wondy is surprised at Blank’s powers too. Apparently, Blank’s force field protects him from harm, but also makes him hard to hold onto. I’m not sure how that would work; he’s not intangible, since Wondy can grab him, and he’s not invisible. Plus, Blank can grab stuff (like the bank’s money), but nothing can hurt him. Anyway, Blank jumps out the window, turns off his force field, and blends in with the crowd. You’d think that would’ve occurred to Wonder Man, although I guess he couldn’t really start grabbing people at random. Blank takes his loot back to his apartment, and we see his origin. Some old guy that worked for Stark international invented the force field device, then stole it when Obadiah Stane took over and fired him. The old guy got hit by a car, so Blank took the device for himself. After Blank recharges the device, we see a ghostly figure appear above the charger, begging for more power (Maybe it's Tim "the Tool Man" Taylor!).




Wonder Man is mad at himself for letting a goof like Blank get away (he’s been having some of the same doubts as Tigra about being able to cut it in the big leagues again). The team splits up  and scours the city, and we get a quick tour of L.A.:  Tigra’s in Chinatown, Iron Man in Santa Monica, Hawkeye’s in Marina Del Rey, Mockingbird cruises the freeways, and Wondy’s Downtown. It’s nice to see a different setting than New York; I always appreciated some of the comics set in California (Spider Woman, Champions, Werewolf By Night). Unfortunately, L.A. is a bit big for five people to cover. Blank ends up in Inglewood, robbing an armored car. Things go wrong and he grabs what he can, jumping out of the moving vehicle. His force field protects him again, but Mockingbird shows up in her fancy car. Blank seems surprised again (“I’m being chased by a blonde in a sports car!” Welcome to L.A., Blank!) Hawkeye and Iron Man show up too, but Blank manages to distract them by blowing up a gas station (!); Iron Man smothers the fire with a dump truck full of sand from a nearby construction site, but Blank escapes again. Back at his place, he decides to leave town (which is a decsion I think more villains should make ... it makes sense to go where the superheroes aren’t). As Blank recharges his force field device, the ghostly form we saw before coalesces ... and it turns out to be Graviton!



West Coast Avengers #3 (November 1984) 
“Taking Care of Business” 
Roger Stern-Bob Hall/Brett Breeding

As this issue opens, it’s obvious there’s been a time jump; the West Coasters are shown cleaning up snow from “some unusual weather” that’s affected the whole world for the past week (This is a reference to the “Casket of Ancient Winters” storyline in Thor). None of the Avengers seem to know the cause of the freak weather, but they’re engaged in cleaning it up. Iron Man mentions that people in L.A. are taking the weird weather in stride and we see a woman in sunglasses, a scarf, and a bikini skiing down the street. Across town, some people are taking advantage of the slow police response time to rob a store (a Radio Shack by the looks of it ... yeah, this was set in the 80s all right). Hawkeye, Mockingbird, and Tigra stop the robbers (and in another 80s reference, Tigra appears to be wearing leg warmers ... or maybe they’re just woolen tights? I’ve seen girls wear those up here in Canada, but you’d think they’d be hard to find in L.A.). The snow disappears as quickly as it came, and Hawkeye proposes they all get together for a barbeque. Everyone is enthusiastic, but Tigra is worried about Wonder Man; he’s still moping about letting Blank get away (and we find out it’s been two weeks since the last issue), so Tigra asks Iron Man to talk to Wondy. He suggests she might have better luck, and lets her know (by removing one of his gloves) that he’s not Tony Stark. 




At a fancy mansion in the Santa Monica mountains, we catch up with Graviton. He used the strange weather to take over the mansion from another mobster, and we get a recap of what’s been happening with Graviton since Thor put him in suspended animation in Thor #324. Apparently, Grav’s consciousness was awoken by a strange energy (which we’re told was the Beyonder) and he used Blank’s recharging machine to make his way back to Earth. Graviton demonstrates his powers (freaking Blank out a bit) and says he’s not worried about the Avengers. Back at the Compound, we see the conversation between Wonder Man and Tigra. He recaps his origin and tells how he ended up working as a stuntman; apparently the Avengers’ appearance on David Letterman (in Avengers #239) brought Wondy to the notice of the Hollywood bigwigs. Working as a stuntman gave him his confidence back, so he jumped at the chance to rejoin the Avengers, but after letting Blank escape he’s started wondering if he made a mistake.Tigra then recounts some of her story: she tells him about the Cat People and how she’s bounced from one thing to another in her life, never quite feeling in control, which is why she’s also having doubts about being an Avenger. Again, I really like this version of Tigra; wanting to be on the team, but afraid to let everyone down. Much better than her later “overconfident/slutty” persona. 




