Wednesday, May 4, 2016

Super Blog Team-Up: Civil War -- Silver Age Style! Tales of Suspense 58


Tales of Suspense #58 (October 1964)
"In Mortal Combat With Captain America!"
Stan Lee-Don Heck/Dick Ayers

Doug: So you may have heard there's a new Marvel flick opening this week... Karen and I thought it would be a hoot to journey back to those thrilling days of yesteryear when hero vs. hero clashes had a bit more novelty to them and served as the stuff of playground arguments. One might even say a story like this could be summed up by one of its supporting characters:
"Iron Man... and Captain America... acting like enemies!! It doesn't seem possible!!"
Well it's possible alright, and a pretty good tussle it was!

Doug: Like many Silver Age stories, the plot revolves around a misunderstanding. Iron Man is basically duped by the Chameleon of all people. What I find most interesting about this book -- not the story, per se, but the book -- is that Tales of Suspense #58 was the third appearance of the Chameleon and the second appearance of his partner, Kraven the Hunter (each had appeared previously in Amazing Spider-Man #15, cover dated August 1964). Given that Marvel Comics as we know it was only in its fourth year of publication (and only second year for some of its key titles), this is really important. Stan Lee took villains from one magazine, where they were appropriately matched against a hero of a certain powerset, and transplanted them into a magazine where the protagonist far outclassed them. And what's more? Said original hero (Spider-Man) appears nowhere in this issue of Tales of Suspense -- not even in a flashback! That Marvel had become a shared universe would have been happening right in front of us, had we been buying these books from the spinner racks. I just find that significant.

Karen: I thought that was particularly interesting too. That kind of insight into how the Marvel Universe was being woven together in the early days is fun to run across. 
I don't know that I would have ever thought to have bad guys like Kraven and the Chameleon go up against Iron Man. But Lee and his cohorts obviously felt the freedom to try anything. And I felt it worked. Of course, the Chameleon was essential for this particular plot!

Doug: Really, the Chameleon could have been a major villain in the Marvel Universe. I would think that he could have been particularly useful as an opponent in the SHIELD book.

Doug: We open underwater, as Iron Man tests a new breathing device. I chuckled when he thought to himself that he'd managed to stay down for 15 minutes! I don't know what scuba tanks could do 50 years ago, but I found myself underwhelmed. He surfaces near one of Tony Stark's munitions plants and prepares to go inside to recharge. Meanwhile, we get a little sceneshift to a boat not too far away where a couple of unsavory types pay up for their apparently illegal transit. We then see them rowing their way to shore -- just below the Stark factory. The occupants of the rowboat are none other than the Chameleon and Kraven the Hunter. They head up the craggy shoreline, with Kraven spouting off about how he's in charge, they'll follow his plans, yadda yadda yadda... and wouldn't you know who gets caught and hauled away by Iron Man?

Karen: Yes, 15 minutes underwater didn't seem all that impressive for Stark Tech, did it? But then, neither did the decidedly small-fry shark he wrestled out to sea! Well, these were the days before the summer blockbuster, CGI, and wretched excess. I had to do a double take - Chameleon's outfit -the trenchcoat, fedora, scarf -reminded me of Rorschach. Kraven's quick beat-down by Iron Man was hilarious -and appropriate. I wonder what a regular reader of Spider-Man back then would have thought to see Spidey's opponent handled so easily?

Doug: That's a great question, and could be looked at both ways -- villains who were easy/hard for their main nemesis to defeat, but hard/easy to defeat when battling another opponent. In this case, the Chameleon was able to stay hidden -- no chance he was going to defend Kraven against the Golden Avenger. Instead he began to plot his proof that he was every bit the equal of Kraven. Let's see -- defeating Iron Man would be a solid way to accomplish that, ya think? And what better way than to set him up in a skirmish against his newest teammate, Captain America? So the Chameleon began his machinations by impersonating the Star-Spangled Avenger and crafting a story about how he was attacked by... the Chameleon. Allegedly the Chameleon stole Cap's thoughts and memories so that he could fool everyone. But "Cap" was able to get away and make his way to Iron Man for assistance. Sort of funny how "Cap" would show up at the Stark factory where Iron Man was, rather than any other place. Pretty convenient! The Chameleon sells his story pretty well, and you know Iron Man bites it hook, line, and sinker. I smell a superhero brouhaha coming!


