Karen: What's your vote for best live album? There are some obvious choices (Live at Leeds by the Who, Frampton Comes Alive by Peter Frampton are two that immediately spring to mind), but let's hear some of your favorites. Karen: I'll get things going with a few favorites,a couple well known and one rather obscure. Get Yer Ya-Yas Out by the Rolling Stones is a great example of the band as they transitioned from the Brian Jones era into the Mick Taylor era (which I think was their most musically creative period). The band is tight and energized, and the production is clean -although some of this may be attributed to some clean up in the studio later on. But it's an exciting album that might be the Stones' best live album. Some of these versions of songs sound better than the studio versions -Stray Cat Blues and particularly Midnight Rambler stand out here. I heard this version of Midnight Rambler on the greatest hits album Hot Rocks before I heard the studio version (the original studio version came out on Let It Bleed). It's telling that they used the live version on that collection - it's clearly superior, played with much more drive. Charlie Watts is a beast throughout the album (culled from four performances over a three day period in November 1969). Karen: Johnny Cash At Folsom Prison is a classic. To me, Cash transcends genres. He's his own type of music. I love listening to his voice here, and it's a kick hearing his interactions with his prison audience and the officials in 1968. Everything here just screams authenticity, and Cash was certainly seen as an anti-hero type (the Man in Black), playing songs about bad men, regrets, and shots at redemption. I really like Cocaine Blues and I Got Stripes, but I think this is one of those albums where it's best to just listen to the whole thing rather than cherry pick tracks.
Karen: My obscure fave is by proto-punk godfather Iggy Pop. Recorded in 1988, King Biscuit Flower Hour Presents is a tour de force by the Iggster. A combination of old Stooges tunes and Iggy's later solo efforts, it's hard thrashing rock all the way. His backing band isn't particularly noteworthy -they're no Sales Brothers, unfortunately -but they do a good enough job with the material, and Iggy himself provides enough energy to send the set into the stratosphere. There are 17 tracks here and as Iggy says at one point, "we're gonna try to rock it to you straight, no bullsh*t" and they succeed at that. This album is practically worth the price just to hear Iggy's comments between songs. At this point in his career, he was obviously grateful to be performing. He comes off alternately humble ("thanks a f%$* of a lot for being here," "This is all the music I can give,") to crazed, confrontational ("You do it! Go ahead and do it mother f%@#er!"). In other words, prime Iggy. The sound quality is also surprisingly good -unlike some other live Stooges and Iggy albums I've heard. Karen: All right, I've blathered long enough. Your turn!
Karen has joined the ranks of podcasters along with her friends Larry and Bob on the Planet 8 podcast. Click on the image to hear them explore all things geek!
Patronize our Staff Writers
Our collaborators, Martinex1 and Redartz, now manage their own space. If you have liked the sorts of topics seen here on Bronze Age Babies, then you are going to feel right at home at Back in the Bronze Age... Give them a visit!
Karen and Doug
Bronze Age Babies, Unite!
On Sunday, 4/23/17, Martinex1, Doug, and Redartz gathered for a day of fun at C2E2 in Chicago. It was great to finally meet in person after years of online cameraderie.
Rules of Engagement
Welcome to the Bronze Age Babies.
We hope you'll find the conversation stimulating. Not only will you be able to participate in the day's discussion, but don't hesitate to journey into our archives and visit almost 2300 posts on all manner of pop culture.
We hope you enjoy our community. Please be aware that this is a TROLL-FREE ZONE. We'd appreciate if combativeness, prejudicial or racist statements, and general surliness be taken elsewhere. Here, we are free to hold an opinion and to be asked to argue for it -- but all in a spirit of respect.
Karen and Doug met on the Avengers Assemble! message board back in September 2006. On June 16 2009 they went live with the Bronze Age Babies blog, sharing their love for 1970s and '80s pop culture with readers who happen by each day. You'll find conversations on comics, TV, music, movies, toys, food... just about anything that evokes memories of our beloved pasts!
Doug is a high school social science teacher and department chairman living south of Chicago; he also does contract work for the United States Holocaust Memorial Museum. He is married with two adult sons, also both married.
Karen originally hails from California and now works in scientific research/writing in the Phoenix area. She often contributes articles to Back Issue magazine. She is married. She hangs out with Joe Biden occasionally.
Believe it or not, the Bronze Age Babies have never spoken to each other...
We don't own property rights for any of the images we show on Bronze Age Babies -- those copyrights are retained by their respective owners. Most images are from books, etc. that we have individually purchased, while others have been copied from the Internet. All images are displayed here for the purpose of education and review within the "fair use" terms of U.S. Code: Title 17, Sec. 107. If we've used something we shouldn't have, please ask and we'll take it down. Thank you -- Doug and Karen
Dig Karen's Work Here? Then You Should Check Her Out in Back Issue!
BI #44 is available for digital download and in print. I've read Karen's article on reader reaction to Gerry Conway's ASM #121-122, and it's excellent. This entire magazine was fun! -- Doug
Back Issue #45
As if Karen's work on Spidey in the Bronze Age wasn't awesome enough, she's at it again with a look at the romance of the Vision and the Scarlet Witch in Back Issue's "Odd Couples" issue -- from TwoMorrows!
Karen's talking the Mighty Thor in the Bronze Age!
Click the cover to order a print or digital copy of Back Issue! #53