Fantastic Four Fridays: Surfer's Girl, My Little Surfer's Girl
Fantastic Four#155 (February 1975) "Battle Royal!" Len Wein-Rich Buckler/Joe Sinnott
Doug: In all the issues of the FF reviewed so far by the BAB, we've not covered one of the major artists who worked on that book in the Bronze Age. Mainly focusing on the work of John Buscema and George Perez, we've neglected the middle of that sandwich -- namely Rich Buckler. Maligned by some for various reasons, Buckler was nonetheless the penciller on the title when I first discovered it. Because of that, he's for me to the FF what Ross Andru is for Spider-Man and Bob Brown is for Daredevil.
Karen: John Buscema will always be 'my' FF artist, but Buckler was the guy during a solid chunk of my years as a regular FF reader.
Doug: This one begins with a walk in the park... literally. A group of hoods are hanging out in Central Park, when they spy a presumably unsuspecting family out for a stroll. Making their move, the toughs draw their switchblades and close in. Grabbing the oldest-looking of the four, they are more than a bit dismayed when ol' boy's hat falls off, revealing the ever lovin' blue-eyed Thing! Ben initially begins to dispense a little justice, until Reed calls him to order. Nevertheless wanting to send a message, Ben uproots a lamp post and twists it into a pretzel.
Karen: I love how the thugs call Ben 'fatso' before he turns around and they see who he is. Back in the day, the Thing always seemed of average height, say 6', but he was incredibly wide and massive. He didn't have the usual proportions of a super-hero. I like that.
Doug: However, the interrupted walk becomes all the more interrupted, as the Silver Surfer streaks onto the scene -- and he's not happy! Issuing a challenge to the Four, Norrin Radd immediately threatens and then attacks Ben. Of course, what follows is one of those "gee, don't you think this would work better if we cooperated with each other?" fights. To be fair, I'm sure none of our heroes expected their longtime ally to launch such a ferocious assault; and it certainly appeared that the Surfer would pull no punches. In fact, it's shortly into the fracas when he announced it was the death of the Fantastic Four that was his mission!
Karen: The FF are startled and certainly not entirely on their game, but let's face it: the Surfer is way too powerful for them to handle! It seems like the Surfer can do almost anything with his power cosmic.
Doug: Let's take a halftime here to discuss the artwork. As I said at the top, this is pretty familiar stuff to me. I think the biggest thing about Buckler's art is that the reader never knows what to expect. That is not to say that he wasn't consistent month-to-month. But when you look at his work on a here-and-there basis, you might find him aping Neal Adams, or certainly Jack Kirby. I guess for me, I don't know what Rich Buckler is all about. I don't think there's any doubt that he had (has) talent, but I'm not sure that it was ever on display as fully "his work" until he did the Saga of the Sub-Mariner and Saga of the Original Human Torch mini-series in 1988-90 (by the way, I think he draws a great Torch, no matter what era). So while Buckler wouldn't be my first choice on the FF, he's not bad. I would complain that he seems to have one stock figure for every male he draws in this book -- every body shape is the same (or at least the same size). Of course, Sinnott continues to be the glue that holds the series together.
Karen: I always thought Buckler was a very solid artist - at times a great one. He was asked to mimic others and that may have hurt him early on in trying to establish an identity. But his work in this issue, for example, is quite dynamic. He takes some risks in panel composition and for the most part they work out fine. His work is clean and easy to follow. As you mentioned, Sinnott brings a continuity to the FF, regardless of who is penciling it.
Doug: Oh, one other thing -- this was the period when Johnny had donned the red suit. What did you think of that? I rather liked it as an homage to the Original Torch. Plus, with Medusa not surrendering her lavender-and-purple outfit, it gave the team another splash of color. Although you could certainly argue that red, lavender, orange, purple and blue make for quite a garish display!
Karen: It was sort of like when the X-Men moved away from the school uniforms -they kept the belt but had their own styles. But overall I would prefer everyone in matching outfits, or at least the same color. She-Hulk also had her own variation, but as it was the same color, it looked fine with the rest of the team.
