Iron Man #44 (January 1972)
"Armageddon on Avenue 'A'" (Ant-Man back-up story)
Roy Thomas-Ross Andru/Mike Esposito
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Doug: It was a Saturday evening, 24 May 2014 to be exact, when I became aware that this story even existed. I was laying in bed reading through Back Issue #71 when I came to a summary of the life of Marvel Feature. In that story, as the author (Dewey Cassell) detailed the Ant-Man strip replacing the Defenders after their 3-issue run, it was stated that Ant-Man was featured in a back-up tale in Iron Man #44.
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Doug: Ross Andru isn't the first guy I'd expect to draw Ant-Man, and I really have no idea why this story was created in the first place. I'm assuming it was one of those stock stories that Marvel kept handy. It's anyone's guess -- did George Tuska take ill and fault on his page count for the main Iron Man story? At any rate, we open with a splash page that sort of summarizes Ant-Man's career and to a note from Roy Thomas at the end basically telling us to ignore the page! So alrighty -- this 8-pager just became a 7-pager. Now that's weird. So on the real first page, we're introduced to a fella named Wilbur Grabowski. Wilbur seems to have been infected with whatever the Black Cat metes out -- a lifelong case of bad luck. Wilbur's a doofus. We see several panels of him, throughout his life, moving from one screw-up to another. But tonight, Wilbur's going to change his luck. Wilbur owns a candy store that's been failing. But, thinks Wilbur, with money from the insurance policy his life could turn. So, he ponders a little arson and...
Doug: Outside the candy store, riding a flying ant in the beam of a street lamp, is one Dr. Henry Pym. He's dressed as Ant-Man. To give you a little temporal compass, Neal Adams famously drew Ant-Man in Avengers #93 (cover dated November 1971); this story was sold only two months after. Coincidence? Roy Thomas was the author of both tales.
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Doug: As Hank ascertains the subterranean situation he can still hear Wilbur muttering to himself upstairs. But guessing that Wilbur is harmless, Hank allows himself to get caught by a cricket. He calls it the oldest trick in the superhero handbook -- "take me to your leader", so to speak. But when the cricket begins to spirit Hank toward a light, our hero suddenly becomes quite alarmed at the bug he sees ahead. *Editorial interlude: I am having a really hard time taking this story seriously.
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Doug: The S.B. tells Pym that insects will eradicate humans from the planet and again dominate the world. And then to hammer his point home, S.B. grabs Pym's belt away from him -- he says that a man's dominator ought to be larger than life.
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Doug: As Hank had paused to survey the growing fire, the Scarlet Beetle caught up to him and grabbed him. But Hank, still possessing his full-grown strength easily flipped S.B. back onto his topside again. And wouldn't you know it -- right in the path of Wilbur's dropped kerosene can. S.B. was crushed, killed -- because one of Hank's ants had crawled up Wilbur's leg and irritated him. And wouldn't you know, ol' Wilbur's luck didn't change after all. As he went to run out of the burning candy store he was met by the police and firemen. Bad luck again. But as Hank mused to himself, maybe that guy had saved the world!
Doug: This was a decent-enough story; it certainly was a heritage sort of tale in that it looked back to Marvel's monster days and the dawn of the Marvel Age. The art team of Andru/Esposito was steady, but I have to declare that I didn't always get that "Ross Andru Amazing Spider-Man" vibe from his work here. Occasionally I could see in a face the Andru tendencies, but the figurework didn't to me evoke his Spidey work. As has been well-documented around here, I'm a big Hank Pym fan. So although this was a quirky story, it was nice to see Hank star in a strip where he was actually the hero, and with no clay feet. How about that?
14 comments:
I kind of like the art, but then I've always been fond of Andru & Esposito.
Yes, this seems like a really odd story - and virtually hilarious, with that mean talking beetle.
What I just can't get over is that panel on the first page: basically, Roy's saying "Ross and Mike put a lot of effort into this nice collage of Ant Man images, but who care? Turn the page!"
In prepping for today's post, I scurried over to Groovy's to see if he had this story. Read it and his comments, then jumped to Mike's Amazing World to see what was happening at Marvel during this time. What I learned was this issue came directly after Marvel's attempt at the 52 page 25 cent comic. Issue 42 had been a 32 page 15 cent issue and now you had a return to the 32 pages, but now 25 cents for your reading pleasure.
I agree how this was not only a return of an old, dare we say, classic Ant-Man foe but almost an homage to the old monster stories that was Marvel in the early 60s. Funny how the years have made that nostalgia for many of the creators while Mr Lee himself may have been saying: We were just trying to put food on the table!
