Saturday, March 8, 2014

Discuss: Pizza!!


Doug: It seems like Karen has been hogging all the good food posts. She's done one on ice cream, and then the fun one on cheeseburgers just several days ago. Shoot, she even wrote about Chistmas tamales, for Pete's sake! But what she hasn't brought up yet is pizza! Coming from Chicagoland, you know that means deep dish for this guy, although I do have a soft spot for thin 'n' crispy pies. Today let's talk all-pizza, all-the-time! If you'd care to divulge those dark family secrets, what was Mom's homemade pizza like when you were little? Does anyone among our ranks make a killer pie of their own concoction? And, what are your favorite pizza joints, franchised or even a shout-out to a local establishment? I'm getting hungry!

Lou Malnati's Deep Dish Pizza

Monical's Thin Crust

Giordano's Stuffed Pizza

Friday, March 7, 2014

Doug's Favorites: Sub-Mariner 8


Sub-Mariner #8 (December 1968) (Reprinted in Marvel Treasury Edition #9, 1976)
"In the Rage of Battle!"
Roy Thomas-John Buscema/Dan Adkins

Doug: Raise your hand if you recall that wide-eyed feeling you got when you saw a new Marvel Treasury Edition on the newsstand or at the grocery store. I can remember buying (or actually some adult doing the buying on my behalf) each of the big books I have. They are all very special in their own way, and each served as a window to Marvel's (and DC's, if we consider the Limited Collector's Editions) Silver Age past. Today's review comes from Marvel Treasury Edition #9, named in typical Marvel tongue-in-cheek fashion "Giant Super-Hero Team-Up". At the bottom of today's post I'll include a couple of partial scans of my copy, as I know we have readers who like to see a "real" copy of the books we review rather than the pristine images we borrow from the Comic Book Database; on that note, you'll forgive me today for not posting any full-page glory. The mismatch in size between the book and my scanner bed is going to require some craftiness on my part just to get any good images up!  And... onward!

Doug: We open with a splash of a copy of the Daily Bugle in the trash, its front page headlines trumpeting a battle royal between Namor and the Thing. In the background we can see a woman seated at a desk, writing in a journal. As we turn the page, we find that she will apparently be this tale's narrator. There's a sense of urgency surrounding her writing, as she seems intent on getting details into her book. So we begin with a flashback...

Doug: I have never read Sub-Mariner #7, so this is one case where I'm glad for a little retroactive storytelling! Apparently in the last issue Namor was at odds with a certain Paul Destine, who ended up dead. As we join our cast here we find that the Lady Dorma has passed out from a lack of oxygen. She had been taking some sort of pill to aid her in breathing the surface air, and the time for the pill's effectiveness had lapsed. So Namor feels an urgent need to tend to his lady. Problem is, the Boys in Blue have arrived and want to ask the Avenging Son some questions about Destine's demise. Well, we've all known Subby long enough to know he's not in a talking frame of mind. So, one bull rush through the cops later, and Namor's in the air. He and Dorma were with a woman named Diane, and she hails a cab. Once inside she directs the hack to head down the alley, slowly. The driver doesn't go very far when the cab suddenly stops moving! Looking behind, he sees that Namor has landed and has grabbed hold of the back bumper. He and Dorma enter, and the cabbie takes the now-three passengers to a false address. A short walk later, and they are in Diane's apartment.