Doug: Once the FF are down, the Surfer relates a tale of how he came to attack them. After having left the Defenders, he went into a self-imposed meditative exile. In a most-spiritual narration, the Surfer claimed to have determined a way to burst the barrier set on him by Galactus lo those many years ago. Actually successful this time, he found that there was a failsafe enacted by the Devourer -- once in space, the Surfer's protective coating began to dissolve. Crashing back through the barrier and to Earth, his powers returned as he plummeted, saving him from splatting all over the landscape! However, could he have chosen a worse landing place?
Karen: How did you like the Surfer's method of escape -circling the Earth zillions of times, building up tremendous speed? I was wondering if he was going to go back in time! And what are the odds of him landing where he did?
Doug: Yep -- Latveria is not a nice place to visit at any time of year. But what was hanging on the walls was even more alarming than just being in that evil burg: a poster honoring the queen of Latveria, a maid bearing more than a striking resemblance to Shalla Bal, the love of Norrin Radd! Alarmed, and not a bit enraged, the Surfer took off for the castle she was supposedly in. On the way, however, he spied the Fantastic Four in combat with some shock troops. The FF made short work of the first wave, but were killed by the reinforcements! It was right then that the Surfer noted that this was a training operation against doppelganger robots. Alighting on the floor where the queen resided, the Surfer confronted an alarmed beauty. Knowing him not, she recoiled in fear. And it was then that the king entered the room -- Dr. Doom!
Karen: Doom's looking particularly maniacal here. He always did seem to enjoy messing with the oh-so-pure Surfer.
Doug: So here's the set-up for next issue's big doings: Doom promised the Surfer that he would release Shalla Bal from her vows of marriage, restore her memory, and return her to the Surfer...if he killed the Fantastic Four! And lest you think that by page 20 the Surfer and our heroes have cut a deal, formed an alliance, whatever -- nope. The Surfer begins to drain their lifeforce! To be continued!
After many requests, we have finally signed up for an email address dedicated to the Bronze Age Babies. Now if you have something to discuss, and don't want to do it publicly, you can write to us at bronzeagebabies AT yahoo DOT com. Both Doug and Karen will monitor that address, and will reply promptly as necessary.
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Karen and Doug
We don't own property rights for any of the images we show on Bronze Age Babies -- those copyrights are retained by their respective owners. Most images are from books, etc. that we have individually purchased, while others have been copied from the Internet. All images are displayed here for the purpose of education and review within the "fair use" terms of U.S. Code: Title 17, Sec. 107. If we've used something we shouldn't have, please ask and we'll take it down. Thank you -- Doug and Karen
Meet the Bronze Age Babies
Karen and Doug met on the Avengers Assemble! message board back in September 2006. On June 16 2009 they went live with the Bronze Age Babies blog, sharing their love for 1970s and '80s pop culture with readers who happen by each day. You'll find conversations on comics, TV, music, movies, toys, food... just about anything that evokes memories of our beloved pasts!
Doug is a high school social science teacher and department chairman living south of Chicago; he also does contract work for the United States Holocaust Memorial Museum. He is married with two sons in college, one working on a BA, the older an MA. This makes Doug feel old.
Karen originally hails from northern California and now works in scientific research/writing in the Phoenix area. She often contributes articles to Back Issue magazine. She is married. She hangs out with Joe Biden occasionally.
Believe it or not, the Bronze Age Babies have never spoken to each other...
Doug's Feeling Melancholy - He's Selling His Comics!
After months of heart-rending introspection, with many hours devoted to inventory/grading/pricing, etc., I've decided to sell my comic books (and some other things, too). After hearing what dealers would most likely offer, I regrettably decided to go the eBay route. You can find my active auctions by clicking here. My eBay ID is dlw66.
The auctioning of my complete run of Avengers (1963), including Annuals and Giant-Size, and my run of Volume 3, is about over. Now we'll move on to Amazing Spider-Man.
You can see a wonderful discussion on collecting comics and also follow Doug's progress by clicking here. And, an updated conversation can be seen here.
Dig Karen's Work Here? Then You Should Check Her Out in Back Issue!
BI #44 is available for digital download and in print. I've read Karen's article on reader reaction to Gerry Conway's ASM #121-122, and it's excellent. This entire magazine was fun! -- Doug
Back Issue #45
As if Karen's work on Spidey in the Bronze Age wasn't awesome enough, she's at it again with a look at the romance of the Vision and the Scarlet Witch in Back Issue's "Odd Couples" issue -- from TwoMorrows!
Karen's talking the Mighty Thor in the Bronze Age!
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