Saturday, October 27, 2012

Face-Off: Earth-2's World's Finest Legacies


Doug:  Yesterday we took a look at the first appearance of Power Girl, Earth-2's version of Supergirl.  Today's question is pretty simple -- who did you like better in the Bronze Age:  Power Girl or the Huntress?  And, if you are so knowledgeable, you can fill some of us in on their exploits in modern over-priced and poorly drawn comic books.



Friday, October 26, 2012

Introducing, the Supergirl of Earth-2! All-Star Comics 58


All-Star Comics #58 (January-February 1976)
"All Star Super Squad"
Gerry Conway-Ric Estrada/Wally Wood

Doug:  Now here's a series that was near and dear to Little Dougie's heart back as the calendar turned to America's bicentennial.  I am pretty sure I was in on the ground floor of the Justice Society revival and (distribution be damned!) followed it as regularly as I could through those first couple of years.  I had been exposed to the JSA during the annual JLA/JSA team-ups, so recognized immediately the characters you see defeated on the cover above.  That this story included Robin was only an extra bonus.  You may recall that while Marvel had for years credited their creators right on the splash page, All-Star Comics #58 was released during one of the periods when DC was not doing that; hence I had no idea that Gerry Conway scribed this.  Let's get into it and see how the man who had scripted the demise of Gwen Stacy and the Green Goblin and introduced many a monster over at the House of Ideas would do with some of DC's classic heroes.  I'll be using the Justice Society, volume 1 trade paperback for scanning purposes.

Doug:  We begin with a meeting of the Justice Society -- it's an all-boys club at this time, featuring Golden Age heavy-hitters Dr. Fate, Dr. Mid-Nite, Hawkman, Flash, Green Lantern, and Wildcat.  The fellas are looking at their monitors, and the news isn't good.  According to data fed their computer, the world is going to end.  As a 10-year old, I was probably thinking, "All right!  This is going to be cool!"  As a 46-year old, I was thinking, "Hmmph...  Sounds like a Bronze Age DC Comic!"  So what is Conway going to do?  This sure wasn't starting out like any Fantastic Four, Avengers, or X-Men comic I'd have also been reading.  Hawkman is the chairman at this time, and he's in the know -- he tells his colleagues that there are three major cities that are going to be decimated, and the resulting chaos in the biosphere will do in the remainder of the planet.  So he gives the order that always is given in a JSA or JLA book -- divide and conquer!  The teams will be:  Hawkman and Dr. Mid-Nite to Seattle, Flash and Wildcat to Peking (now Beijing, of course), and Dr. Fate and Green Lantern to Cape Town.  I don't know about you, but I'm thinking ol' Carter Hall didn't do such a swell job of dividing the power boys up equally.  Anyway...

Doug:  We jump ahead of the good guys to Washington state, and find the Star-Spangled Kid flying around, using Starman's cosmic rod.  Ted Knight (love that!  Ted Baxter, yeah!) was on the shelf with a broken leg, and so had given the youngster his weapon of choice.  The Kid was just checking it out when he spied a bank robbery.  He foiled it without breaking a sweat, but then went into a depression.  We the readers are then brought up to speed on the Kid's backstory as a member of the Seven Soldiers of Victory and how he's a man out-of-time -- he yearns to return to the 1950's rather than live in his future, the 1970's.  But his melancholy mood is suddenly interrupted by an earthquake!  The Kid springs into action, saving people and rising up to survey the situation.  As this is breaking, Dr. Mid-Nite and Hawkman arrive, but Mid-Nite talks Hawkman into holding back -- Mid-Nite has confidential information that the Kid is suffering from a lack of confidence -- so why not let him handle the earthquake?  Is this what heroes do -- put innocents in harm's way, deliberately, for some chump's self-esteem?!

Doug:  We get a scene shift to an orbiting satellite where we find Brain Wave working some gears and levers.  He's railing on like a Grade-A wingnut about being locked away and fantasizing about true beauty -- keep it up, mister.  He gloats that he fed the attack information into the JSA computers and has a reason why he chose the three cities that he did.  Uh, OK -- we'll find out later.