Doug: Once inside, Dorma is given the drug she needs, and her skin begins to change from blue. Diane says that Dorma must sleep, so Namor retires to the living room. Diane states that the prince really loves Dorma; Namor agrees without hesitation. Diane asks if he ever loved any other person so much. Namor says that he did, once long ago. We then get a flashback-within-our-flashback as Namor recalls the War years when he was often at odds with the surface dwellers of New York City. Our narrator tells of Namor's destructive tendencies as he battled the humans. We meet policewoman Betty Dean, who was brave enough to confront Namor face-to-face. She asked him to stop, and to leave. Namor, respectful of her bravery, complied. But as he left he was confronted by one who could actually match him -- the hero we call the Original Human Torch! We're treated to only three panels of Buscema-battle glory, but it's a fun little ride as we see Subby punch the cap off a fire hydrant to extinguish the Torch. Back to the first flashback, Namor tells Diane that Betty Dean was the one who encouraged him to fight the Nazis. We see a few more panels from the War, including one at the end when Namor bids a final farewell to Betty Dean. As he left, she remarked that although she loved him, he thought of her as only a friend. Diane asks Namor if he loved Betty Dean, which he says he had, why didn't he act on it? He says that a prince of the blood must wed an Atlantean, not a human. But as they talk, Namor's suddenly alerted to a bulletin on the radio. The police have in their custody the helmet that Paul Destine had worn while he had battled the Sub-Mariner. They plan to study it. Namor blasts forth from the sofa and out the window -- the police have no idea of the power that the helmet wields!

Doug: Sceneshift to police HQ, where the commissioner is on the phone with the Avengers. Goliath took the call, but told New York's Finest that neither he nor any of his mates would be able to assist in moving the helmet to Washington, DC. This issue takes place at the same time as Avengers #58, so obviously the Avengers had other things on their minds! Goliath asks if the FF have been contacted; no answer. But suddenly we see the Thing pull up to the commissioner's window -- the FF had gotten the message, and Reed Richards sent the Thing to act as the courier! You know where this is headed... Ben gets the lowdown on the helmet from the commish and a Dr. Miller. They know it's emitting some sort of rays, and could be dangerous. Ben bristles, but a big fat cigar calms him down. Classic Ben. He eventually leaves with the mysterious chapeau. A short distance away, the Sub-Mariner had been laying in wait, just beneath the surface of the river. But the pollution got to him, and disgustedly he burst from the waters to get free from the contamination. Burst straight up, and into -- here we go!


Doug: So if I told you I'd trade you 31 panels of roughhousing between two of Marvel's heavyweights for the low, low price of one dime plus two pennies, would you do it? If you don't mind my saying, you'd be a fool not to! Wow - just wow. Reading this again for the first time in years, there is no doubt why John Buscema has been called the Michelangelo of Comics. Every panel just explodes with energy, the camera angles constantly change, and even the brief respites from fighting are filled with tension. Of course Buscema leaves enough room on the perimeter of the panels for Roy Thomas's dialogue balloons. This story would predate Roy's tenure as scribe of the Fantastic Four, but I don't think there's any reservation if I say "he gets it". He writes Ben Grimm just as Stan Lee would have written him. Ben makes a better antagonist than would the Hulk, simply because of the banter that can take place between the Thing and his combatants -- with the Hulk, funny dialogue stems more from the Hulk's broken English or from situational elements. This battle is all wonderful -- it's funny when Ben speaks, it's pompous when Namor gets a turn. Can you imagine coming to this as a 10-year old, as I did? As the title of today's post suggests, this is one of my favorite comics of my youth.


Doug: So after 7 1/2 pages of "serious scrimmagin'", as Ben put it, Namor is urged to stop just as he intends to land the final blow on his orange-plated nemesis. Namor turns with a typical "Who dares?!?" to be greeted by a Mrs. Prentiss. Namor recognizes her and instantly puts to rest the huge chunk of building he had only moments before held aloft over the Thing. The woman, sensing she has completed her mission, turns to fade back into the shadows. Namor asks her to wait, that they could talk. She declines and says a final good-bye. Namor's face is now calm, as he says that he, too, will leave. Ben comes to his feet for the next round, but Namor almost-politely suggests that they will fight no more -- the helmet came from the depths and to the depths it will be returned. Ben doesn't protest, and asks himself if he somehow won today. Sceneshift to the apartment where we began, to find the same woman completing her journal entry. It was Namor and Dorma's friend Diane Arliss (help me out -- is she Tiger Shark's sister?) who had come to her for aid this day -- come to a woman, now a widow, once known to Namor as Betty Dean. 


