Showing posts with label David Michelinie. Show all posts
Showing posts with label David Michelinie. Show all posts

Monday, September 21, 2015

Marvel Premiere 48: Let's Get Small -- the Conclusion


Marvel Premiere #48 (May 1979)
"The Price of a Heart"
David Michelinie-John Byrne/Bob Layton

Doug: Almost six years ago (!) I wrote a review of Marvel Premiere #47. I obtained that comic as a pack-in with the Marvel Legends Ant-Man figure. But I did not back in 1979 nor did I in the present ever have a copy of Marvel Premiere #48... until now! Last Tuesday I received my copy of the Marvel Pocketbooks The Astonishing Ant-Man: Origins, published by Panini Books. As Edo Bosnar has long sung the praises of these little tomes, I'll again echo his encouragement. They are so compact, yet contain the same number of reprints as would a regular size trade. And you cannot, cannot beat the price -- under $8.00 (free S&H) for this, which is less than a buck a book! The contents, you ask?

  • Marvel Premiere #s 47-48
  • Iron Man #s 131-133
  • Avengers #s 195-196 and 223
  • Marvel Team-Up #103
Doug: I'll get a couple of first impressions off my chest as we begin. David Michelinie tired me out real fast with his constant references to the pop culture of 1979. He mentioned the Dino diLaurentis King Kong film in this issue, but in part one he'd subjected me to Steve Martin (you know that's where I stole the title), Raquel Welch, James Whitmore, Bobby Riggs, and E.R.A. If that's what "holds up" means, then it didn't. It was just a bit much at times.  The art, on the other hand, was absolutely beautiful. Many of us have remarked through the years that as big fans of John Byrne's Bronze Age art, we're even bigger fans when he's inked by someone as polished as Terry Austin or in this case Bob Layton. It's a fantastic pairing, and one we should see more of (like on Hulk Annual #7).

Doug: So as we finished the last issue, our new Ant-Man Scott Lang was on a mission to enlist the aid of a Dr. Sondheim. She might have been the only physician on earth who could save Lang's daughter, Cassie. Cassie suffered from a heart ailment where the aorta had grown inward and created severe complications. Lang had gone to find Sondheim, but upon locating her was dismayed that she would not see him and was under the protection of armed toughs. Pressing the issue, Lang got himself slugged by some shadowy dude the size of the Hulk... but with a pink arm (?). So, having been a former burglar Lang decided he'd just trail Sondheim to wherever it was they took her. Her destination happened to be Cross Technological Enterprises, a company that made just about anything that could make its owner richer. And that owner just happened to be the body on the other end of that pink arm -- one Darren Cross, who really was as big as the Hulk!

Doug: Once inside CTE, Lang had stumbled across a closet that contained an Ant-Man suit. It seems Hank Pym had some association with CTE, so had apparently stashed a costume there. Lang stole it, took it back to his apartment and tried it on. The next thing we knew, he was superheroing. Accosting Dr. Sondheim in an operating room (after roughing up some of the goons standing guard), Lang was shocked to see Darren Cross rise from an operating table and state in no uncertain terms what was and was not going to happen. So as we pick it up in the conclusion, Cross and Ant-Man battle for a few panels before Cross knocks Ant-Man out of his senses. Using tweezers to pick up the tiny hero, Cross uses the growth gases on the front of the suit to return Ant-Man to his normal stature. Breaking the antennae on the helmet and ripping the gas canisters away, Ant-Man is tossed into a cell. Cross later comes by to visit his prisoner, and it's here we learn his origin.

