Showing posts with label hollow earth. Show all posts
Showing posts with label hollow earth. Show all posts

Wednesday, October 26, 2016

Frankenstein Underground


Frankenstein Underground (Dark Horse, 2015)
Mike Mignola -Ben Stenbeck -Dave Stewart

Karen: First things first: yes, I know this is not a Bronze Age book. But, it's nearly Halloween, and we always do some horror and monster-oriented reviews during October. I happened to have read this recently and enjoyed it, so I thought, "Why not?" And that's as close to an explanation as you're going to get.




Besides, I think this is a terrific book. I'll admit that at first I was disappointed to learn that Mignola did not handle the interior art work, but I soon found myself  over that, as Ben Stenbeck is a more than able replacement. I would say he captures the mood of Mignola's milieu but his actual style is much more classical, in some ways reminding me of another horror master, Mike Ploog. Certainly there is Mignola's influence in design, but Stenbeck proves his own man.




If you have any background with Hellboy or Mignola's other comics in that same world, you'll be instantly comfortable with this story. But even if you don't, I don't believe it would be hard to jump in. I had not read the story which preceded this one (House of the Living Dead) but I had no trouble with any part of this story. Mignola's Frankenstein Monster seems a bit of an amalgamation of the literary version with Karloff's creature, and maybe a wrestler thrown in for good measure. There's certainly no mistaking the design for anything other than something from the Hellboy universe. The huge, clunky bolts popping out from all over are a little comical at times though.




The tale takes place in 1956, and the Monster is again fleeing persecution, this time in Mexico. He runs into a cave and winds up falling deep into the Earth, arriving in a strange landscape that he believes is Hell. He soon discovers (or is discovered by) a group of primitive people, who put him in chains and haul him off to a temple. There he is brought before their 'god' -who turns out to be a modern American man. He and others are the only survivors of a lost expedition. This part of the story takes its cues from 'Hollow Earth' theories, and if you've been reading this blog for a while, you know I eat this kind of stuff up. However, a terrible, evil force has corrupted the leader of the expedition, and one of Mignola's Cthulhu-derived elder gods is on the way. The Monster finds himself fighting for the unfortunate victims of this abomination, and in doing so, discovers redemption.




There have been so many versions of the Monster in popular culture. Mignola has managed to give his version his own spin while retaining that essence of the tragic, tortured creature abandoned by his creator. This Monster is no innocent, yet you can't help but feel sympathy for him, and his struggle with his identity, and his sense of purpose, is moving. It's fascinating to me that in most modern depictions, the Monster is usually portrayed as the misunderstood hero of the piece. No doubt that's driven by a generation of adolescents like us who grew up watching old Frankenstein films on Saturdays, feeling a great affinity with a mistreated seven foot tall reanimated corpse. 




There's action a'plenty in the book, with Frankenstein squaring off against the Morlock-like primitives, a club-wielding giant, weird tentacled beasties, and much more. I have to complement Dave Stewart's colors too, which are absolutely essential  in creating the eerie and mysterious settings. 

All in all, highly recommended, whether you are a fan of Mignola's work, or Frankenstein in general.

Monday, February 1, 2016

The Ancient Origins of the Inhumans


The Inhumans -The Origin of the Inhumans
Stan Lee/Jack Kirby
Contains part or all of Fantastic Four #s 36, 38, 41-48, 50,52,54-65, Annual #5, Thor #146-152, Not Brand Ecch #6

Karen: The Inhumans have a long and complicated history in the Marvel universe. They've mostly served as supporting players and guest stars, occasionally getting a shot at their own book. Currently they've become more prominent as real world business concerns have pushed them to the forefront, as they essentially have usurped the role that mutants once held as the super-powered outcasts hiding among normal human beings. They've also become key figures on Marvel's Agents of SHIELD TV show, although none of the established comics characters have appeared.  But they started out very differently, as members of a mysterious hidden race of people with ancient origins. Marvel has put together a nice TPB called The Origin of the Inhumans that takes issues and partial issues from different sources to tell the story of the Inhumans. If you don't like books where you only get part of an issue, then this isn't the TPB for you. However, in my case, I had the FF issues already. I was most interested in the Thor back-ups found here. And, I just wanted everything in one place. This is less a review of the book than a discussion of the piecemeal origin story of the Inhumans.