Doug: Thanks for indulging me again. I come to this story with a true sense of "what's not to love?" Everything's just about perfect, from the typical quandary that will bring two heroes together as combatants, to Thomas's able scripting, to the the always-beautiful art of Big John Buscema. I've also wondered if I can warm to Dan Adkins's inks over John. I have the Essential Silver Surfer and have read all of the issues that Adkins inked. I suppose he's not bad, but he'd never be my first choice. And it's occurred to me over the years that I'd really like to get my hands on Namor's solo book. I have a bootleg dvd-rom of his Tales to Astonish adventures, and must get 'round to reading those. He's always been an intriguing character, but like many of our readers I've always seen him as a guest-star or as temporary in a team book such as the Defenders or the Avengers. Ah, just more on the to-read list...


Thursday, March 6, 2014

Who's the Worst...Change to an Established Character?


Karen: Since we've been reviewing the Secret Empire story from Captain America it got me thinking about the Falcon and what a great character he was -except when writer Steve Englehart suddenly decided to reveal in issue #186 (June 1975) that Sam Wilson had actually been Snap Wilson, a low-life mobster  who had been given a new, upstanding identity by the Red Skull as part of a scheme to make him a 'sleeper agent' to turn against Captain America at the right moment! This change in the Falcon's character seemed so ridiculous that I had a hard time reading the title for some time after that. It just felt contrived and unnecessarily damaging to such an established hero.























 


Karen: Another example (for me) was the way Iron Man/Tony Stark was portrayed during the Civil War event. Sure, Stark is a pragmatist -but he seemed hell-bent on turning on his friends, all to serve the purpose of the story. It just didn't work for me.




Karen: I'm sure you have examples of your own, so let's hear them.


Wednesday, March 5, 2014

Discuss: Model Kits


Karen: How many of us were into building models (maybe still are)? There were sure a lot of cool model kits to select from in the Bronze Age. Re-issues of the great Aurora super-hero and monster kits, the Star Trek kits, and new stuff like the Planet of the Apes kits -all of these were great ways for a geek kid to have fun and decorate their room! Just watch out for those paint fumes!






Tuesday, March 4, 2014

Discuss: Bands of Brothers (or a Sister or Two)


Doug: Today's topic is to toss out your favorite musical groups that have siblings in the line-up.  Brothers, sisters, brothers and sisters -- you name 'em, we'll discuss 'em!

http://www.bay-area-bands.com/pictures/bab0556.jpg    
http://www.guitarworld.com/files/imagecache/featured-node/heart-crazy-on-you-arista-2.jpg

Monday, March 3, 2014

The Falcon Flies! Captain America 171


Captain America #171 (March 1974) (cover by John Romita)
"Bust-Out!"
Steve Englehart/Mike Friedrich-Sal Buscema/Vince Colletta

Doug: The plot, as they say, has thickened. When last we saw the Star-Spangled Avenger he'd been bested by some newcomer to the "hero" scene. A tough named Moonstone, possessing super strength, lasers in his fingers, and the power to disappear had whooped Cap but good. Quentin Harderman, leader of the Committee to Regain America's Principles (you know the acronym...), had been waging a smear campaign against our protagonist, with Cap definitely worse for the wear. As we open today's tale, the red, white, and blue Avenger has been in jail. In jail, until a team of commandos arrives to break him out.

Karen: Nothing quite says 'goon' like a bunch of guys dressed in white pants, yellow gloves, and plum -colored tops with attached skin-tight hoods.

Doug: The first guy, with the white stripe down the center of his headgear, looks like he's modeling a vintage football helmet!

