Doug: Interesting question today, and one that's the subject of criticisms of certain artists from time to time -- does your mind's eye require backgrounds in a panel, or are you generally OK with just plain colors?
Doug: Certainly when the boys from Image were getting rolling, one of the knocks on Mr. Liefeld was his lack of not only feet on his characters, but often the lack of the insertion of background pencils behind those same characters -- speed lines, cross-hatching, and general smokiness don't count in my book. Now I know that those sorts of details can be a bit tedious in a major-deadline sort of way, but we also know that in the past some artists have gotten up-and-comers to cut their teeth doing solely detail work. With the sort of cash those Marvel-leavers were generating, they certainly could have afforded to find a way to make it right. If you're unsure of what I'm speaking, run your eye down the main page of our blog and check out some of Sal Buscema's panel work. In fact, other than the Gil Kane Tales of Suspense sample near the bottom, just about all of our examples contain backgrounds.
Doug: So you can tell I'm a guy that would like "the whole picture". I'd also like it to be accurate when necessary -- quite a while ago we reviewed Fantastic Four #167, where the Hulk and Thing battle atop St. Louis' Gateway Arch. The art team of George Perez and Joe Sinnott inaccurately depicted the Arch, which is metal, as being made of concrete. Uh uh -- definite no-no. Do some research.
Doug: So sound off, and thanks in advance as always!
Marvel Feature #1 / Defenders - Neal Adams cover
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