Showing posts with label Dick Ayers. Show all posts
Showing posts with label Dick Ayers. Show all posts

Wednesday, May 4, 2016

Super Blog Team-Up: Civil War -- Silver Age Style! Tales of Suspense 58


Tales of Suspense #58 (October 1964)
"In Mortal Combat With Captain America!"
Stan Lee-Don Heck/Dick Ayers

Doug: So you may have heard there's a new Marvel flick opening this week... Karen and I thought it would be a hoot to journey back to those thrilling days of yesteryear when hero vs. hero clashes had a bit more novelty to them and served as the stuff of playground arguments. One might even say a story like this could be summed up by one of its supporting characters:
"Iron Man... and Captain America... acting like enemies!! It doesn't seem possible!!"
Well it's possible alright, and a pretty good tussle it was!

Doug: Like many Silver Age stories, the plot revolves around a misunderstanding. Iron Man is basically duped by the Chameleon of all people. What I find most interesting about this book -- not the story, per se, but the book -- is that Tales of Suspense #58 was the third appearance of the Chameleon and the second appearance of his partner, Kraven the Hunter (each had appeared previously in Amazing Spider-Man #15, cover dated August 1964). Given that Marvel Comics as we know it was only in its fourth year of publication (and only second year for some of its key titles), this is really important. Stan Lee took villains from one magazine, where they were appropriately matched against a hero of a certain powerset, and transplanted them into a magazine where the protagonist far outclassed them. And what's more? Said original hero (Spider-Man) appears nowhere in this issue of Tales of Suspense -- not even in a flashback! That Marvel had become a shared universe would have been happening right in front of us, had we been buying these books from the spinner racks. I just find that significant.

Karen: I thought that was particularly interesting too. That kind of insight into how the Marvel Universe was being woven together in the early days is fun to run across. 
I don't know that I would have ever thought to have bad guys like Kraven and the Chameleon go up against Iron Man. But Lee and his cohorts obviously felt the freedom to try anything. And I felt it worked. Of course, the Chameleon was essential for this particular plot!

Doug: Really, the Chameleon could have been a major villain in the Marvel Universe. I would think that he could have been particularly useful as an opponent in the SHIELD book.

Doug: We open underwater, as Iron Man tests a new breathing device. I chuckled when he thought to himself that he'd managed to stay down for 15 minutes! I don't know what scuba tanks could do 50 years ago, but I found myself underwhelmed. He surfaces near one of Tony Stark's munitions plants and prepares to go inside to recharge. Meanwhile, we get a little sceneshift to a boat not too far away where a couple of unsavory types pay up for their apparently illegal transit. We then see them rowing their way to shore -- just below the Stark factory. The occupants of the rowboat are none other than the Chameleon and Kraven the Hunter. They head up the craggy shoreline, with Kraven spouting off about how he's in charge, they'll follow his plans, yadda yadda yadda... and wouldn't you know who gets caught and hauled away by Iron Man?

Karen: Yes, 15 minutes underwater didn't seem all that impressive for Stark Tech, did it? But then, neither did the decidedly small-fry shark he wrestled out to sea! Well, these were the days before the summer blockbuster, CGI, and wretched excess. I had to do a double take - Chameleon's outfit -the trenchcoat, fedora, scarf -reminded me of Rorschach. Kraven's quick beat-down by Iron Man was hilarious -and appropriate. I wonder what a regular reader of Spider-Man back then would have thought to see Spidey's opponent handled so easily?

Doug: That's a great question, and could be looked at both ways -- villains who were easy/hard for their main nemesis to defeat, but hard/easy to defeat when battling another opponent. In this case, the Chameleon was able to stay hidden -- no chance he was going to defend Kraven against the Golden Avenger. Instead he began to plot his proof that he was every bit the equal of Kraven. Let's see -- defeating Iron Man would be a solid way to accomplish that, ya think? And what better way than to set him up in a skirmish against his newest teammate, Captain America? So the Chameleon began his machinations by impersonating the Star-Spangled Avenger and crafting a story about how he was attacked by... the Chameleon. Allegedly the Chameleon stole Cap's thoughts and memories so that he could fool everyone. But "Cap" was able to get away and make his way to Iron Man for assistance. Sort of funny how "Cap" would show up at the Stark factory where Iron Man was, rather than any other place. Pretty convenient! The Chameleon sells his story pretty well, and you know Iron Man bites it hook, line, and sinker. I smell a superhero brouhaha coming!