Karen: Looking at the Comic Book Database, this issue would have hit the stands at the same time as Avengers #9, which featured Wonder Man. So as you mention, Cap had only been an Avenger for a few issues. Heck, the Avengers had only been around 9 issues! Everything was still so fresh at this point, no heavy chains of continuity to weight things down. I have to admit, I thought it was a neat bit of maneuvering that Chameleon showed up at Stark's plant as Cap and made up the whole story about the machine with the thought transference. And yes, Iron Man just buys it, no questions asked. I suppose we could say at this point, he really doesn't know Cap that well.

Doug: I agree with you about the relative newness of the Marvel Universe. This is like a front row seat to its development. It is somewhat liberating to have no real backstory at this point, but I found myself wanting to relate to the characters and certain aspects of the story with all the other history that I know. I cannot imagine what it might have been like to be on the ground floor as this whole MU was being built. And where does a baddie on the run find an authentic Captain America costume? I'll add that it was a nice touch that when the fake Captain was in the presence of Iron Man he did not have a shield. That would have forced me to suspend my disbelief beyond normal.

 

Karen: The next thing we know, Iron Man is apparently bursting through the walls of Avengers Mansion (there's bricks flying at least). Hey, he owns it, if he wants to wreck it, that's his right. Shellhead starts accusing Cap of being the Chameleon, and Cap is utterly dumbfounded, but tries to talk to his pal. But when the Golden Avenger grabs him, it's game on! Cap backhands Shellhead with his shield, sending him flying. Oddly enough, by the next page the scene has somehow shifted to the rooftops; it seems like Lee tries to salvage this a bit with some dialog from Iron Man about how Cap couldn't hide from him on a rooftop, but it still comes across a bit awkward. At this point, Cap is still trying to talk sense with his team-mate but it's not going well. Finally he gives into the ol' fisticuffs.

Doug: I had to laugh at IM just crushing the wall. Great entrance, though -- good thing Cap was actually in that room or Stark would have felt like a real dope. I, too, noticed the abrupt shift in scenery and also thought it odd. I need to pull out my Official Handbook and check Iron Man's weight when in armor. Cap's pretty strong, isn't he? He gave Stark a few pretty good jolts. And... what would the early Marvel Universe be without running out of web fluid, low charge on the armor, or suddenly changing into Ben Grimm? The DC Universe just didn't have anything going like that (well, with the exception of the occasional yellow-whatever foiling Green Lantern).

Karen: Yes, of course, with everything going on, Iron Man forgot to charge his armor! Nearly out of power, Stark has to run off and seek a place to rest while he can power up, leaving Cap wondering if the whole thing was a gag. He must have thought people really became jerks while he was frozen all those years.

Doug: Wasn't that a weird scene of Iron Man sulking away with his tail tucked between his legs? I'm sure Cap was incredulous... "What just happened??" One of the issues we have whenever we discuss what "holds up" means is the pop culture reference anchored in time. But I cracked up when Cap muttered to himself, "I'll probably see this later on Candid Camera!" Don Heck should have drawn Allen Funt on the sidelines in one of the battle scenes!

Doug: In regard to Cap being frozen, what a difference these books were timewise as compared to the Marvel Cinematic Universe. At this point in Marvel time, Cap had been frozen for 18-19 years. In the Marvel movies it's closer to 70 years. From my perspective, I don't know how different society would have been through the 1950s and into the early 1960s, but the changes that Chris Evans's Cap has had to deal with... wowza. I crack up every time I watch Marvel's The Avengers and see the scene where Cap and Iron Man are trying to repair the helicarrier. Iron Man asks him to pull out a control panel and tell him what he sees. Cap says that it definitely looks like it runs on electricity. Priceless.

Karen: It's kind of  funny when you realize that WWII was not even 20 years in the rearview mirror when these stories were coming out. Yes, it's a huge difference from a Cap who awoke in the 2000s. We get a page of Tony Stark's friends/employees, Happy Hogan and Pepper Potts, trying to figure out where Iron Man has gone. They use one of their boss's cars that has a special Iron Man scanner in it to track him. I have to say, I didn't find either of them appealing. Happy's not the sharpest tool in the shed and Pepper seems rather harsh.