Doug:  Well, what to do, what to do. Cap has previously thought, and actually carried out, subversion of the law already in this story. But now -- talk about a breaking and entering! If Cap stays in jail, he's at Harderman's mercy. However, if he flees, he's definitely at Harderman's mercy, and will even moreso be persona non grata among the media outlets and John Q. Publics of Manhattan. It's a decision the Captain doesn't have to make, as author Mike Friedrich gets us inside the mind of the leader of the "Sanitation Unit" -- this is all a set-up, again engineered by C.R.A.P. When the guards arrive to quell the disturbance, it all breaks loose. But as the tide seems to turn toward the mission failing, the commandos set their guns for gas and drop everyone in the cell left unprepared. Cap is then spirited away by his "rescuers".

Karen: We're given a tiny bit of hope for Cap when the guards recognize that Cap is actually fighting his would-be rescuers. Although not much seems to come of it. 

Doug: It's interesting that although there are certainly a lot of Quentin Harderman's machinations in this issue, "Q" himself does not appear.

Doug: Soon we see Cap begin to come to. But as the cobwebs clear, his ears tune in to what the Sanitation Unit is discussing amongst themselves. Talk about cat out of the bag! These dummies just run their mouths like it's their jobs, all the details of the mission flying around the darkened alley in which they've gathered. Cap becomes coherent enough to discern what he needs to know, and when the moment seems right -- SMAK! Cap fights with fury, tossing the S.U. men aside with ease. His super-strength allowed him to recover from the gas quickly, and it allows him to tear through these men without breathing hard. When he gets down to the last one, he grabs the man and begins to interrogate him; however, Cap's threats cause the guy to faint. So there Cap stands, on the run -- a fugitive with a name he seemingly cannot clear.


Karen: These really are a careless lot. You have to wonder about the quality of this CRAP organization.Cap at least gets an address out of the one guy before he passes out like a weenie. Let's face it, they'd never make it in HYDRA. 

Doug: Across the Atlantic Ocean, we find the other star of our mag -- Sam Wilson, the Falcon. If you remember, Falc and his lady, Leila, had flown to Wakanda so that the Black Panther could use his technology to grant the Falcon the enhanced abilities he so craved. However, as Leila was being a pain-in-the-butt, T'Challa had arranged for her to fly to Lagos for a big-city field trip. Leila and her Wakandan guards had run afoul of a Harlem hood name Stoneface, whose thugs ended up kidnapping the Falcon's woman. Back in the kingdom, T'Challa had gotten word of the trouble just as Sam was trying on the new wings.  So now -- time to kick some tail! The heroes arrive in Lagos, where they immediately hook up with one of T'Challa's spies. It's an uncomfortable exchange, as the spy addresses the Panther as "my Chieftain" and T'Challa replies, "my subject". Sheesh -- manorialism, feudalism, what have you? Anyway, they've got the drop on Stoneface's hideout, so the good guys rally quickly. T'Challa takes the direct approach, smashing through the door. Falc comes flying through the window, but we immediately find that the wings aren't for flying -- they're for gliding! And that means when the air currents change, so does the flight path! One superhero pile-up, coming up!

Karen: Giving the Falcon wings was a great idea -it only made sense for the character. Restricting him to gliding was however a terrible limitation which seemed to be giving with one hand and taking away with the other. It just made no sense. Why do this to the character? It was almost as if someone were pulling a joke, one that was not at all funny. "Sure, we'll let you fly like the other super-heroes Falcon, but uh, you're going to have to climb streetlamps first." It was demeaning and unnecessary. Thankfully it was abandoned at some point and the man could just fly!

Doug: I really like the Falcon's costume, and of course the wings just really make it a finished, polished look. However, I do wish they'd have kept the look of the falconry gauntlets rather than switching to just plain white gloves.