Karen: Looking at the Comic Book Database, this issue would have hit the stands at the same time as Avengers #9, which featured Wonder Man. So as you mention, Cap had only been an Avenger for a few issues. Heck, the Avengers had only been around 9 issues! Everything was still so fresh at this point, no heavy chains of continuity to weight things down. I have to admit, I thought it was a neat bit of maneuvering that Chameleon showed up at Stark's plant as Cap and made up the whole story about the machine with the thought transference. And yes, Iron Man just buys it, no questions asked. I suppose we could say at this point, he really doesn't know Cap that well.

Doug: I agree with you about the relative newness of the Marvel Universe. This is like a front row seat to its development. It is somewhat liberating to have no real backstory at this point, but I found myself wanting to relate to the characters and certain aspects of the story with all the other history that I know. I cannot imagine what it might have been like to be on the ground floor as this whole MU was being built. And where does a baddie on the run find an authentic Captain America costume? I'll add that it was a nice touch that when the fake Captain was in the presence of Iron Man he did not have a shield. That would have forced me to suspend my disbelief beyond normal.

 

Karen: The next thing we know, Iron Man is apparently bursting through the walls of Avengers Mansion (there's bricks flying at least). Hey, he owns it, if he wants to wreck it, that's his right. Shellhead starts accusing Cap of being the Chameleon, and Cap is utterly dumbfounded, but tries to talk to his pal. But when the Golden Avenger grabs him, it's game on! Cap backhands Shellhead with his shield, sending him flying. Oddly enough, by the next page the scene has somehow shifted to the rooftops; it seems like Lee tries to salvage this a bit with some dialog from Iron Man about how Cap couldn't hide from him on a rooftop, but it still comes across a bit awkward. At this point, Cap is still trying to talk sense with his team-mate but it's not going well. Finally he gives into the ol' fisticuffs.

Doug: I had to laugh at IM just crushing the wall. Great entrance, though -- good thing Cap was actually in that room or Stark would have felt like a real dope. I, too, noticed the abrupt shift in scenery and also thought it odd. I need to pull out my Official Handbook and check Iron Man's weight when in armor. Cap's pretty strong, isn't he? He gave Stark a few pretty good jolts. And... what would the early Marvel Universe be without running out of web fluid, low charge on the armor, or suddenly changing into Ben Grimm? The DC Universe just didn't have anything going like that (well, with the exception of the occasional yellow-whatever foiling Green Lantern).

Karen: Yes, of course, with everything going on, Iron Man forgot to charge his armor! Nearly out of power, Stark has to run off and seek a place to rest while he can power up, leaving Cap wondering if the whole thing was a gag. He must have thought people really became jerks while he was frozen all those years.

Doug: Wasn't that a weird scene of Iron Man sulking away with his tail tucked between his legs? I'm sure Cap was incredulous... "What just happened??" One of the issues we have whenever we discuss what "holds up" means is the pop culture reference anchored in time. But I cracked up when Cap muttered to himself, "I'll probably see this later on Candid Camera!" Don Heck should have drawn Allen Funt on the sidelines in one of the battle scenes!

Doug: In regard to Cap being frozen, what a difference these books were timewise as compared to the Marvel Cinematic Universe. At this point in Marvel time, Cap had been frozen for 18-19 years. In the Marvel movies it's closer to 70 years. From my perspective, I don't know how different society would have been through the 1950s and into the early 1960s, but the changes that Chris Evans's Cap has had to deal with... wowza. I crack up every time I watch Marvel's The Avengers and see the scene where Cap and Iron Man are trying to repair the helicarrier. Iron Man asks him to pull out a control panel and tell him what he sees. Cap says that it definitely looks like it runs on electricity. Priceless.