Doug: Did you read Iron Man comics as a kid? I did not. I enjoyed him in the Avengers, of course, and as a guest star in Marvel Team-Up and Marvel Two-In-One. While I'd heard of Pepper Potts and Happy Hogan, my main experience with them was in the early Tales of Suspense "adaptations" that ran as reruns on The Marvel Super-Heroes television show. So I was surprised that Pepper was so Type-A, but also somewhat put off by how dopey Happy was depicted. I think his personality was altered for the better as time went on. But if I have a takeaway from these early stories, it's that Tony Stark has for the most part been written "in character" through the years. This headstrong, almost cocky, Tony Stark fits right in with the way in which Robert Downey, Jr. has portrayed him in the MCU.



Karen: I was an on-and -off reader of Iron Man, starting around issue #43 (cover-dated Jan. 1972!).  It was never a favorite of mine though. I never liked Tony Stark much. While I would agree with your assessment that Stark has always been headstrong, I'd say that's about the only part of his original comics personality that they brought over when Downey started playing him! In the early days -at least, before the Michelinie/Layton years -Stark was certainly part of "The Establishment," and about as square as could be. He was a munitions manufacturer, for Pete's sake! Yeah, he had an eye for the ladies, but he was definitely a mainstream, by-the-book kind of guy. And boring. This is where I think the movies have made an improvement. Stark in the films basically is Downey, with his quick wit and wildness. This Stark is a product of the 80s and Silicon Valley instead of the Cold War. But I digress.

Doug: After Stark has recharged, he's quickly on patrol to look for Cap. It doesn't take long, as both heroes spot each other at about the same time. Cap quickly ducks into a "construction power station", whatever that is. Well, I'll tell you what it is -- it's a blank canvas for Don Heck. I almost got a little Dick Sprang vibe when I began to read this scene, but it never really panned out. I was just thinking of all the big props Sprang used to draw in his Batman stories. But the perils are what you might expect from a construction setting: gravel, various mixers, sand, and water. All of those elements come into play at some point, with Iron Man, Pepper, and Happy (newly arrived, thanks to the aforementioned Iron Man tracer beam) all falling victim to a potential catastrophe. It's funny, but as Iron Man "started it", it's Cap who finishes it. Once we get into Round Two, Cap is clearly in charge and is able to end this.

Karen: I had the same reaction -a "Construction power station"? But yeah, you just have to roll with it. Again, I am struck by how much smaller the scale is here. Our combatants deal with gravel pits, cement mixers, and steam shovels -just like the puny shark at the beginning, I think this would be underwhelming to readers used to battles on a much more massive scale. Nowadays you'd have to have the two of them battling on top of an exploding nuclear power plant or something. What's really odd here too is that the two heroes don't actually duke it out -Cap sets the plant machinery against Shellhead and he has to bash his way through it. I suppose that might have seemed more exciting to readers then. 

Doug: But it doesn't truly end until Giant-Man shows up with the fake Cap in tow. The Chameleon was done in by... ants. Yep, although Giant-Man, Hank Pym still utilized his ants for "patrols" of the city. The Chameleon had positioned himself to watch the super-slugfest between Iron Man and the real Cap when he was found out by Hank's bugs. So after the explanations that always end these misunderstandings, Cap offers the olive branch first: "Well, partner, I'm glad it all came out in the wash! No hard feelings??" To which Iron Man sheepishly replied, "Of course not, Cap!" And then Iron Man slunk off again to sulk, about how easily he'd been duped by the Chameleon. But... in another time-anchored reference, Tony Stark draws inspiration from Lyndon Baines Johnson: "Let us reason together." And wouldn't that put off a lot of these superhero brouhahas?

Karen: I wonder if a first-time reader would be puzzled why a hero named Giant-Man was communicating with ants?  The Avengers reunion at the end was a nice little surprise. I also enjoyed that last panel, with Iron Man doing his best "The Thinker" imitation, and the quote from then-President Johnson. Boy was it a different time, one when people actually respected at least the office of the President.  This whole tale has a refreshing naivete. There's no big ideological argument here, no one taking sides, just two heroes having a misunderstanding, and at the end of the day -or story - everything is back to normal. 