Tigra and Wondy decide to prove themselves by finding Blank. They go to Shroud's club for information, reasoning that since he's posing as a gangster, he'll have info on the "competition". They find Shroud's place trashed and are told that it was done by the Galeno gang ... except Galeno isn't the one in charge anymore. Shroud has to retaliate, to keep up appearances, and Wondy offers to go along as his "muscle". Tigra reluctantly agrees. Shroud and Wonder Man show up at Galeno's mansion (with Wondy wearing a really stupid-looking wig as a disguise; seriously, he looks like Harpo Marx in that thing), and find out the new gang leader is The Blank. Blank demonstrates some powers he really shouldn't have, like making Wonder Man float in mid-air, and making Shroud's feet so heavy that he can't move. Tigra jumps Blank and he yells for help. The real boss, Graviton, appears and Wonder Man warns the others to stay back as he attacks Graviton himself. Graviton uses a "localized gravity field" to send Wondy crashing through the floorboards. It's nice that they acknowledge what a tough opponent Graviton was when he first fought the Avengers; it's been a while since I read those issues, but I remember Graviton basically held off ten or so Avengers and almost killed them. He's no lightweight (so to speak). Graviton sets everything in the room spinning. Shroud tries to use his "living darkness" to blind Graviton, but the villain just pins his foes to the wall, disrupting Shroud's control. Wonder Man climbs back up through the floor (still under the effects of localized gravity), but Graviton renders him helpless by making him float in the air. Grav then sends Tigra, Shroud, and Blank (whose incessant whining he's finally gotten tired of ... I'm not sure what took him so long) crashing through the window and out into the Pacific Ocean. At the Compound, the others are preparing for the barbeque (and Rhodey's wondering how he'll eat with his helmet on), but Mockingbird is worried about Tigra and Wonder Man. Hawkeye figures there isn't much Wondy can't handle, but we see how wrong he is; back at Graviton's mansion, he shows off his newest "decoration" to a couple of girls (one of whom looks terrified, while the other seems strangely ... turned on?). He's used his gravity powers to pin Wonder Man at the bottom of the swimming pool until his lungs filled with water.




West Coast Avengers #4 (December 1984) 
"Finale" 
Roger Stern-Bob Hall/Brett Breeding/Peter Berardi

This issue starts with Tigra surfacing in the Pacific, clutching an unconscious Shroud in her arms. It's night-time now, where it seemed to be daylight last issue, so I'm not sure how long they were meant to be down there. Tigra uses her emergency beacon to call for help; I can't help wondering where she keeps that ... her costume doesn't leave a lot of room for hiding places. Iron Man picks them up, and back at the Compound we learn that Shroud will be fine (although he's never mentioned again after this) and that Iron Man couldn't find any trace of Blank. Shellhead is champing at the bit to go after Graviton, but Hawkeye reminds him how tough Graviton is, mentioning that Iron Man should know that since he fought Grav the first time around. Rhodey realizes he has to come clean and takes off his helmet. The others are surprised, and Hawkeye is annoyed to find out he's been working with an "amateur". Rhodey informs him that he was the Iron Man who saved everyone during the Secret Wars after Molecule Man dropped a mountain on them. Rhodey is stiil fired up to confront Graviton, and Hawkeye realizes that he's seen this all before, from the other side, and wonders how Captain America ever put up with him all those years. Hawkeye decides they will go after Graviton, but they need a plan.