Karen: It's kind of  funny when you realize that WWII was not even 20 years in the rearview mirror when these stories were coming out. Yes, it's a huge difference from a Cap who awoke in the 2000s. We get a page of Tony Stark's friends/employees, Happy Hogan and Pepper Potts, trying to figure out where Iron Man has gone. They use one of their boss's cars that has a special Iron Man scanner in it to track him. I have to say, I didn't find either of them appealing. Happy's not the sharpest tool in the shed and Pepper seems rather harsh.

Doug: Did you read Iron Man comics as a kid? I did not. I enjoyed him in the Avengers, of course, and as a guest star in Marvel Team-Up and Marvel Two-In-One. While I'd heard of Pepper Potts and Happy Hogan, my main experience with them was in the early Tales of Suspense "adaptations" that ran as reruns on The Marvel Super-Heroes television show. So I was surprised that Pepper was so Type-A, but also somewhat put off by how dopey Happy was depicted. I think his personality was altered for the better as time went on. But if I have a takeaway from these early stories, it's that Tony Stark has for the most part been written "in character" through the years. This headstrong, almost cocky, Tony Stark fits right in with the way in which Robert Downey, Jr. has portrayed him in the MCU.



Karen: I was an on-and -off reader of Iron Man, starting around issue #43 (cover-dated Jan. 1972!).  It was never a favorite of mine though. I never liked Tony Stark much. While I would agree with your assessment that Stark has always been headstrong, I'd say that's about the only part of his original comics personality that they brought over when Downey started playing him! In the early days -at least, before the Michelinie/Layton years -Stark was certainly part of "The Establishment," and about as square as could be. He was a munitions manufacturer, for Pete's sake! Yeah, he had an eye for the ladies, but he was definitely a mainstream, by-the-book kind of guy. And boring. This is where I think the movies have made an improvement. Stark in the films basically is Downey, with his quick wit and wildness. This Stark is a product of the 80s and Silicon Valley instead of the Cold War. But I digress.

Doug: After Stark has recharged, he's quickly on patrol to look for Cap. It doesn't take long, as both heroes spot each other at about the same time. Cap quickly ducks into a "construction power station", whatever that is. Well, I'll tell you what it is -- it's a blank canvas for Don Heck. I almost got a little Dick Sprang vibe when I began to read this scene, but it never really panned out. I was just thinking of all the big props Sprang used to draw in his Batman stories. But the perils are what you might expect from a construction setting: gravel, various mixers, sand, and water. All of those elements come into play at some point, with Iron Man, Pepper, and Happy (newly arrived, thanks to the aforementioned Iron Man tracer beam) all falling victim to a potential catastrophe. It's funny, but as Iron Man "started it", it's Cap who finishes it. Once we get into Round Two, Cap is clearly in charge and is able to end this.

Karen: I had the same reaction -a "Construction power station"? But yeah, you just have to roll with it. Again, I am struck by how much smaller the scale is here. Our combatants deal with gravel pits, cement mixers, and steam shovels -just like the puny shark at the beginning, I think this would be underwhelming to readers used to battles on a much more massive scale. Nowadays you'd have to have the two of them battling on top of an exploding nuclear power plant or something. What's really odd here too is that the two heroes don't actually duke it out -Cap sets the plant machinery against Shellhead and he has to bash his way through it. I suppose that might have seemed more exciting to readers then. 

Doug: But it doesn't truly end until Giant-Man shows up with the fake Cap in tow. The Chameleon was done in by... ants. Yep, although Giant-Man, Hank Pym still utilized his ants for "patrols" of the city. The Chameleon had positioned himself to watch the super-slugfest between Iron Man and the real Cap when he was found out by Hank's bugs. So after the explanations that always end these misunderstandings, Cap offers the olive branch first: "Well, partner, I'm glad it all came out in the wash! No hard feelings??" To which Iron Man sheepishly replied, "Of course not, Cap!" And then Iron Man slunk off again to sulk, about how easily he'd been duped by the Chameleon. But... in another time-anchored reference, Tony Stark draws inspiration from Lyndon Baines Johnson: "Let us reason together." And wouldn't that put off a lot of these superhero brouhahas?