Karen: Their first appearances came in the pages of Fantastic Four, where readers were as puzzled by the strange group as the FF themselves.  "Are they mutants?" Sue Richards  asked her husband Reed Richards upon their first encounter in FF #46 (January 1966). "No, Sue! They seem to think of themselves as Inhumans - and they may be right!" Later, Reed states that, "I realize now that they are a slightly different type of life which evolved without mankind knowing it...and they've combined all their inhuman powers for their mutual safety!" Sue surmises, "Then Medusa wasn't some sort of freak, but rather part of some strange unsuspected race!"



Karen: Shortly after this, the FF encounter The Seeker, an Inhuman who has been charged with bringing renegade Inhumans back to their home, the Great Refuge,whether they like it or not. He provides the FF, and the reader, with a very short explanation of the Inhumans' origins. The Seeker says that their civilization dates back to prehistoric times. His people developed a highly advanced society, capable of genetic manipulation. Using this knowledge, they created people with super-powers. However, regular Homo sapiens were still far more numerous, and still a threat (how??), and so the Inhumans retreated to their Great Refuge -a hidden city.




Karen: This was basically all we knew about the beginnings of the Inhumans until almost a year and a half later, when the details of how they developed so far past the rest of humanity were revealed in an unlikely place: the back pages of Thor. Previously, the Thunder God's mag had featured Tales of Asgard as a back-up feature, and this seemed fitting; but out of nowhere, starting with issue #146, cover dated November 1967, the Inhumans took over the back up spot for seven issues. The first two stories dealt directly with how the Inhumans came to be; the next two tales revealed Blackbolt's origin; and the final three stories were simply a Triton solo adventure. (For the curious, after those seven stories, the decision was made to devote the entire book to the Thunder God, and not long after, the Inhumans popped up in Amazing Adventures, splitting that book with the Black Widow). The initial tale "The Origin of ...The Incomparable Inhumans!" reiterates what The Seeker had said previously: that his people had advanced beyond humanity far back in time, when mankind was just beginning to develop tools and language. But expanding on this, we are shown the homeland of the Inhumans, the island of Attilan, a technological marvel. The people here are dedicated to knowledge -both the story and visuals here cannot help but conjure up thoughts of the legends of Atlantis. The leading scientists have made a new discovery -Terrogen Mist. At this point, the Inhumans are not Inhuman -they are advanced, yes, but have no special powers. Randac, their leader, muses that the Terrogen Mist "...might unleash a deadly plague upon the Earth! But its mysterious power might also erase the natural, basic weaknesses in man -- allowing us to become more than human--allowing us to advance a step beyond Homo sapiens..." Randac decides he will test the Mist on himself, and in doing so, becomes the first ancestor of the Inhumans.



Karen: In the second tale, "The Reason Why!", Lee and Kirby draw together threads from disparate Fantastic Four stories over the previous two years, as they tie the Inhumans' beginnings together with an unsuspected source: the alien race known as the Kree. A giant humanoid Sentry, placed by the Kree on Earth thousands of years prior, comes out of hibernation when it senses the activity at Attilan. The Sentry -Sentry 459, who has already made a 20th century appearance, battling the FF in Fantastic Four #64 (July 1967) - travels to the city and explains to Randac and others that the Kree stopped at Earth long ago and used their scientific capabilities to artificially give an evolutionary 'boost' to one tribe of Homo sapiens. Randac and his people are relieved -at last they know why they are so much more advanced than the rest of humanity. The Sentry is also aware that Randac has exposed himself to the Terrigen (note change in spelling) Mists, and asks if he was changed. Randac fires off an energy blast and says he  will allow all his subjects enter the Terrigen chamber, to gain powers as he has. The Sentry proclaims that the people of Attilan will be known as the Inhumans -and he warns them that the Kree may return some day, and may not be benevolent. 