Later at Graviton's mansion, there's a party in full swing and we see a couple of women (who I think are supposed to be high-class hookers) talking about how gross Graviton is. The bartender commiserates with them as she pours some more drinks. The bartender is Mockingbird in disguise, which makes sense; with her SHIELD background, infiltrating a party would be a cakewalk. There's a knock at the door and Madame Masque shows up, with a gun-toting goon. The goon is Hawkeye (in another weird-looking disguise) and Masque is Tigra, using her amulet (which she demonstrated last issue .. Chekhov's amulet, I guess) to hide her furriness. Mockingbird pours Graviton some more champagne as one of his henchmen fills him in on Madame Masque. Grav seems impressed (and Tigra does look good in that dress!), so he shows her around. When she mentions the Avengers, Graviton shows her Wonder Man at the bottom of the pool, which freaks Hawkeye out. They cover for it before Graviton gets suspicious, and then Iron Man shows up, blasting at Grav with his repulsors. Hawkeye uses the confusion to grab some cover, as Graviton uses his powers to bounce Iron Man around. At the bottom of the pool, Wonder Man starts to move (come on, you didn't really think he was dead, did you?). Bobbi changes into her Mockingbird costume, and joins the fight. Graviton pounds Iron Man, but begins to feel light-headed. We learn that Bobbi spiked the booze, so most of Graviton's henchmen (and other guests) are conked out, but Grav himself must have "the constitution of a moose", because he's still on his feet. A skycycle shows up with "Hawkeye" on it (actually a Hawkeye dummy ... I guess they just had one lying around at the Compound?) and when Graviton blasts it, the real Hawkeye retrieves his gear. As Graviton and Iron Man fight, Wonder Man climbs out of the pool, pulling half of it down in the process; he surprises Graviton enough to get a punch in. Iron Man grabs Madame Masque and flies off with her. Graviton quickly follows, but before Wonder Man can chase them, Hawkeye tells him everything is going according to plan.




Graviton catches up to Iron Man and his "captive" a few miles north, near a power substation. Iron Man has hooked himself into the power grid so he can blast away at Graviton with everything the station can put out. Unfortunately, the cables connecting him to the station aren't as sturdy as his armor, so just as he blasts Graviton with a huge burst of power, the cables melt, causing feedback that knocks the armor offline temporarily. Tigra chooses this moment to drop her disguise and decks Graviton; Wonder Man shows up and he and Iron Man attack again. Graviton realizes he's been drugged, but is still confident that he can beat a mere five Avengers. Hawkeye hits him with some gas arrows, and Graviton makes the gas so heavy that it sinks to the ground. Graviton is still bragging about how tough he is when he keels over. Later, we see Graviton being hauled away (I'm not sure how they'll keep him incarcerated ... drug him constantly?), and Hawkeye tells a reporter that they have another important mission to take care of.




That mission turns out to be the long-delayed barbeque back at the Compound. Everyone has their masks off and is chowing down. Hawkeye plays a congratulatory message from Vision and Wonder Man reminds everyone that he no longer needs to breathe, which is why he survived being trapped at the bottom of the pool. Both Wondy and Tigra seem to have gotten past their self-doubts about being Avengers (and it seems like Stern may have been setting up a romance between the two of them). One of the things I liked about this miniseries is how Wondy and Tigra had their doubts (logical, considering their backstories), but Rhodey always seemed 100% down with being an Avenger. He wasn't arrogant about it, but he seemed confident enough to know he could cut it as an Avenger, unlike in the IronMan comics of the time, where he always seemed to have an inferiority complex. Anyway, Hawkeye ends the issue (and the miniseries) with "Once an Avenger, always an Avenger!" and we're told that the West Coasters will be appearing in Avengers #250 next (where I think they team up with the East Coast branch to  fight Maelstrom).