Another good look into the cracks of our childhood. I think if this was radio, we would label this a closet classic?
The Prowler (a whole post and only one !)
Sorry, my bad typing again, "now 25 cents" should read "now 20 cents"
The Prowler (dagnabbit).
I love the man in the hat saying "No! It's the end of the world!" - that's a perfectly normal reaction when a swarm of flying insects turns up ! Thanks for the link to Back Issue - I've not seen this magazine before, that was a nice cover picture of Dr. Strange and Clea (I've never known how to pronounce her name - to rhyme with tea or perhaps like Clee-a.)
Colin, as a kid, I pronounced it Clee-a, and apparently I was right, at least according to that late '70s made-for-TV Dr. Strange movie.
Thanks for sharing this,Doug. I don't mind characters like Scarlett Beetle, since I grew up watching movies like 'Them' and 'The Deadly Mantis'.
But I've never found Hank Pym interesting enough to carry a solo story. I enjoy him and Jan in Avengers stories during the Bronze (and late Silver) Age, but that's about it.
An obscure tale indeed.
First off the IM cover.. It seemed to me that, for whatever reason, most IM covers during these couple of years were plagued with very 'underwhelming villains'. I found it a joke for the title to start with 'The INVINCIBLE..', then to have some clown in a lame suit getting the edge on ol' Tony Stark.
As for the story, luckily Andru had Vince Colletta do the inks on his Shanna stint, softening the features quite positively. I know the Andru/Esposito team were doing a lot of work at DC doing Worlds Finest in the late '60s with those Murphy Anderson covers just before this; I picked up a few without knowing Andru did the interiors and it was very similar obviously to this tale. IMHO, I never thought Esposito was a good inker for Andru. I didn't think much of their stint on ASM (especially after my first few ASM issues being with Romita in 1973, and the Marvel Tales reprinting at the time....), but it was alright. Their depiction of chins and eye's always bugged me.
All in all, will have to add this to the list to pickup, I'm sure it'll wind up in some Ant-Man Masterworks someday soon.
I kind of like stories like this one, though I will admit a certain fondness for the character of Ant-man (regardless of who it might be).
I like the idea of a beetle-sized beetle villain with powers (why should humans be the only ones with wacky irradiated powers?).
I agree w/ The Prowler that this is kind of a throwback to the monster stories of the Silver Age.
But oooh yeah, the "jive talk" is terrible. It is a sign of the time alright - but as the recent "thugged out" New 52 version of Mr. Terrific shows us (you might want to avoid the comments if you click that link), comics still have a long way to go in allowing for a diverse representation of black people.
Geez, DC is just determined to crap all over its characters. I really liked Mr. Terrific. Another reason to stay away from the new 52...
I read about this story just a few days ago in another blog discussing Marvel's brief foray into transforming most of its titles from regular size 15 centers into "king-size" 25 centers before changing to regular size 20 centers. During the same period there was a blurb in the Bullpen Bulletins that Iron Man & Daredevil would be combined into one mag. That never happened, but apparently a shorter than usual Iron Man story was produced on the assumption that it would and maybe Roy came up with this short Ant Man yarn to fill in the gap. Hmm, and wasn't Andru drawing the Defenders over in Marvel Feature, although I believe Herb Trimpe did the art on the Ant Man series that came next.
Funny that after having changed Hank Pym into Yellowjacket, Roy was now pumping out Ant Man stories as either writer in this and the Avengers stories, or as editor with the M.F. run, after which Pym wouldn't return in that guise until Shooter's first run in the Avengers, in which a disturbed Ant Man and his ant buddies takes on his teammates and do a pretty good job of it.
Ah, VERY NICE masthead.
I always enjoyed Big John's work on now-classic FF tales emmensely.
Bravo.
Doug. Dude. Joint reviews or solo, they're well worth waiting for. :)
Thanks, Comicsfan! You're not so bad yourself! ;)
Doug
Have you read the main story in this issue recently? Robert Kanigher's script is bizarre, written in a florid, overripe style that makes Stan Lee seem like Ernest Hemingway.
Sample dialogue:
Marianne: Iron Man's eerie metal sheath fllls me with nameless dread. My heart weeps for him but my eyes are dry. Can I love and hate him at the same time?
Kevin: Look to the moon for your answer, Marianne.
Marianne: I'll find no answer in the inconstant moon.
But then you also get this:
Iron Man: You've licked your chops at everything I've served you! Now gulp down these sizzling pizzas from Pompeii! Swallow this red-hot double scoop from Hell!
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