Karen: If this origin story sounds familiar to you, it may be because you've read Chariots of the Gods or just watched a lot of the History Channel. It's essentially the 'Ancient Astronauts' theory, and it's been around a very long time. It's been a staple of science fiction stories in print and TV and film. The Inhumans' origin mashes together the ancient astronaut legend with Hidden Race stories, like Hollow Earth tales, the Shaver mysteries, and so on. Blackbolt and company were provided with a solid science fiction lineage that gave them strong roots in the Marvel universe - part of the FF's supporting cast, born of both Earth and the cosmos, they could fit into any sort of story that Lee/Kirby could contrive. 

Karen: Blackbolt himself received the spotlight in the next two Thor back-up issues (Thor #s 148 and 149, Jan-Feb 1968), as the silent king's birth and youth were explored. Born to Agon and Rynda, the chief geneticists of Attilan, Blackbolt is shown exhibiting powers as an infant -no Terrigen Mist is mentioned here. In this sense, he seems more like a mutant than an inhuman. He has control over electrons -which seems to allow him to manipulate both matter and energy. The babe creates toys for himself from thin air, although we are told this power will fade as he grows older. Other powers, such as levitation, will, however, grow stronger. Unanticipated, though, is the newborn's sonic scream, which decimates the building he is in and several others, although he is unharmed, due to a force shield he constructed subconsciously. 



Karen: When we catch up with Blackbolt in the next issue, he is now a young man of 19. He has spent his youth separated from his people inside soundproof quarters. His father Agon, now introduced as ruler of the Inhumans, appears on a viewscreen and tells his son that he is trusted to remain silent among his people, and can leave the chamber. His cousins Karnak, Gorgon, Medusa, and 8 year old Crystal come to greet him. Unfortunately, so does his brother Maximus, who tries to cause Blackbolt to scream by zapping him with a weapon. Maximus thinks this will show Blackbolt is unworthy of being Agon's heir. Blackbolt resists, although he is in great pain, and his cousins restrain Maximus. But a dismayed Blackbolt realizes he will have to control himself and remain silent for every moment of his life.




Karen: I'll be the first to admit I haven't read every appearance of the Inhumans that came after, although I was always pleased to see them wherever they did appear. I think the way they were inserted into the Fantastic Four and the Marvel universe itself was brilliant. If you go back and look at each appearance as it happened in the FF or Thor, there's some amazing world-building going on. Lee/Kirby bring in Medusa as a member of the Frightful Four in FF#36 (March 1965) and she remains a villainess of unknown origin for several issues up until the other Inhumans start to appear with Gorgon in issue #44. I haven't researched it, but I would guess that when Medusa was first brought in, the idea for her to be part of some hidden race probably hadn't been hatched yet. But it all worked out flawlessly. Similarly, when the Kree, the Sentry, and Ronan the Accuser were introduced in Fantastic Four #s 64-65, were the plans already afoot to have the Kree be the creators of the Inhumans? Only months after these issues came out, the story of the Kree's experiments appeared in the back pages of Thor. Serendipity or careful planning? Either way, it all meshed together beautifully and created a foundation that has served later writers and artists well. 

Karen: Kirby obviously had a fascination with the ancient astronaut theory. He used it again when he returned to Marvel in the 1970s and created The Eternals, who resemble the Inhumans in that they are the super-powered  products of alien 'seeding' of Earth, and live apart from mankind. But they are different too, in that they were initially meant to be outside of regular Marvel continuity and  were supposed to be the source of mankind's many mythologies. But the Eternals got scooped up into the mainstream Marvel universe and then the two groups with their similar backgrounds had to be reconciled, which of course they were, despite all the convolutions this involved.



Karen: Of course, Kirby was also the creative force on Marvel's adaptation/extension of 2001: A Space Odyssey, which also explored similar themes of alien visitation in prehistoric times.

Karen: Re-reading the Inhumans' initial introduction into the Marvel universe in the 1960s pages of the Fantastic Four was a distinct pleasure. Of course, the FF at this time was truly "the world's greatest comic magazine" - a perfect example of two creators at the pinnacle of their abilities. Each issue provided another tantalizing detail, another glimpse into an amazing unseen world of possibilities. I can only imagine how exciting it must have been to have read these issues as they first appeared! But even today, the story of the Inhumans is well worth the effort of discovery.








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