I really liked this miniseries, maybe more now than I did back then, since I can appreciate more of the background and surrounding events now. Bob Hall's art is great (he would've been good on the ongoing series), and I love how Stern uses all kinds of character  history and brings a bunch of other storylines into the series (Tony's booze problems, Secret Wars, the Casket of Ancient Winters, Spider Woman, etc.) I also like the way Stern writes these characters: Wondy and Tigra's doubts, Hawkeye having to be the calm leader instead of the hothead. Like I said before, I wish we'd gotten to see more of the characters from the cover of issue #1 (some of whom would've made great Avengers). I'm not sure about Shroud as an Avenger, but he might have made an interesting recurring character. And there were others (like Jessica Drew or Bill Foster) who could've been used too. I know Stern did have Foster lined up as the WCA's resident scientist, but once Hank Pym was brought in, Foster seemed to disappear pretty quick. I can't help wondering (one of those real life "What If?" scenarios) what it would've been like if Stern had written the regular West Coast Avengers series instead of Steve Englehart? Nothing against Englehart (I generally like his writing ... his Captain America run is classic), but some of his characterizations are a bit off, Tigra especially. He seemed to take all the nuance out of her. I liked some of his ideas (the way he wrote Firebird was interesting), but some of his choices left me a bit cold. I think if Stern had written both series at the same time, he could have coordinated the titles so they felt like two parts of a whole, instead of "Avengers" and "Avengers Junior", like we basically ended up with. Lots of people joke now about the West Coasters being lame knock-offs of the "real" Avengers, but Stern obviously meant them to be taken seriously ... hence their defeating Graviton with half as many Avengers as it took the first time. And maybe if Stern was writing both titles, he eventually would've worked some other characters into the book. Ah well, we'll never know what might have been!


Thursday, May 14, 2015

Inaugural Post: Missed It By That Much...


Doug: Today (and in future posts like this one) we're going to give you a specific comic book title and then ask you to make some positive choices. We're looking for elements of the book that you liked, but then asking you to pick a top dog. So this isn't like "Who's the Best..." -- here we're asking you to pick two things you like and then give a rationale as to why one's just a bit better to you than the other. Today's book is the Avengers, and it's all fair game -- storylines, creators, villains, heroes, covers, you name it! I'll start, as an example.

Doug: I really like Roger Stern's run on the book, particularly after John Buscema came back aboard for the penciling (you can have the Al Milgrom years). It's a pretty key run for me personally, as Stern was the writer when I got back into regular comics buying. I enjoyed Hercules and Namor on the team, and pretty quickly gravitated to the new Captain Marvel and her mentor-mentee relationship with Captain America. But... I don't like it as much as I like Steve Englehart's run a decade earlier. If Stern's run was formative in my re-entry, it was Englehart's work that was formative, period. I came aboard as the "Celestial Madonna" arc was beginning, and really loved the book from first glance. Reading that era, with the art of Dave Cockrum, the Vision and Scarlet Witch, and the scope of that Kang/Immortus/Rama-tut saga gave me such a sense of awe each month. And reading those issues alongside the reprints in Marvel Triple Action made me a fan for life. Follow it up some months later with the Serpent Crown/Wild West/Squadron Sinister epic, and I owe it to Englehart -- he hooked me.

Doug: Your turn!

Monday, October 21, 2013

Heroes and Horrors: Captain America 254


Captain America #254 (Feb. 1981)
"...To Battle Baron Blood!"
Roger Stern-John Byrne-Joe Rubenstein

Doug:  Only 10 more days to Halloween, and what says "October" like 100-year old vampires chewing on the neck of the Star-Spangled Avenger?  I say to thee -- nothing!  So let's get after it with the conclusion to last week's quite-fun cliffhanger.

Doug:  We start where we stopped last issue, with Captain America in a trance brought on from the powers of the vampire Baron Blood.  John Byrne draws a wiry ugly in the Baron, and we see him snaking around Cap's back and about to sink his fangs into our heroes neck.  Also on the scene are Lord Falsworth, in whose bedroom the scene climaxes, his daughter Jackie Crighton (the former Invader Spitfire), and her son Kenneth.  We get a 6-panel flashback to catch us up, and then the fangs sink into... nope, they don't.  Chain mail.  Getcha every time.  As a kid reading Avengers reprints drawn by Don Heck, I always thought Cap's shirt had little feathers all over it, somehow related to the wings on his mask.  I've said around here before that I did enjoy the manner in which John Cassady left no doubt as to the shirt's make-up.  Anyway, here the Baron gets nothing but a toothache -- and that ticks him off!  He lunges for Cap, swearing to break his neck.  All that breaks then is Hell, on the loose!  Cap launches his nemesis across the room, and then Kenneth stupidly moves in brandishing a floor lamp.  Against a supernaturally-strong vampire.  A floor lamp.  Blood dodges it and grabs Ken about the throat -- what is it with these guys and throats??  Fortunately the sun moves above the horizon, and you know what that means.  Everyone gets a chance to catch their breath.  Well, after Cap makes one more lunge to try to get Blood; he misses, but does a nice landing (certainly with a high degree of difficulty) after his trouble.