Karen: I wonder if a first-time reader would be puzzled why a hero named Giant-Man was communicating with ants?  The Avengers reunion at the end was a nice little surprise. I also enjoyed that last panel, with Iron Man doing his best "The Thinker" imitation, and the quote from then-President Johnson. Boy was it a different time, one when people actually respected at least the office of the President.  This whole tale has a refreshing naivete. There's no big ideological argument here, no one taking sides, just two heroes having a misunderstanding, and at the end of the day -or story - everything is back to normal. 


Doug: Today is the 8th Super Blog Team-Up and we were once again grateful to be asked to participate. After you leave your comment on today's post, please patronize the blogs of our fellows -- you won't be sorry that you did!



Chris Is On Infinite Earths: Guy Gardner vs. Blue Beetle
                                           
Longbox Graveyard Fire and Water: Human Torch vs. Submariner          
                                             
Coffee and Comics Blog  




Monday, November 24, 2014

Arc of Triumph? Invaders 5,6, Marvel Premiere 29, 30







Karen: This four-parter, over four months, was the introduction of the Liberty Legion, the American homefront WWII super-team full of obscure characters that Roy Thomas plucked out of his old comics and brought back to give modern Marvel some history. I dug it, even if they didn't pop up too often. There were a bunch of artists who worked on these four books: Rich Buckler, Dick Ayers, Don Heck, and of course...Frank Robbins. Any thoughts on this hero-filled extravaganza?

Friday, March 29, 2013

Doug's First Comic Book: Avengers 19


Avengers #19 (August 1965)
"The Coming of... The Swordsman!"
Stan Lee-Don Heck/Dick Ayers

Doug:  Today I'm going to let you in on a bit of history -- this is the first comic book I remember getting.  I received it as a gift.  My memory is really murky -- I cannot recall who gave it to me or where I was.  I know my family was visiting another family, and they had a daughter who was maybe a year or so older than me; she gave me the book -- ask me to tell you her name and we'll both be disappointed.  This must have been in 1971 or 1972, as I know it was before my family moved to Milwaukee in the summer between my 1st and 2nd grade years.  So I suppose that's not very good history after all, is it(?), especially since the copy I own is not the one I was given over 40 years ago!  But I hope that sort of introspection will inspire our readers to not only comment on today's story, but to share similar remembrances of first comics past.  The cover image above is from my copy, which is certainly not my original -- this is an upgraded replacement.  The back cover is a light tan instead of bright white, but you can see that the front is really nice.  All corners are sharp and the spine is pretty tight -- too tight, to be honest.  Can you make out that it's stapled off-center?  See the staple running through the Pop Art box, rather than lined up on the spine as a saddle-stitched magazine should be?  Oh, and yes -- it does have that lovely smell of almost-50-year old newsprint.  Man, I took a big sniff when I removed the book from its protective sleeve!

Doug:   We open with the Swordsman swinging by a rope affixed to his waist, sword extended.  He thinks to himself that with an Avengers ID card, he can do anything!  On the very next page, Wanda sits in repose while Pietro fidgets, wanting action.  As if on cue, the intruder alarm sounds, and Pietro jets away to investigate.  Finding the Swordsman in one of the Mansion's control rooms, Pietro attacks.  He finds that the Swordsman is no slouch, and that his blade is especially dangerous -- and as seemingly versatile as Captain America's shield.  Wanda enters and launches one of her mysterious hexes -- unfortunately, while it throws the Swordsman off-balance, it also causes Quicksilver to trip and stumble into some of the computer banks.  The Swordsman, sensing that Pietro is about to launch some defensive device, hurls his sword into the equipment, where it sticks.  Pietro then launches a flurry of punches, but the Swordsman falls and feigns defeat.  He tells the young mutants that he wants to join them.  As Wanda and her brother stand with mouths agape, the Swordsman maneuvers himself over to his blade, where he withdraws it from the wall and smites Pietro with the flat side.  Felled, his sister comes to his aid with a hex that pulls chunks of metal from the wall and knocks the Swordsman unconscious.  At that point, Captain America enters to see what all the ruckus is about.  As Wanda relates the events of the fracas, Cap runs the Swordsman's name through their security computers.  They find that he is one of the most notorious rogues in Europe.