Doug:  Scene shift again to Cape Town, where United Nations envoy Dick Grayson is at a social function after having closed some sort of diplomatic deal.  Suddenly explosions rock the city and countryside, and we see Robin spring into action.  At the same time, Fate and Green Lantern arrive.  The JSAers notice that there is noxious gas that has been released, and as GL is about to be overcome Fate creates a thunderstorm to dissipate the fumes; GL then creates a giant cork to put in the fissure of the Earth's crust.  The heroes notice the fallen Robin and swoop down to help him.  Strangely, our young adventurer is questioned as to why he'd be in Cape Town exactly when the disaster struck -- Fate says it's an odd coincidence.  But before the conversation (read: blame game) can go any further GL's cork blows (literally!) and everyone has to spring back into action.

Doug:  Cut again to Peking, where Flash has run, with Wildcat drafting along behind.  A volcano has materialized and erupted in the heart of the city, and Chinese citizens flee in panic.  I have to say, at this point in the story the editors at DC really let some stereotypes fly -- the facial features of the Chinese are exaggerated, and their skin if of course a yellow hue.  Additionally, the only citizens to interact with the heroes in this story are the Chinese, and it is in the form of an uprising/fisticuffs.  At any rate, the Flash uses his super-speed to create enough friction to dig a trench that will catch the lava.  But as they remark that it's only a temporary fix, a red and white form streaks into the disaster area and somehow (anyone who wants to explain the physics of this is welcome to try) lifts the molten lava as if it were a solid sheet and stuffs it into the opening atop the mount -- I'm thinking that would create more pressure...  Flying down to ground level, she (!) tells Flash and Wildcat that they know of her cousin -- Superman!  She says her name is Power Girl, and that her cousin had wished her to remain hidden a bit longer.  At that point the Red Army attacked.

Doug:  Power Girl does her best Gorgon impression, stomping the ground hard to create a shockwave that scatters the troops.  Wildcat of course prefers his fists, and deals his own brand of crowd control.  After the soldiers have withdrawn, Power Girl begins to speak rather cryptically.  She tells the Flash that she knows about the 3-city disaster plan and even who is behind it.  Skeptical, Flash asks her how she would know -- not who it is, mind you -- how does she know?  This gives Conway an opportunity to draw up a little characterization that will become familiar over the next several issues -- Power Girl's snobbishness/snottiness and Wildcat's stubbornness at accepting her into the fold.  Power Girl asks the JSAers if they know that in all three cities it's younger heroes who are saving the day -- herself, the Kid, and Robin.  This is a definite conflict-creator, as in her next breath she christens these youngsters the Super Squad -- a new arm of the Justice Society?

 


Doug:  In the end, Power Girl tells her now-traveling companions that it will be Brain Wave that they must face.  But she never does reveal how she knows.  Funny thing I remember about Power Girl, and I'm sorry that I cannot for the life of me recall where I heard this -- it may have been from one of you, our regular commenters (if it is, please take the credit).  Someone once said that they always wondered why a character named "Power Girl" would have a "Y" on her chest for a logo!  And isn't that the enduring image of this Bronze Age heroine?  Right from the start, artists Ric Estrada and Wally Wood "endowed" Kara with certain, um, prowess.  And how about the rest of the story?  You know, I was initially planning to rip Conway's script and dialogue, denigrating what I often refer to as "the Bronze Age DC" feel of it all.  But, after a month (wait until you see Monday's BAB Frightfest, kids) of Marvel monsters, it was actually nice to see this play out as an all-ages sort of story.  The good guys were good (even if a bit cardboard and at times played for fools), there was some menacing set-up for the next issue, the art was decent -- Wood's inks helped along Estrada's pencils, and the young characters came off as the real heroes -- something this lil' fella really yearned for in 1976 (loved me some Secret Society of Super-Villains, too, as Kid Flash was a fave character, as well as most of the Legion).  Even though the DCs of this era only ran 18 pages instead of the Marvel-length of 20, this was still a nice almost-20-minute diversion.