Karen: I much prefer a concise flashback to the  modern "Previously in Captain America" text page. That just seems like the easy way out. Besides, it's fun seeing how they will manage to incorporate the flashback. Will it be a memory or a recounting to another character, or something else entirely? Regarding Cap's chain mail, it seems to me that most artists tended to draw it more like scale mail -the "feathers" you so aptly describe, Doug. There's a big difference between chain and scale mail, as any former Dungeons and Dragons player could tell you! Here, Byrne and Rubenstein seem to get it right. You'd think Baron Blood would be smart enough not to try to bite through metal, but maybe he's gotten a bit daft over the years  And Kenneth...ah Kenneth...he has the Falsworth fire, but not the skill. He's lucky Cap interceded. And what an agile move by Cap as he tries to grab the fleeing Baron. I always think of Cap as being just a notch below Spidey and the other acrobatic heroes. 

Doug:  I couldn't agree more about the recent tradition of recap pages to lead off a comic.  It just seems to me like the reader, already paying a price point of around $4, loses a story page.  You're also right at the need for creativity in incorporating the storyline's summary into a somewhat seamless presentation to new readers (without ticking off the reader who was present for those previous issues!).


Doug:   As the group at Falsworth Manor collects themselves, Kenneth's friend Joey Chapman strolls onto the scene, in a bit of a crabby mood.  It seems the ruckus of the fight, as well as the thousands of rats Blood had marshaled, served to wake up ol' Joe.  Cap cops an attitude with him, though, asking him how it was that right when Baron Blood disappeared, Chapman appeared.  Joey doesn't take to kindly to the accusation and grabs Cap's left arm.  A pop in the noggin and quick reversal later, and Joey's shoulder's about to crack.  Kenneth talks Cap down, assuring him that Joey's not the vampire.  Cap simmers down, and then asks Jackie to go with him to contact Scotland Yard.  As they leave, Kenneth gets Joey put back together and then tells him the origin of Baron Blood.  Longtime readers of the Invaders would recognize this tale from that book's first year and a half.  John Falsworth had been largely cut out of his father's will, with brother James instead getting the mantle.  Ticked off, John went to the continent and made his way to Transylvania, where he figured he'd just go find Dracula and wake him up.  You know, to control him.  Riiiiight.  The Dark Lord awoke, bit ol' John on the neck, and now who's controlling who, huh?  Falsworth ended up back in Britain as an agent for the Kaiser and stirred up some trouble in the First World War.  Later, he cozied to the Nazis where he encoutered the Invaders, and his death.  During the final melee, the original Union Jack was crippled in battle and Jackie Falsworth ended up in need of a blood transfusion -- she got it from the Human Torch!  Of course, you may recall that the mingling of his android blood with her own gave her super speed (only in the comics, friends!).  Joey hears all this and thinks it's no wonder Cap was a little tense!

Karen: This is one of those rare times where we actually see Cap ticked off. He just manhandles Joey. It's embarrassing. Then another flashback! The whole Dracula story is pretty silly, but it's a means to an end. I haven't read those Invaders issues in ages. As I've mentioned before -loved the concept and most of the stories, but hated the art. 

Doug:  Cap was stressed in this story, wasn't he?  I think he felt a real responsibility to Union Jack and Spitfire, now aged and unable to protect themselves from the threat at hand.  Cap's always had a paternal side, though.