Doug: Today is the 8th Super Blog Team-Up and we were once again grateful to be asked to participate. After you leave your comment on today's post, please patronize the blogs of our fellows -- you won't be sorry that you did!



Chris Is On Infinite Earths: Guy Gardner vs. Blue Beetle
                                           
Longbox Graveyard Fire and Water: Human Torch vs. Submariner          
                                             
Coffee and Comics Blog  




Tuesday, May 3, 2016

If I Had a Buck... Civilized!


Martinex1: We are just days away from the Captain America: Civil War release and I have been avoiding as many trailers and spoilers as possible. But the fact is, I have been seeing previews for this grand kerkuffle in the Marvel Universe for decades, as the heroes have repeatedly relied on fisticuffs to solve their problems. Long before the comic book Civil War, the attitude was punch first and ask questions later. Disagreements over hidden faces, shady actions, misunderstood movements, and even a favorite food seemed to lead to an epic battle. 

So here we are in the mystical comic shop for our regular $1 Challenge shopping spree of If I Had a Buck... For those of you that have not joined us before, it is a simple game of choosing from the titles below, picking your favorites from this virtual spinner rack and commenting on those issues, the characters, the genre, Marvel in general, or anything that pops into your heads. We once again are pulling from the Quarter Bin as some of these comics came out in the (eeek!) 1990s and even the 2000s, and could not have been purchased for a single greenback. So you have four quarters for four comics with our friendly foes fighting ferociously. Who can ask for more?


There were plenty of Marvel cover battles to choose from, but I did my best to limit it to characters appearing in the film. (If the Hulk had been included, there would have been dozens more). If you can think of other examples, please share. Thanks to Mike's Amazing World of Comics site for the easy research and cover hunting.


So without further ado, jump right in, keep your hands to yourself and enjoy!














Monday, May 2, 2016

When Your Protagonists are Antagonizing... Super-Villain Team-Up 2


Super-Villain Team-Up #2 (October 1975)(cover by Gil Kane and Frank Giacoia)
"In the Midst of Life... the Way to Dusty Death!"
Tony Isabella-Sal Buscema/Fred Kida

Doug: Continuing a week's worth of Civil War-themed posts, what about bad guys fighting bad guys? This was the first issue of Super-Villain Team-Up that I ever bought, and I stayed with the series (when I could -- you know, distribution woes) until the end of the original run; I did not know until years later that there was a 16th and then a 17th issue (each released waaaay after the 15th issue). Super-Villain Team-Up seems typical of other short-lived series at Marvel in that (in my opinion) sub-par and oft-rotating creative teams doomed it. Case in point: during its 17-issue run (plus Giant-Size issues), the following writers and artists helmed the series --
Giant-Size SVTU #1 -- Roy Thomas-John Buscema/Joe Sinnott (framing sequences)
Giant-Size SVTU #2 -- Roy Thomas-Mike Sekowsky/Sam Grainger
#1: Tony Isabella-George Tuska/Bill Everett/George Evans/Frank Springer
#2: Tony Isabella-Sal Buscema/Fred Kida
#3: Jim Shooter-George Evans/Jack Abel
#4: Bill Mantlo-Herb Trimpe/Jim Mooney
#5: Steve Englehart-Herb Trimpe/Don Perlin
#6: Steve Englehart-Herb Trimpe/Jack Abel
#7: Steve Englehart-Herb Trimpe/Pablo Marcos
#8: Steve Englehart-Keith Giffen/Owen McCarron
#9: Bill Mantlo-Jim Shooter/Sal Trapani
#10: Bill Mantlo-Bob Hall/Don Perlin
#11: Bill Mantlo-Bob Hall/Don Perlin
#12: Bill Mantlo-Bob Hall/Don Perlin
#13: Bill Mantlo/Keith Giffen-Giffen/Don Perlin
#14: Bill Mantlo-Bob Hall/Don Perlin/Duffy Vohland
#15: Larry Lieber-George Tuska/Wally Wood/Mike Esposito (reprint)
#16: Peter Gillis-Carmine Infantino/Bruce Patterson
#17: Peter Gillis-Arvell Jones/Bruce Patterson
So if you're scoring at home, that's six writers (I won't count Lieber due to the reprint), 11 pencilers, and (wait for it) 13 inkers. That's right -- 13 inkers working on 18 issues in the series (again, not counting the reprint). Granted, they doubled-up a few times, but still... If that's not a major reason why a book would look different month to month, I don't know what is. And regardless what you think of a guy like Herb Trimpe, when you place him under the influence of Don Perlin... well, let's just say it ain't Trimpe under John Severin! I will say, though, that the Bob Hall/Don Perlin issues look pretty good.