Thursday, October 25, 2012

So, What Are You Going to be for Halloween?


Doug:  Karen and I thought it would be fun to give our readers a day to sound off on their favorite costumes of Halloweens gone by.  We're specifically looking for some thoughts on your get-ups, scary or otherwise, in the Bronze Age.  Did you usually go in one of the store-bought outfits, sold in those huge window boxes?  Or did you tend to side with the homemade costumes and dress as a pirate or hobo?  What was your best trick-or-treat memory, and do you have a bad one?  Do you dress up as an adult to hand out treats to the little ghouls and goblins in your neighborhood?


Doug:  And by the way, if you've yet to click on our sidebar link to the Lair of the Dork Horde and their 31 days of Halloween costumes, you're missing out.  There are some great memories located within, as well as a heaping helping of education.  Daily I find a character-based costume that I never knew existed -- some due to the age of it, others due to the fact that I was just ignorant of said character's role in pop culture at all!  So pay 'em a click.

Wednesday, October 24, 2012

The Incredibles



Karen: We've heard some love expressed for this Pixar film before around here. Now's your chance to really talk about it! Let's hear what you think. Personally, this is my favorite Pixar film by a long shot. I love the Bond homage with the villain's island, the Silver Age feel in the flashbacks, the ersatz-Fantastic Four...I could go on and on, but I'd rather hear what all of you have to say!


Tuesday, October 23, 2012

Who's the Best... Mummy?


Karen: This one might not be as easy or as fun as some of the others. Let's face it, of all the classic monsters, the Mummy probably has the least personality. Now, admittedly, Karloff's Imhotep/ Ardath Bey actually spoke, so he gets a few more points I guess. And the most recent remake also invested the reborn Mummy with some little personality, in between all the obvious CGI and stunts. Personally, I always found Christopher Lee's Kharis physically impressive. The Tom Tyler Mummy (also named Kharis) was kind of menacing too. And then there's the shambling Lon Chaney Jr. version (Kharis again)...and the Aztec Mummy...OK, who ya got?




Monday, October 22, 2012

BAB Frightfest: Supernatural Thrillers 5 -- The Living Mummy


Supernatural Thrillers #5 (August 1973)
"The Living Mummy!"
Writer: Steve Gerber
Artist: Rich Buckler
Inker: Frank Chiaramonte

Karen: We've come to the final review in our four 'classic' monsters. The Mummy offers many opportunities for stories, with its rich background in Egyptian history and legend. Marvel chose to place this series in modern times, and surprisingly (considering what was going on in 1973) in Egypt and Israel! I guess you can tell already that this is going to be a different comic, but with Steve Gerber at the helm, that shouldn't be unexpected.

Doug:  I'll echo that this is certainly just a bit off from our three previous reviews.  I'll go as far as to say that the presence of Rich Buckler is a part of that.  He holds his own -- the pictures are certainly pretty.  But there's just a bit too much of a superhero feel to this that in my mind separates this book from our previous three.

Karen: You know, you're right, it does have a more super-hero flair, doesn't it?  There's nothing at all macabre here, although there's nothing wrong with Buckler's art either. Our story opens with a couple, two Israeli soldiers (male and female in case you're wondering) enjoying a moonlit night on the Gaza Strip as they sit next to their tank. Romantic, huh? As they sit and ponder their role in war, they see a shadow from behind and swiftly turn and discover a huge figure  wrapped in bandages, towering over them.The woman, Davida, looks at the creature's eyes and cries out that it is insane.The man, Avram, fires his gun at the creature but the bullets have no effect upon it. The Mummy slams Avram to the ground with a single blow and then turns on Davida, apparently ready to strike her too, but then stops. He calms, and then turns away, into the desert.