 

Doug:  We cut to a cottage, where a very large bat takes aim at an open window on the second floor.  Crossing the sill, it's Baron Blood who lands inside.  Licking his wounds from his battle against Captain America, he knows he'll have to have a better plan.  But for the time being, he needs to get into his disguise, which protects him from the sun.  And that disguise is...?  Doctor Cromwell, who we met last issue.  And doesn't John Byrne draw him creepy here!  The doctor greets his patient Jenny at the door -- she of the low iron in her blood who we met last ish.  Cut to the Falsworth home where an assault team is being assembled to sniff out Baron Blood.  Kenneth and Joey offer to help, and Cap says they can use every hand on deck.  On the sidelines, this riles Lord Falsworth, who feels responsible for Blood.  As the team fans out to search the countryside and nearby villages, we see later in the day our two young friends take a break in their favorite pub.  Who should wait on them but Jenny?  Kenneth remarks that she looks pale, and then drops us a line that he intends to marry her.  As she protests, saying Kenneth's mom would never allow him to marry a commoner, she faints.  As the boys move her to a cot in the back room, Joey notices fang marks on her neck!

Karen: I like the way this slowly unfolds. The vampire hunters do the usual job scouring the near-by area for the vampire, not suspecting he's right there among them. Lord Falsworth's quiet desperation tugs at the heart strings. And the Cromwell disguise is so bizarre -it's so distinctive that I wonder if  Byrne might have intended it to be a caricature of someone in the comics industry.

Doug:  Next is a brief interlude, as Bernie Rosenthal helps Mrs. Kapplebaum clean Steve Roger's apartment.  They engage in some small talk, with Mrs. Kapplebaum attempting to do some match-making.  Bernie's having none of it when the phone rings.  It's a guy with an advertising job for Steve -- and he quickly withdraws the offer upon hearing that Rogers is in England with no contact number!  Bernie wonders how this will turn out between she and Steve, while Mrs. Kapplebaum things they should plan a June wedding!

Karen: And speaking of caricatures -was "Carmine" from the advertising agency supposed to be Carmine Infantino?

Doug:  Or, Carmine could have been "The Big Ragoo" from Laverne and Shirley.  Nah...

Doug:  Back in the UK, we get a rather touching scene as Cap returns to Falsworth Manor.  Intent on upping the security around the home, he checks in on James Falsworth -- to find his old ally suited up as Union Jack!  While still wheelchair bound, the former hero of two World Wars tells Cap that maybe he can draw his brother out of hiding.  He also tells Cap that should the Baron get the best of him, Cap has his authority to end his life so that he not become a vampire.  Jackie happens by, and thinks to herself that her dad has his spark back.  She wonders if she, too, could be of help and sees her old Spitfire costume hanging on the wall.  Too many years, she says.  Too many years...

Karen: Seeing the two men together, two heroes from wars long past, but one old and infirm, and the other still miraculously young, we are reminded that the qualities that define a hero are more than just physical. Lord Falsworth's desire to be useful,  to make a sacrifice that will ultimately save lives, gets at the true core of what it is to be a hero. 

Doug:  And not an "anti-hero".  A Hero.  However, Jackie just as quickly turns on her father.  I think she became scared for him -- if she, at 20-some years younger could not compete in this battle, certainly he'd be killed instantly.  But he resists her verbal assault and again reiterates that because Blood is a Falsworth, it's their responsibility to deal with him.  But in the excitement, his heart acts up and he nearly lurches out of his wheelchair.  Some time later, he's in his bed (still clothed in his fightin' togs) when Dr. Cromwell arrives.  Uh oh -- this ain't gonna end well for somebody!  Cromwell does some preliminary examination of Lord Falsworth, and then ushers Cap and Jackie out of the room -- you know, it's going to be a long exam.  But as soon as they exit, the wolf leaps from the sheep's clothing and it's a quite-distraught Union Jack who says to Baron Blood, "but... you were defeated... your remains locked away in the Tower of London... How?"  Blood gives him the lowdown about his revival, the ruse of manipulating the real Dr. Cromwell and of killing him and his daughter (hence, the female skeleton in the casket in the Tower).  Then he tells Union Jack that he's going to drain his blood slowly, and make him an eternally old man among the undead.  But what should surprise the heck out of us but a suddenly revitalized, built-for-destruction hero rising from the mattress and slashing Baron Blood's midsection??

Karen: I gotta say, I really love that Union Jack costume. The full-face mask, the midnight blue -that's just a sexy outfit.