Doug: There's something for you to chew on as we now get on to the task at hand -- reviewing what's sort of a bridge issue, but fun nonetheless. We pick up the trail on one of our favorite Bronze Age conventions -- the visi-screen! I mean seriously... if I can't have a couple of panels with a rubber mask reveal, then just hit me upside the head with a visi-screen! Here's your 100-Word Review of the plot of this issue:

After a battle near Hydrobase, Namor has fallen under the combined might of Attuma, Tiger Shark, and Dr. Dorcas (now there's a moniker for ya). But somewhere distant Namor's would-be ally Dr. Doom watches, and reflects on the brief history of his and Namor’s alliance. Doom is found out, forcing his hand. Seeking to liberate Namor, Doom encounters the transformed Betty Dean Prentiss, former love of the Prince during the War. Doom infiltrates Namor’s prison, but in the melee Betty is killed trying to save Namor from Dr. Dorcas’ blast… she falls just as Namor breaks free. “Avenging Son”, indeed!
Doug: If I were an editor working at Marvel in the Bronze Age and I wanted to stabilize a book either to keep it on schedule or to smooth out its "look", I'd turn it over to Sal Buscema. That's not to say that he was the best artist Marvel had at their disposal, but he could crank out the "house style" in an efficient manner. I don't know if that is why he was tapped for this particular issue, but in the looks dept. his presence makes this one of my favorites in the entire series. So...

The Good
: Obviously the art. I really don't have a lot of experience with inker Fred Kida, or at least I don't think that I do. Maybe that I can't recall Kida's work is a good thing? Perhaps you immediately inferred that he's not a memorable artist. Maybe that's his strength, because when I look at this I see Sal Buscema. It's no Joe Sinnott production, that's for sure (and you all know I love Joe Sinnott). At this stage of his career Sal was a grid guy, utilizing 4-8 panels on a page. Only the double-page spread (pages 2 and 3) rejects the notion of borders; every other panel in the book contains the art. So if you're looking for anything resembling the better design aspects of Jim Steranko or Neal Adams, you won't find it here. And that's OK. As I said, if someone felt this book needed a steadying hand, they got it.

There is one specific panel that I think is genius. I've provided it here -- Tiger Shark emerging from the ocean. Look at his right hand. He skims the water with the backs of his fingers, just like you or I would if we were walking to shore, thinking or watching. I just find that bit of familiar motion fascinating -- what a detail. I also have a love/hate sense with a single panel of Doom holding his chin in the crook of his thumb and index finger. While it's an image that conveys the motion of stroking one's chin and it fits Doom's mood in the scene, it does seem somewhat odd that a fellow would place a hard metal finger beside a hard metal chin. Not exactly the pensive beard-stroking one might think of. The emotion on the final panel of the book leaps off the page. Fabulous ending (see the end of this post)!

Earlier I mentioned the visi-screen. Unlike in the past, when our would-be world-dominators are just able to kick back and look at these things as if possessing some sort of universal clairvoyance, here we actually find the source of the images Doom is perusing. Doom had devised a mechanical fish that looks to me quite a bit like a Joker fish. Even though Tiger Shark spied it and wrecked it, I did appreciate that we got a "plausible" explanation for Doom's spying capabilities.

While I'll take issue with Tony Isabella's characterization here in just a minute, I must compliment him here on making me root for the main character of the magazine (the Marvel Universe's alpha super-villain) against all other characters -- especially when everyone in the book is a bad guy! Namor's rogue's gallery is bereft of true heavyweights, so of course Doom would be able to out-smart them, out-tech them, etc. But there was still the sense that I wanted Doom to be the victor (no pun intended) here. I don't say that in he pages of the Fantastic Four.

Lastly, I've been on record for years stating that I love this life-giving suit that Namor wore in the early-mid 1970s. Love the look! It's certainly more regal than trying to rule or lay waste to the world in a green Speedo.