Doug:  Steve Gerber was just about to launch into a morality play when that dang Mummy showed up!  As I had just maligned Buckler (again -- his work is fine here, but Ploog, Brunner, Colan, etc. just give off the mood that seems right in these sorts of tales) above, I will say that the splash of the Mummy's appearance is pretty awesome.  And as we'll see a bit later on, the dude is huge!

Karen: In Cairo, an archaeologist with the incredibly hokey name of Doctor Skarab is looking over a scrap of paper when he's joined by two young anthropologists, Ron and Janice. The three clearly all know each other and my impression is they have been working together for some time.  The doctor tells the two that the papyrus he's found has solved both their mysteries: what happened to their missing African tribe and his missing pharaoh. He then describes how, during a 'lost period' of Egyptian history, Pharaoh Arem-Set captured and enslaved an entire nation of African people known as the Swarilis. The Swarilis were forced to build monuments to the Pharaoh. It was back-breaking labor. The warrior-king of the tribe, N'Kantu, a huge man, was forced to bear more than most.But N'Kantu refused to be broken in spirit, and at night he plotted rebellion. This news reached the Pharaoh's ears via his priest, Nephrus. The Pharaoh and the priest decided that when the temple was completed, the slaves should all be killed and buried inside.

Doug:  I find the making-up of cities, nations, lands, peoples... irritating.  Hey, the Marvel Universe is set in New York City!  Why in the world can't all of their stories be set in the "real world".  Marvel was never as annoying as DC at this, but that Marvel even did it once seems dumb.  I suppose setting Dr. Doom up in Latveria is necessary, as the enormous number of readers in Lichtenstein probably wouldn't have liked being under some fictitious dictator.  Jeez, I'm getting curmudgeonly.  Anyway, the historical aspect of the story was well done, as it played like something you might have expected to see Charlton Heston in -- sort of hard to screw that up -- but I had a coloring question:  Why in the present is Dr. Skarab depicted as having that Mediterranean olive-toned skin, while the Egyptians of yore are as white as the next European?

Karen: He had that weird 'grey' skin tone that I never know how to interpret. The ancient Egyptians here were apparently descended from Yul Brynner. On the day that the slaves were led inside the temple to be slaughtered, N'Kantu grabbed a guard and killed him, and then freed his people and led them out and on to the Pharaoh's palace. One well-aimed spear took care of the pharaoh, and then N'Kantu went in search of the priest.Unfortunately, Nephrus was prepared. He tossed some drops of a strange potion in N'Kantu's face, and the African King was paralyzed. The sadistic Nephrus had N'Kantu placed spread-eagled on a platform  and replaced his blood with a special elixir that would make him immortal, yet unable to move. He wrapped him in bandages and put him in a sarcophagus. Nephrus then planned to claim the throne for himself, but in an act of the gods, or nature, a violent earthquake struck, and the city of the pharaoh was reduced to ruins, with Nephrus barely escaping.

Doug:  Nephrus' "punishment" for N'Kantu truly was horrible, wasn't it?  We'd see this "eternal living really stinks" motif again with the Sphinx in the pages of Nova.  In regard to N'Kantu in bondage, Buckler did a very similar image in his Deathlok series, didn't he?  I know you'll know...  I also saw a panel like this in a Marvel Treasury Edition Conan story I read -- I think it was a colorized reprint from a Savage Sword story.  Since Gerber was about to get all political with us at the top of the story, can we read that he is going all religious on us here?  Maybe it's just me, but the sudden earthquake reminded me of the verses in the synoptic gospels when the Temple veil was torn in two and an earthquake commenced, in and around the death of Jesus (depends on if you're reading Matthew and Mark, or Luke, as to when the signs happened). 