Doug:  Not only did Union Jack sit up all musclebound, he lays a double-footed roundhouse on the Baron's chin!  Blood figures that this is obviously some imposter, and in his rage wants to end it quickly.  Jack gets off a shot but misses.  Suddenly Cap bursts through the room's door as Blood knocks the revolver from Jack's hand.  Cap plants his left boot firmly in Blood's gut and then socks him in the head as Jack doubles the vampire over backwards.  But Blood is able to escape and flies out into the hallway.  He yells behind that he is leaving Falsworth Manor -- but a star-spangled shield to the gut changes his mind.  Union Jack follows Cap and leaps upon Blood, brandishing a silver dagger.  But the vampire is not to be taken so easily, and lunges for Jack, fangs bared.  Cap cannot get there in time, so throws open the drapes -- yep, it's still daylight.  Blood cries out, and yells at Captain America that he will not be saved by the sun again.  Cap's able to parry the next attack with his shield, and jumps onto Blood's chest as the vampire hits the floor.  Each man spouts his mantra, Cap of life and liberty, Blood of death.  As the vampire rends Cap's mail shirt, our hero reflects on something Lord Falsworth had told him last issue -- "There is only one way to totally destroy a vampire!"  Cap fights his conscience, his faith, and his oath as an Avenger... and then decapitates John Falsworth.


Karen: Cap really lays into Blood!That kick looks like it could take down a horse. The way Byrne and Rubenstein portray him, Cap is quite formidable. I never felt like he was truly out-classed by Baron Blood, despite the difference in their power levels. As for Blood's ultimate demise, I was truly struck by Cap's remorse. Despite -no, perhaps because of his time served during the war, taking any life, even one as abased as Blood's, causes Cap great distress. It seems like this is a trait of Cap's that developed later in the Silver and specifically the Bronze Age, to the point where ten years after this book came out, he'd be getting into a major disagreement with Iron Man over whether or not to kill the Kree Supreme Intelligence at the end of the "Operation Galactic Storm" storyline.  Here, Cap is quite devastated by having to end  Blood's reign of terror in such a gruesome manner. This took me back to earlier this summer, watching the new Superman film, Man of Steel, and all the controversy over having the main character take a life in it. I think Cap fulfills the same role (or used to) in the Marvel universe that Superman does/did in the DC universe -that of moral compass. Both set an example for the heroes of their worlds and we expect the best of them. What Cap does here is necessary but he still regrets having to do it.



Doug:  I am trying very hard to remember my reaction to the Black Knight's decision to slay the Kree Supreme Intelligence during "Operation: Galactic Storm".  I recall at the time having that "heroes don't kill" thought.

Doug:  As the rest of our cast enters the room, Joey Chapman removes the mask of Union Jack.  He tells Kenneth that he never would have been able to withstand Blood's attack; Kenneth doesn't argue.  Later, as night falls, the body of Baron Blood is taken to the moors and laid on a funeral pyre.  His remains become smoke, and Kenneth says to his grandfather that Baron Blood will not again menace the Falsworths.  But Cap tells him that Lord Falsworth cannot hear him.  You see, as his brother's body burned, James Falsworth went to meet his Maker.  The last page of the story is a wonderful splash, and you can see it below.  To say it carries a degree of grandeur would be an understatement.

Karen: The illustration is beautiful, although I had mixed feelings about the text. I don't know that I'd want to celebrate everything about Britain's 'empire'- but I'll take it in the spirit of the story. All in all, I really enjoyed this two-parter. It was a nice reminder of Cap's past adventures during the War, featured his sense of obligation and loyalty, gave us a glimpse into an era of his personal life that didn't involve SHIELD or other super-powered friends, and the horror story aspect was highly reminiscent of classic Hammer horror films. And what can you say about the art? Simply fantastic.

Doug:  Great choice of a story for the middle of the month, partner!  Really, if all comics were this good...  Well, I don't even know what I should say next but I think you know what I mean.  Roger Stern and John Byrne made a fabulous combination during this all-too-short run.  I'd like to comment, too, on the inks of Josef Rubenstein.  I mentioned last week that I'm reading from the Marvel Premier Hardcover that reprints the run.  At least in the version I have, Rubenstein's inks gave off an early Silver Age vibe at times, akin to those who layered Kirby's work in early Avengers and Tales of Suspense stories.  It was kind of cool to me, given the ages-spanning aspect of this story.  Fun, fun, fun!

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