Doug:  Upon Cap's revelation, we see a sword flash, and the lights go out.  Coming right up on the back-up generators, the Swordsman is nowhere to be found.  Wanda and Pietro say they could capture him in a flash; Cap tells them to go ahead, that they've been craving action.  I thought this was a little strange, as my view of Cap in these days was as a protective father figure, even in spite of all the hassle he always got from Pietro and Hawkeye.  But he tells them to go, and then heads back to the gym.  While putting himself through a rigorous work-out, he thinks to himself that he's agitated with Nick Fury for not answering his letter of request to join SHIELD.  Just then, Hawkeye enters the gym and makes his typical smart aleck greeting.  Cap tells him that he'd missed some excitement, from a guy named the Swordsman.  Hawkeye recoils, telling Cap that's the one guy he used to fear!  At Cap's urging, Hawkeye then narrates what would be his origin for years to come -- and since Stan Lee is the scripter of this tale, you just know it involves a circus!  A teenaged Hawkeye was an apprentice to the circus's main attraction -- the Swordsman!  However, the Swordsman was crooked, and when Hawkeye caught his mentor stealing the gate receipts, their falling-out was immediate.  Seeking to run away, the Swordsman instead trailed his protege and cornered him on the high wire.  Hawkeye turned to fight, but the Swordsman was too talented, and ruthless.  He slashed the tightrope with his blade, and for his purposes Hawkeye had died that day.  But the rope had somehow broken his fall, and the Swordsman had no idea that the Hawkeye in the Avengers had been his former partner.

Doug:  We switch to an office window in Washington, DC, where a couple of Hydra agents spy on the office of Col. Nick Fury.  They see an envelope on Fury's desk, with a return address that says only "The Avengers".  Using a ray gun, the baddies zap the envelope, causing it to disappear.  However, it magically reappears across the street, right in their yellow-gloved hands!  They open it, and see that it's Cap's request to join SHIELD!  Actually disappointed in what they've found, they angrily crumple it and chuck it out the window.  It lands at the feet of a passerby, who picks it up (raise your hand if you pick up papers that mysteriously drop from above and land at your feet).  We then scene-switch to a "sleazy section of the sprawling city", and here's where Stan loses me geographically.  The Hydra guys were in DC when they tossed the letter, yet the goons assembled when the letter comes up again are in NYC -- now we aren't told that the letter's holder (who looks an awful lot like Daily Bugle columnist Jacob Conover) was ever in DC, so the time and space issue is vexing.  Anyway, the letter holder arranges a meeting with the Swordsman, who agrees to pay for the letter after he's trapped Captain America.

Doug:  At the Mansion, Cap literally jumps for joy when he reads the "reply" from Nick Fury he's waited so long for.  But his fellows aren't so giddy.  In fact, Cap is immediately questioned by Quicksilver and Hawkeye as to his commitment to the Avengers.  They argue, but the two youngsters quickly back down, each fancying himself as the team's next leader.  Wanda picks up on this, and is wary.  Later that night, Hawkeye's out on patrol and comes across a couple of punks up to know good.  Hawkeye engages them and makes short work of their operation.  But, one of the punks gets nervous and starts to talk -- knowing Hawkeye is an Avenger, he confesses to selling the Swordsman the letter, which in turn brought about the bogus letter sent to Cap!  Hawkeye wraps up the operation with the cops, and then heads back to the Mansion.  He actually gives some thought to not helping Winghead, but then thinks a little more valiantly about his status as an Avenger and hightails it back to Wanda and Pietro.  Trouble is, Cap had left some time ago, and since the air had been a bit frosty between everyone, he'd not said where he was heading.