Karen: Yup, that cross or X that N'Kantu was tied to was just like the one Deathlok would be strapped to on the cover of Astonishing Tales # 25 a year later! Good eye, Doug. Ron and Janice both think that the story Skarab has told them seems pretty ridiculous, but they are even more incredulous when Skarab goes on to claim that Nephrus was his ancestor! And of course, if you look at how the two characters are drawn, they are very similar. Skarab then goes on to say that he wants to find N'Kantu and discover the secret of immortality. At this Ron really balks. "Doc, you've been working too hard," he says. 

Doug:  Similar indeed!  However, as I began reading this, I kept seeing Jafar from Disney's Aladdin!  I'm with Ron.  Hey, do you ever wonder why in storytelling the audience can just smell evil, but the cast just sleepwalks through the signs and aura of it all?

Karen: They're just much more naive, I suppose... sure, that's it. Meanwhile, in another part of Cairo, N'Kantu furtively moves through alleys and darkened streets. Of course, the 20th century is a shock to him -- literally, when he is hit by a car! However, the potions used on him seem to have made his body much more resilient, and he is unharmed by the impact. He begins to rampage, like all good monsters do, and winds up on TV. This brings him to the attention of Skarab, who comes running to find Ron and Janice. He tells them that the three of them must find a way to calm him down and stop him, so they head off to find him. But in a strange plotting twist, just as they leave, N'Kantu arrives at the building and enters! He's looking for Nephrus, apparently not realizing how much time has passed. He stumbles around and soon passes out, finally overcome by fatigue. 

Doug:  Are we to assume that the spot where Skarab has been working is the site of the palace those thousands of years ago?  The Mummy seemed to be running on instinct, but as you said, the surroundings must have really thrown him off.  Did you think that the collapse of the creature due to exhaustion was weird?  Obviously we're dealing in the supernatural here, so I would have expected a bit more of an out-there explanation/plot twist.      

Karen: I am surprised that he would get exhausted or run out of energy at all, but obviously Gerber felt the need to put him in a weakened state. Our three heroes return and see the door torn off its hinges and realize something's amiss. Then they see the 8-foot tall Mummy on the floor. Ron yells, "Christmas!" and I wondered for a second if I was reading a Luke Cage comic. Are he and Janice supposed to be American? It's not clear to me but I am assuming they are. Anyway, they examine N'Kantu and discover he's still alive, a situation Skarab plans to rectify by shooting the poor Mummy. Ron objects but before he can do anything Skarab fires off a bullet, proclaiming that  the Mummy must die for the good of all Egyptians! The bullets only wake N'Kantu up, and he looks at Skarab and calls him 'Nephrus' and asks him to save him.  Skarab understands what he's saying and tells Ron and Janice. They all run out of the building, where the police have gathered. The cops fire tear gas on the Mummy, and as he struggles through it, Janice feels sorry for him. The cops fire on him and N'Kantu grabs a power pole, tears it from the ground, and prepares to use it as a club. But the power lines snap and Janice, realizing what will come next, wants to save N'Kantu before it's too late. But tragically, the lines hit the chemicals on the ground and the towering Mummy is zapped by electricity. He crumbles to the ground. As the police approach him, Skarab warns that the Mummy may not be dead, and asks that they give him the body so that he might study it.

Doug:  Skarab's behavior in these last two scenes is erratic at best.  Does he just know more than Ron and Janice and is seeking to dupe them by putting a slug in N'Kantu?  Was he really out of his gourd?  And why the "sudden" change of heart once outside, asking the police to give him custody of the Mummy?  Gerber's script, offbeat as usual, has me wanting some answers.  And I agree with you about Ron and Janice probably being Americans.  What did you think of N'Kantu being 8-feet tall?  Wouldn't 7-feet have been a bit more practical?  I know Egypt isn't in T'Challa's neck of the woods, but given Buckler's artwork this would have felt almost better as a Black Panther story rather than a "monster book".