Doug: Stoneface and his goons can't believe their good fortune. In fact, they're so overwhelmed that their brains segue into "stupid super-baddie" mode. Rather than kill them on the spot, Stoneface wants to make a big production of it. So, it's hauling two 225 pound superheroes down the stairs and into the limousines, driving them to the shoreline, and pushing them to the precipice. And after a little posturing, the Panther is pushed over the edge! Seconds later, so is the Falcon. Stoneface marvels at the advantageous turn of events, and then thinks of Leila. But the Falcon has other plans. Remembering T'Challa's explanation of the working of the wings, Falc thinks that since the microcircuits in the wings are directly wired to his brain, he concentrates in a desperate effort to make himself fly. And you know what? That power of positive thinking is something else! Of course he saves his benefactor. Now it's go-time, and the heroes make pretty short work of their nemeses. Leila jumps into Falc's arms -- she tells him he wanted something to make him closer to Cap's level, and boy did he get it!

Karen: Thank goodness that's over with. Let's face it, Stoneface is a cretin and it shouldn't take the Panther and the Falcon more than a few minutes to whup his gang and send them off crying. The scene at the cliff with Falcon having his epiphany was nice. But let's get Sam back to the big city!


Doug: T'Challa sends a ship back to New York with Sam and Leila aboard. We can only speculate what happened in the backseat of that craft... Upon dropping Leila off at the apartment, Sam decides to take to the air and find Redwing. The two share a flight (wonder what the bird thought of it?), and then Sam decides to head to his social work office and see if Steve Rogers is home. Well, he's not -- but Iron Man is! The Golden Avenger relates the events of the past few days, and of the serious nature of Cap's disappearance. Falc pledges to bring Cap in -- he just needs a couple of hours. IM agrees, and with a line that further makes the Civil War debacle all the more stupid, Tony Stark thinks to himself, "...I wish you luck! This country can't afford to have a great symbol like Cap be destroyed!" Hrmph. Guess he forgot that later on.

Karen: Leila is obviously not happy that Falcon prioritizes his spending time with Cap over her.  Sal has done a nice job with her expressions on the last few pages, even if I can't stand the woman! The scene with Iron Man and Falcon is interesting. I do have to wonder why it took so  long for the Falcon to wind up in the Avengers. I wasn't a fan of the way he was brought in, but I guess that was the point. I can't recall if he had been offered membership before. Anyway, I'm getting side-tracked. Iron Man's recognition of Falc as Cap's closest friend is worth noting and I think is probably accurate for this time period.


Doug: We cut to Cap, closing in on a storefront labeled "The Quentin Co." We have it figured out, but ol' Cap's a little dense. He gets it soon enough, and upon preparing to enter the building is greeted by his partner, a step ahead. Falc asks Cap how it's going to go, and Cap greets him warmly. But Cap seems to sidestep the real issues. Falc says he knows what's gone down, and then gets a rehash of the past several days' events straight from the man. As the two plot their next move, they're interrupted by a threatening voice from above, a voice that says the conversation has been taped and that the Falcon will be proved to be an accomplice of the fugitive Captain America! It's Moonstone, and two heroes don't seem to bother him. Of course Sam cannot wait to prove himself, and rashly flies up to meet Moonstone. But the villain leaps away, gets himself into an offensive position and then uses his lasers to drop the Falcon from the sky. On the ground Cap maneuvers into position to catch is friend, but while he attempts to assess Falc's injuries Moonstone attacks from behind and grabs Cap's shoulders -- while using his laser powers in a direct hit! Lights out!

Karen: These villains just love to talk about their secret plans! How about Moonstone turning off the recorder so he can admit that he killed the Tumbler and is working with Harderman to destroy Cap? He just takes so much pleasure in that! That boy's not right in the head....

Doug: This issue was less set-up and much more "getting down to business". I really enjoyed the Falcon/Black Panther partnership and would have liked to have seen more of it. It's too bad that later on, when Henry Peter Gyrich played his Affirmative Action card on the Avengers that BP and Falc didn't end up on the roster at the same time. A few buddy stories akin to the Beast and Wonder Man might have been fun! Sal was just Sal... I know I always say that, but the man is just so darned steady! As we've now grown used to Vinnie Colletta on the inks over the past two issues, he's not really bothering me. You can look at a page and immediately know that Vinnie's on the job, but it's by no means bad work. I don't think he's necessarily a great match for Sal, but Vinnie's feathery lines do seem somewhat comfortable. Overall, the series has maintained its momentum, and I know that if I'd been reading this 40 years ago I'd have been counting those thirty days to the next issue.