Doug:  Cap enters a large warehouse and thinks that Fury must be crazy for using such a place as his office.  Suddenly the Swordsman appears above him and goads Cap into a fight.  Feeling like a fool for believing the phony letter, Cap launches his shield, which the Swordsman is able to parry and capture.  Now "helpless", Cap takes to the shadows.  Circling the Swordsman, Cap topples a bunch of empty cartons onto his enemy.  Having created the diversion, Cap then swoops down to ground level and recovers his shield.  The Swordsman attacks without mercy, stunned at how good Cap is.  Back at the Mansion, Cap's teammates try frantically to reach him via different transmitter frequencies.  Hawkeye and Quicksilver begin to get stressed at each other, when they remember to check the tracing beam that would signal to Cap's belt buckle.  Connecting with the signal, the three hop in a car (Wha?  No quinjet?  Nope -- not yet!) and head across town.  

Doug:  Back at the warehouse, the battle continues.  The Swordsman commandeers a forklift and begins to push all sort of crates and debris after Cap.  Cap's able to evade most of the attacks, and even maneuvers himself to the cab of the vehicle.  As he leans in for a couple of solid punches, the Swordsman sends the forklift careening into a large stack of crates, which fall onto Cap -- knocking him down, and out.  Gloating, the Swordsman picks up his fallen adversary and enters an elevator.  At that same time, the rest of the Avengers arrive at the building across the street.  Pietro runs a reconnaissance while Hawkeye and Wanda make their way to the roof.  Suddenly they see, across the street, that the Swordsman has a bound Captain America on a plank.  With his sword in Cap's back, the Swordsman tells the team they have ten seconds to name the Swordsman their new leader -- or Cap gets it in the back, where the subsequent fall will most certainly kill him.  As Cap shouts to his teammates to never surrender, Hawkeye actually says out loud that even though he wanted to be rid of Cap he never imagined it would be like this!  Pietro says they have no choice but to take the Swordsman's deal; and then Cap falls off the plank!  Or, does he jump?  The three youngsters realize that he did it for them -- never surrender!

Doug:  What a way to enter the world of comic books!  At around this same time I also had a JLA-JSA crossover and a Disney digest full of comics and Disneyland photos.  But this one stood out, and it still does.  It was about two years later that I discovered the Marvel Super-Heroes cartoon in reruns, and was able to relive this story in "action" -- I fell in love all over again.  And hey -- what's not to like?  These characters seemed like real people, the danger true, the emotions raw.  There's action, intrigue, and human relationships aplenty.  And a huge shout-out to the art team of Don Heck and Dick Ayers, both of whom I've maligned at times on this blog and our former Two Girls... blog.  We've discussed around here whose art we see when thinking of our favorite heroes.  Don Heck's Captain America is what comes to my mind first.  I just love the way he draws the chain mail (although as a 6-year old I mistook those lines for feathers!) and I additionally really like the lighter blue of Cap's uniform.  The cover is great as well, with the powerful Kirby-drawn Swordsman juxtaposed with the Heck-drawn floating heads.  This is a very comfortable story for me.   I don't know what ever happened to the first copy of Avengers #19 that I'd been given, but I always knew that I'd replace it some day with a nice copy -- and this is it.

Friday, November 18, 2011

Stepbrothers -- Fantastic Four #12


 

Fantastic Four #12 (March 1963)
"The Incredible Hulk"
Stan Lee-Jack Kirby/Dick Ayers

Doug: Karen and I have had so much fun in the past during our "Finding Silver in Bronze" features, that we just decided to go ahead and look at a few Silver Age books outright. So with apologies to our blogging friends at Silver Age Comics, Marvel Genesis, etc. we're going to try a little 3-parter spotlighting the earliest Thing/Hulk tussles -- what could have been better at the dawning of the Marvel Age than a heated discussion at the soda fountain as to which Marvel monster was the strongest? So be on the look-out for giant robots, Commie spies, and certainly a heaping dose of gender insensitivity from Stan Lee's pen!

Karen: Ah yes -the good old days.

Doug: Wha... wait -- was that sarcasm? Just a temporal note to our readers -- this issue of the FF hit the spinner racks (now there's a trivia question -- when was the spinner rack invented?) the same month the Incredible Hulk was canceled; his own sixth issue was for sale.