The Bad: Let's go right into my scripting complaint. If you would be so kind, hop back to my review of Sub-Mariner #8, written by Roy Thomas. That issue was narrated by Betty Dean Prentiss, who is a major supporting character in today's story. You can see some narration boxes in the art samples -- those were "written" by Prentiss in her diary. Got her voice? Yeah, Isabella must have just ignored all that, because I think he took her character profile (she worked for the NYPD) and just wrote her as some hardened beat cop-type of person. It's really off, and I think I'd feel that way even if I had not known the character from that other book. The way she addresses Doom is pretty stupid, as well. I'm all for bravado in the face of extreme adversity, but c'mon... the monarch of Latveria could have vaporized her on the spot. I guess I'd rather she'd been written differently.


Note - You may notice that some of the "human" characters, like Betty Prentiss, are amphibians. This was apparently a development in the last issues of Namor's solo mag, which was cancelled around six months before Giant-Size SVTU #1. I don't know if this is necessarily a bad thing as a plot device, but I'll put it here since I was discussing Betty Prentiss.

The Ugly: Tiger Shark's teeth. You know -- like a shark. Boy should have had braces! That being said, are his teeth uglier than Attuma's whole face? Discuss.

Doug: I am hesitant to read the entire trade Super-Villains Unite: The Complete Super-Villain Team-Up, which I have used for today's festivities. As I said, the art is a real turn-off at times. And that's a shame to middle-aged me, because my memories of this series are better than the reality of it with which I am now faced. "Hold up"? Umm...


Doug: For conversation starters, what other instances can you come up with where super-baddies fought super-baddies? Were there some memorable tussles? Who would you have liked to have seen -- where were two guys (or gals) who may have conceivably had a beef with each other?

Sunday, May 1, 2016

A Bronze Age Civil War?

Redartz: greetings, one and all! This week brings the latest Marvel cinematic offering to our waiting eyes, "Captain America: Civil War". In honor of this event, we will today look at an earlier period of conflict between  Cap and his Civil War opponent, Iron Man; specifically, the arc involving Avengers 162-170. Plus, there'll  be a little poser afterwards for your consideration.

Jim Shooter was the Avengers' scribe during this period, and George Perez handled most of the artwork. Notable other illustrators included George Tuska (issue 163) and John Byrne (issues 165 and 166). Pablo Marcos was the inker for this run, I found him particularly effective over Tuska's pencils.


Reading this stack of books left me amazed at how much story was covered within the covers. There were plots and sub-plots which would extend all the way into the 180's! Foes included Ultron, Typhon, the Lethal Legion,  Count Nefaria and Korvac/Michael (this last storyline would run up to issue 177 by itself). Shooter was masterful at weaving many threads together, and packing a lot into a 17-page story. One of those threads is the subject we will look at today.

 
Throughout this arc, there was a fair amount of underlying tension among the Avengers. The Beast was having self-doubt issues and was frustrated by his seeming lack of contribution to the team's efforts. Wonder Man also had doubts (he questioned the usefulness of Hawkeye in one scene and was quickly chastised by Thor),  and struggled with fear of defeat. Iron Man was chairman, and his frequent absences were causing friction among the team as well (at this time his identity as Tony Stark was still unknown to the team). Captain America had recently lost his added strength (as told in Cap 218), a fact also unknown by the others. Hawkeye was still in the west, and Thor's inconsistent appearances were also a source of concern. Against the backdrop of all this, some tempers were beginning to fray.
We begin in issue 162, with the Avengers facing Ultron. In attempting to stop Ultron, Iron Man held the robot's intended bride (the newly-created Jocasta) and threatened to destroy her. His bluff worked, and Ultron left. But that action didn't sit well with the Black Panther, and when T'challa tried to bring it up, Iron Man brusquely stifled him...




Issue 163 was largely a fill-in, but a major plot point was the Beast's being held captive , forcing Iron Man to perform  Typhon's intended attack upon Hercules and the Champions. Again, the Beast was left questioning his actual value to the team.


This led directly into issue 164, when things start getting uglier. Opening this story, Tony Stark, Hank Pym and the Panther are analyzing Wonder Man.They do a great job of ignoring Hank McCoy's attempts to contribute, and the Beast leaves in a huff.