Karen: This was one of the issues I missed when I was buying the series as a kid, so it was only years later that I got to see the Falcon's first flight. Still, I was able to follow the general storyline despite missing issues here or there. All in all, this issue keeps things moving but I don't feel it is as pivotal as others. But there's a lot more to come! 


Sunday, March 2, 2014

Hey, That's a Great-Looking Bust!


Doug: Your co-host(ess) Karen remarked last year about the resurgence in interest in the Batman television show from 1966. With recent licensing deals completed, there is a veritable cornucopia of Batman-TV products already on the market and also shortly winging our way. While some of it is pricey, it's nonetheless wonderfully nostalgic. Today I submit to you a series of three busts coming soon via Diamond Select Toys. They are not being geared toward this guy, as the $45-60 price point (shop around, effendi) is beyond my means or desires at present. But wow! -they sure are detailed and very pretty to look at!





Anticipation, Distribution, Frustration

Doug: I'd been considering writing this post for a few days, when back on Monday in our review of Captain America #170 our buddy Tom made the following comment:
Loved this storyline and loved the cliffhangers. About six months prior to this issue, continued stories made me crazy trying to figure out when the next issue was coming. Once I figured out the distribution schedule, I was usually at the local convenience store spinner racks the same day the next issue came out. And on a good day I had to go and kindly ask the clerk if he would PLEASE come out and unbundle the comics. Great memories.
 David B. followed with:

I recall a few Tuesday mornings when the grumpy small-town, local 'gift shop' guy still had the bundled comics on his countertop.

I sheepishly asked him whether he'd go ahead and open 'em up.

And he'd always give me that snarky stare like either I was crazy, or I owed him something for doing that small favor.

You'd think this guy would gladly take regular income from a kid for these 'funny books', even it it was a dollar or two.

Incidentally, this store was a small storefront-type place, primarily dusty old glass and tacky antique art sculptures there, with dingy old toy stock on the back shevles. It pains me that there were some ultra-cool '60s GI Joe MIB sets among the cheap toys sitting there, waiting to be bought.
Doug: The cover I chose was one of only two issues of the All-New, All-Different X-Men that I missed between #100 and #130, when I quit collecting during my high school years. How about that? The debut of Alpha Flight, and I can't find the stinkin' main battle issue! Of course, my best story always remains my mom running by a porn shop where I was able to secure Avengers #161. That one saved me from the crux of today's conversation!

Doug: Today let's discuss moments like those mentioned above, when you can recall specific instances of waiting at the spinner rack for the new weeks' books. Better yet, discuss those times when your reading pleasure of a particular storyline was interrupted by the spotty distribution so many of us knew well back in the 1970s. What's a book -- title and issue number -- that you didn't get until years later? Of course in our "golden age of comics reprints" that Karen loves to praise, it's probably a non-issue. But today's the day to let that anger and bewilderment from over 30 years ago flow -- get it out!

Saturday, March 1, 2014

Discuss: Blade Runner

Karen: I saw this film again recently and was struck once more by Rutger Hauer's fine performance, and left thinking again on life, and how very short it is, whether you're a replicant or a human being.


Karen: To some degree the film itself has been overshadowed by all the controversy over the different versions there now are of it - a number of different cuts exist besides the original theatrical one. Regardless, Blade Runner is still considered by many to be one of the best science fiction films ever made. Although I did note upon my recent viewing that we're now only five years away from its "future" setting! Thankfully our world is not quite the cesspool we saw on the screen. 

Karen: I'll be interested to hear your thoughts on the film. Mine are decidedly mixed.


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