Doug: We open with a not-too-disguised Ben Grimm and his gal Alicia Masters exiting the New York Symphony. Suddenly there's a commotion (because in the Silver Age, you never got past a splash page without the need for some fisticuffs!), as a bunch of army men show up. Seems they are in downtown New York because of a nationwide alert. Hmmm -- anyone think that's odd, given that the Hulk-sightings were almost exclusively in the American southwest? Anyway, just as the boys in green are arriving, Ben gets into a little ruckus with another symphony patron. You guessed it -- his disguise comes off, he loses his temper and picks the old boy up, and the GI's go nuts. Ben tears off a fire hydrant, and then in what I really thought was an ingenious move, jumps up and belly-flops on top of the geyser, effectively spraying away the soldiers closest to him. But the army counters with a bazooka shell that sends out solid steel tendrils that hogtie Ben -- for about three seconds. They next attempt to slow him down with gas, but at about that time an officer arrives and tells his men to fall back -- the Thing has been recognized.

Karen: The Thing was still a bit dangerous in these days, even up til about the time Kirby left, in that he could at the very least be unpredictable. He would go on these mini-rampages, destroying property and generally making an ass of himself. But still, they were nothing compared to old Greenskin's escapades.

Doug: I think that's why Ben's such a great character -- Stan, or more accurately Jack, really put him through the wringer psychologically early on. Once back on his feet, Ben huffs away with Alicia. I presume that he drops her off somewhere, because we immediately see him at the Baxter Building, fidgeting for his special elevator key. Shoot -- can't find it. So in typical Ben Grimm fashion, he just rips the doors open and proceeds to shinny up the cables. It's no wonder these guys were always having landlord and/or financial problems! Arriving on the 35th floor, he's greeted by the rest of the team -- and in charming Silver Age fashion, Johnny's standing there in full flame-on mode! Impractical as heck, but ya gotta love it. Reed tells Ben that they are expecting a visit from a General "Thunderbolt" Ross -- and very shortly the old warhorse arrives. He gets right to it -- he wants to enlist the FF to take down the Hulk!

Karen: Boy, would we see this idea played out, with the FF and the Avengers, over and over...even as recently as World War Hulk we got essentially the same scenario!

Doug: This is really a seminal moment in the Marvel Universe -- correct me if I'm wrong, but this ties for the first crossover in the budding MU (Amazing Spider-Man #1 is also cover-dated March '63). It also shows that the Hulk was quite a mysterious character -- in fact, the FF is not even sure he exists. When a large image of him comes up on the screen, Sue "lost control of her invisibility powers" and does a fade out! I guess wetting her pants would have been too embarrassing? Once she recovers, each of the men fantasize about how they'll take out this Hulk character, all by themselves. Sue expresses that she'll be of no use -- Ross and Reed say she'll be good for morale! What a hoot.

Karen: And that, sir, is exactly why I grew up more or less disdaining female super-heroes. Sure, it got better over time but that attitude was common in early Marvel books -even up to the early '70s.

Doug: This issue also featured the 1st appearance of the Fantasticar we all know and love. Reed tells Ross that it was designed and built by Johnny. That's pretty advanced for a 16-year old, don't you think? Hopping in, the team travels with Ross out to the desert (why would the General ride in this crate?), where they can set about this Hulk business. Once on base, the team is introduced to Dr. Bruce Banner, a Dr. Karl Kort, and Rick Jones. Banner reveals that he believes the troubles of military technology destruction are the work of "the Wrecker" and not the Hulk; Ross is hearing none of it. Kort excuses himself, but runs into the Thing, the Torch, and Sue waiting just outside. He's startled by Ben, and in his haste to leave drops his wallet. Johnny inexplicably picks it up with a "flame lasso" (??). Ben's had enough waiting, and wrecks his second door of this issue. Ross is mad, and Ben responds to him by taking bound volumes of every phone book in the USA and ripping them in two.