 




Shortly thereafter the Lethal Legion attack, forcing the Avengers into battle outside the mansion. The fight isn't pretty, the Wasp and Panther are both put out of action. The Scarlet Witch manages to stop the Legion, who then promptly escape. Tchalla blames himself, when Captain America tells him not to worry: the whole team has been underperforming lately.




Back at the mansion, a meeting is held, and Iron Man's absence as leader brings sharp comments form Wanda and Cap. Said meeting was abruptly interrupted by the returning Legion, however.

 







By 165, Count Nefaria has appeared, taking over for his flunkies (the now-defeated Lethal Legion). The Avengers are still short-handed, the Vision injured, Hawkeye still gone and no Thor or Iron Man. Nefaria is giving the team a rough go, dropping a building on them.  At this point Iron Man shows up, and tries to get the team to back off while he attacks. This causes Yellowjacket and Cap to question whether the team is actually functioning as such, and Wanda tells Stark to "Lead us...or step down"


In issue 166, Thor suddenly appears and joins the battle against Nefaria. Wanda lets him know she's had enough of his last-minute appearances. After the fight is over, Iron Man also takes Thor to task for his absences. This brings a scathing response from Cap, telling him "this team has hit bottom while you've been our leader in absentia". Yellowjacket steps in, though, and postpones the 'discussion'. By the way, apologies for the drastic difference in appearance of that page; all other pages are scans from the original books while the page from 166 comes to us via Comixology (lacking that issue in the longbox...).



Issue 167 opens with Nick Fury summoning the Avengers' aid in space, where a huge ship has appeared (containing the Guardians of the Galaxy, incidentally) , seemingly destined to collide with and wreck the SHIELD satellite. Iron Man is on board the satellite with Fury as Tony Stark, and so is delayed in joining the team. This holds up the mission, and when he arrives Cap reads him the riot act. Tony tells him to "shut up and get into the ship".




Cap is obviously still ticked; when they enter the mystery ship he proceeds to issue orders to the team, catching leader Iron Man off guard.
 Thor later tells IM not to let it trouble him, but Stark worries to himself that things are getting dangerously personal.

Things come to a head in 168, Cap and Iron Man sniping at each other on the way back to Earth. Upon returning to Avengers Mansion, the team finds agent Peter Gyrich waiting for them, having gained easy entrance to the headquarters. Gyrich blasts the team for it's lack of security, and even Wanda notes Cap's displeasure. Iron Man attempts to reassure Jarvis that Gyrich's entry wasn't the butler's fault, saying "it's nobody's fault". That does it for Cap: he lays into Iron Man for faulty leadership, even calling him a "low life mercenary".

He slugs the Golden Avenger, and the two square off. Thor holds Tony back, and Wanda separates the two. She then rakes Cap over for his own lack of effective contribution. Cap stalks off, and IM apologizes to the embarrassed Guardians (who had been uncomfortable witnesses to the whole display).




Finally, in 170, the tensions are resolved. Cap is grumpily exercising, and not having any of the Beast's small talk. Iron Man enters, stating that he wishes to say a few things. Cap figures he is about to get an earful about his own inadequacies. Instead, Tony apologizes, for his failings, and offers to step down as leader. They open up to each other about their mutual concerns, and Cap sums it up : "You lead, I'll follow".  



That's a lot of drama for a storyline covered in a few panels and scattered pages over 8 issues. Each member of the team was involved at some point, and the conflict over Iron Man's leadership manifested itself both in dialogue and in the action. Some of these stories qualify as classics, and the story and artwork were excellent throughout.  Jim Shooter did a fine job balancing Iron Man's frustration at being preoccupied with Cap's building resentment over IM and his own lack of effectiveness. And true to the characters, they resolved the fight with discussion and mutual trust. I must say reading up for this post was a pleasure; this title was definitely enjoying a high point creatively.

Which brings us to this question : how might this storyline have worked out differently? It featured Shooter and Perez both at the top of their games. If , say, Steve Englehart or John Byrne plotted this arc ,what might have been the result? Would the two teammates still have buried the hatchet, or might a wider conflict have broken out? Would it have held up if expanded and presented as a stand-alone series (such as Civil War)? Do they even read as the same characters about to square off on the big screen? Your thoughts, please...

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