Karen: The story in itself was all right, if fairly typical "berserk monster" stuff.  The origin of the Mummy was sort of a version of Moses and the Israelites combined with theclassical mummy story, only substitute in the Swarilis for Israelites. Maybe it was just me, but I had the feeling Gerber was headed for some political commentary with this series, setting up the African Mummy and the two African (American?) supporting characters, versus what appeared to be a villainous Caucasian character, and the whole Egypt/Israel setting was rife for political commentary.  But I did some poking around and found that Gerber only wrote two issues, and the supporting characters apparently were not seen again, as the Mummy was whisked off to New York in his next appearance! So unless there's an interview with Gerber floating around somewhere, we'll never know  what he planned for the Mummy (if anything).

Saturday, October 20, 2012

Behind the Scenes -- A BAB Editorial Meeting



Karen: We sometimes joke around about our BAB "editorial meetings" -- basically, the emails that fly back and forth between Doug and I where we plan the blog's content. After several years now of this dog and pony show, we seem to have our act together, although life does intrude from time to time. But we manage to agree pretty well on the overall content. It is getting a little harder to come up with new books to review, but that just gives us a reason to buy more trades and back issues. But we thought it might be fun, and possibly enlightening, to share a recent exchange we had with you all, to let you see how we decide what to run, and when, and how those conversations meander.



D: Since the end is in sight for Monsterpalooza, do you want to set the order for the Kirby month?  I can set the posts up if you tell me how you'd like to run them.  Thanks!

K: Geez, I was just thinking on the drive in this morning whether we were going to do Avengers Under Siege or our Return of the King series, yet forgot to bring it up with you! Getting senile...anyway, yes, let's get Kirby going. I was thinking chronologically might be cool -what do you think? I can figure out what that order might be as best as possible and we can do that if you like.

D: I'm open to the Avengers, too, if you feel more like a series after a bunch of one-shots.  Now that I think of it, we had discussed Kirby in December -- sort of a "Very Kirby Christmas" -- but since he was Jewish that's probably inappropriate!! 

I don't mind either direction -- you go with what feels like the most fun.  I haven't read any of those Kirby books (I always thought that I bought a lot of monthlies when I was a kid, but that simply cannot be true...), so I'm open for some learning.

I'll try to get to adding my comments to the Mummy post today or tomorrow.  Tigra is ready, and the Power Girl post is done (art has been added); again, get in on Power Girl only if you feel like you have time.  No worries!  But, really looking forward to your impression on the Tigra story (and art!).

K: Good point about Kirby and Christmas, we don't want to appear insensitive! So starting it in November seems the way to go. I went ahead and put them on the schedule. Cap came first, followed by the Eternals. Devil Dinosaur and Machine Man appeared to be published at the same time so I just went in alphabetical order. As I do have the original comics for Cap and the Eternals, I might try to dig those out and scan the covers, since everyone seemed to like seeing the real, beat-up comics.

I kind of wish we had access to his Black Panther stuff (do you?) but I've heard it's pretty awful...

D: I don't have any BP by Kirby.  I've picked up the tpbs to look at them a time or two and have always set them back down!

After our month of the King and his '70's writing, we will need to do a praise-worthy book -- would FF Annual #6 happen to be a favorite of yours?  It was reprinted in G-S FF #6 -- features Annihilus and the birth of Franklin.  We could do a partner review in between Kirby and the Avengers run if you would like.

K: We could review it...but we did already review it on the old Two Girls, etc. blog!

Don't feel bad, I can't remember what I had for lunch last week...

D: "FF Family Matters"!!  What a great idea!!

Jeez...

I'm not kidding -- I've had that G-S FF sitting out where I can see it for a couple of months now, thinking I'd review it as a "Favorite".  Never, ever occurred to me that we'd already done it.

That being said, have you ever thought of re-reviewing some of those great series, like "Celestial Madonna", again with our revised BAB-focused points of view?

K: Yeah, I have, particularly the Cap/"Secret Empire" stuff and the "Celestial Madonna" series. Maybe a little further down the road? Surely there must still be some Bronze Age classics we're over looking. We still have our X-Men continuing reviews to do.  Sadly, FF in the Bronze Age just wasn't very good, same for Thor. I really haven't gone back and looked at Hulk much, mostly due to the Trimpe art, but I may take a look. I keep adding things to my holidays to-do list, and  I know I will never get them all done.