Karen: I can see that Johnny might have designed the look of the Fantasticar, because only a 16-year old could come up with something that bizarre and non-aerodynamic. One thing I love about these old books: how people suddenly just burst into exposition for the sake of the reader! We've got Ben explaining how the four sections come apart, Sue demonstrating the windshield...it goes against everything you hear about how to write, but these little asides always made me feel like I was a real Marvel insider! Ben has another mini-rampage here. I love Reed telling General Ross he has to watch what he says to the Thing!

Doug: After everyone splits up, Banner and Rick head into some underground tunnels. There Banner muses over his mock-up of Project 34, which was destroyed by the Wrecker. Project 34 was essentially a system that would do what Ronald Reagan's fictional SDI ("Star Wars") system would do. Rick leaves Banner and decides to check out Kort's wallet, which had been given him by the Torch. Since this is a Cold War-era tale, you just know Kort's a Red. And you'd be right. He pulls a gun on Rick, and we got ourselves a hostage situation. At about the same time, Ben is test-driving a Rocket Sled, which of course is sabotaged. Banner tells the FF that Rick's been kidnapped, and this is heading south in a hurry. Banner is distraught by a nasty note he's received about Rick, and feels that becoming the Hulk is his only option. Putting himself in front of a gamma ray machine, the transformation takes place. Now the Hulk is on the move beneath the desert.


Karen: Don't you love how Kort is an actual card-carrying commie? That's not too bright of him. The rocket sled was a fun bit, once again stressing how tough the Thing is. And how about those panels of Banner becoming the Hulk? He actually put on purple trunks! I really like this depiction of the Hulk, by the way. He was really monstrous here, with his heavy brow and strange three-toed feet.

Doug: I don't know that I ever noticed the three-toed look, but even on the cover -- there it is! Not only is the Hulk on the move, but the FF are as well. Of course they encounter each other, and all of the bravado each of the male members of the FF has spouted off about doesn't come anywhere to close to reality. The Hulk sucker-punches Ben, douses Johnny's flame with sand and dirt, and flicks Reed away. Reaching the surface, Hulk topples a building on the FF -- in the days before Sue's forcefield. Leaping away, Hulk makes a bid to escape the conflict so that he can find Rick. But the FF move on him again, this time with a bit more success. Johnny, however, gets doused again by a thunder clap; Ben gets a solid punch in, but before anything can be settled a ray shoots out of the ground and fells the Green Goliath.

Karen: I like how the Thing and Hulk seemed to be much closer in strength back then, even if the Hulk was still described as being larger. When the Hulk strikes the Thing he exclaims, "It's like hitting a brick wall!" It's hard to remember, now that everyone's powers have all been juiced up to such impossible levels, that these characters were not so godlike when they first started out.

Doug: Ben smashes into the ground to find the source of the beam, and instead finds a giant robot. The FF quickly deduce that this must be the Wrecker; Ben makes very short work of it. Moving into a nearby chamber, Ben is greeted by Kort and a very large gun. But our lovely Sue had decided to turn herself invisible and trail her teammate -- and it's our "morale booster" who ends up saving the day. Kort's arrested, the Hulk gets away and reverts to Banner, Banner and Rick Jones are reunited, and after all of that -- the FF get to review a military parade!

Karen: How about that? Sue actually did something!

Doug: This was a fun issue, and I'll bet that 8-year olds around the world were chomping at the bit to see Marvel's two monster-heroes duke it out. But as we all know, these early superhero brouhahas were very non-committal; Thor's bout with the Hulk (Journey Into Mystery, January 1965) really wasn't even a fight. Maybe the bigger influence of this story was not the fight that did/did not happen, but the very idea of the crossover between major characters. We mentioned the Spidey/FF crossover earlier; in just five short issues Ant-Man would team with the FF. Over in the X-Men, they met the Avengers in their 10th issue. This unifying of the early Marvel Universe would eventually lead to such Bronze Age staples as Marvel Team-Up and Marvel Two-In-One -- and aren't we all better for those?

Karen: Most definitely!

Doug: Tune in next time, when we actually will see our two gargoyles throw down -- yep, it's in Fantastic Four #'s 25-26!
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