D: For Bronze Age FF, about the only two longer arcs I'd like to do sometime are the Frightful Four farce when they held try-outs in the Baxter Building, and the Son of Doom arc shortly after the team had broken up in the #190s.

As to Thor...  I have some of the hardcovers, but haven't read any of those stories in ages.  I know people like the long tale with the camera crew in Asgard, and the mythical red-headed Thor.

We need to at some point get back to Amazing Spider-Man as well.

Hey, by the way -- I got out the Beast Masterworks a couple of days ago to leaf through the Rutland story.  Egad!!  I didn't mind Bob Brown much on DD, Batman, or even the Avengers -- he was tolerable.  But on this Beast story...  The Juggernaut looks like he needs to get himself to Jenny Craig!  He could have gone to the Rutland parade masquerading as a fishing bobber!  It's too bad for that series that the interiors were so badly drawn as compared to the covers, which I thought were overall excellent.

K: Those two FF arcs were actually pretty good, and I'd say the Galactus vs. High Evolutionary was fun as well. Also the earlier Roy Thomas stuff with Galactus and Gabriel and the Panther in South Africa (or its Marvel equivalent) were solid.

For Thor, I enjoyed the Celestials/Eternals story that Thomas started, but then he diverged into this re-telling of "The Ring of the Nibelung" that was just terrible. I mean, it was awful stuff with Thor standing in for Siegfried and Valkyrie for Brunhilde and it was plopped down right in the middle of this exciting story with the Celestials returning to make judgment on Earth. It seemed to go on forever and I gave up on it, and then at some point they got back to the Celestials, and suddenly all the Asgardians were dead, and it took me a few years to get issue 300 and find out what the heck had happened. The Celestial part was fantastic but the other stuff? Terrible. I can't say that word enough. I have the two trades it is collected in but I will only read the Celestial part. 

I have that Beast/X-Men Masterworks but only thumbed through it because the art was, indeed, wretched. Most of the artwork on the Beast series was by Tom Sutton I think and it made my eyes hurt. I'll have to look at this Bob Brown artwork. Most of the time I find him acceptable but no better than that. Fishing bobber! Lol.




Doug:  So there you have it -- a "day in the life", so to speak.  We hope you enjoyed your All Access pass to the BAB...  Shoot, we could have our own reality show!  Enjoy your weekend!

Friday, October 19, 2012

Unabashed Retailer Recommendations/Endorsements

Doug:  About a week ago we had a request in the "So, Whatcha Buying?" post for a wide-open opportunity for our readers to recommend buying points to each other.  Today's query is pretty simple, then:  Where do you buy your "fix", whether it be comics, books, or toys?  Are there good experiences out there with eBay or other online auctions/retailers?  Are there instances when you felt like you got burned?  Overall, would you recommend the online shopping experience, or do you prefer a physical space to converse with sellers, examine your potential purchase, etc?

Doug:  In the interest of keeping this a friendly space, I think we'd rather hear more good news than complaining.  Obviously if you really, really got taken with no recovery of your loss, then share; but I'd rather spend my time reading about good places to buy/shop than bad.  And, since we are a mobile society, don't hesitate to praise that LCS in your neck of the woods -- who knows, the BAB World Tour may be coming to a town near you in the not-so-distant future!  And yeah, I made that last part up...



Thursday, October 18, 2012

Discuss: Logan's Run


Doug:  All things Logan's Run -- the film, the television spin-off, the Marvel Comic, Jenny Agutter...  Wait, did I mention Farrah Fawcett?  Shoot -- we could have the ol' "Mary Ann/Ginger debate" here, too! And while you're at it today, check out two previous BAB posts on Logan's Run -- a 5 Films to Love and a Battle of the Sci-Fi Flicks -- the '70's!





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