Doug: Darren Cross was a successful businessman who had amassed a fortune. Driven, the tension in his life eventually caused his heart to malfunction. Seeing doctors, he was of course told to slow down, take a vacation, etc. Cross would hear none of it, and so sought a solution within his own company. He found it, in the form of an experimental device called the Nucleorganic Pacemaker. Immediately undergoing the implant, it was not long before Cross began to experience side effects. His strength and senses seemed heightened, but his complexion was turning a pink hue. Going into seclusion, Cross implored his doctors to cure him. They transplanted a heart... and another and another. Still no good, as the pacemaker was now basically eating the hearts. So Cross enlisted (involuntarily) Dr. Sondheim to help him with her knowledge of laser surgery. Ant-Man stopped Cross's monologue and asked how this would end -- if the pacemaker were to be removed, wouldn't that kill Cross immediately? Affirmative. But he'd never run out of replacement hearts, as Cross revealed a room filled with homeless men, kidnapped to be his endless supply of spare parts!

Doug: Cross left Ant-Man alone after telling all the dark secrets -- after all, that's what super-powered and over-confident knuckleheads do. Lang was nothing if not resourceful. He'd stashed a couple of spare antennae in his boot, just in case (Deus. Ex. Machina.). Getting the cybernetic helmet back up and running allowed him to call for troops. The ants came quickly, helping to also get the gas canisters back. Lang immediately went into attack mode, knowing that he had to a) stop Cross, and b) get Dr. Sondheim out so she could operate on Lang's daughter. The action over the next several pages is outstanding -- extremely well-delineated, choreographed, and paced. One of the treasured shots from Marvel Premiere #47 was a growing-and-punching Ant-Man -- Byrne and Layton repeat that here a couple of times, to great effect. As the fisticuffs continue to rise in intensity, Cross suddenly seizes up, then collapses. Dead. Ant-Man whirls toward Dr. Sondheim, incredulous. She says that it wasn't anything Ant-Man did (which was actually the answer Lang was looking for), but something she had done to Cross earlier. You see, she knew of Cross's "source" for the constant heart transplants. And so when Ant-Man had interrupted her surgery, she had just finished leaving Cross's old heart inside him, rather than giving him a new one. She told Ant-Man that she knew her oath, but she also knew the horrible truth about Cross. Do no harm, indeed.

Doug: But wait, there's more! The creators don't leave us hanging in regard to Cassie's surgery, which was good since this is a try-out book filled generally with one-shots. Dr. Sondheim was able to get Cassie's heart back in functional order. But as Lang was breaking his conversation with her, a voice from behind him made an address. It was none other than Yellowjacket -- the very inventor of the Ant-Man technology. Lang stuck both his hands out in front of him as if waiting for cuffs, assuming the Avenger had come to reclaim what was his and to take Lang back to prison for the burglary of CTE. But no -- Hank Pym had sought out Scott Lang only to give his blessing. Pym explained that he'd actually watched, through surveillance cameras, Lang steal the suit. Keeping an eye on Lang, YJ had followed him into CTE on the quest to find Dr. Sondheim. However, the more experienced hero had been knocked out while trying to move about in stealth mode and was not able to give Lang any back-up. Since Lang had won the day on his own, it only made sense to Pym to welcome Lang into the fraternity. And thus, as they say, was born a hero!

Doug: Shame on me perhaps, because the entire time I was watching Ant-Man this past July I made no connection to the Darren Cross in the film with the big pink guy here in Scott Lang's origin story. But I'm going to give myself a pass on it, since as I remarked at the top I had never seen today's issue until just a few days ago. So the meat-and-potatoes of the comic book version of Cross were largely unknown to me. But I was surprised at how much of this two-issue introduction formed the backbone of the Ant-Man film. That Pym saw Lang steal the suit, that Pym and Cross were connected, that Pym gave Lang his blessing -- all of that made the final cut. So really, if you think "comic accurate", the writers and creators of the film really honored the source material. It's refreshing to now know that. This was a really fun two-parter, and to those of you who got to read both sides of this tale back in the day, I'm envious. This would have hit the spinner racks only several months before I took my high school hiatus from collecting. My loss, as I'd have liked to have been able to spend some more time with our new hero, Scott Lang.

PS: The Ant-Man costume is a classic design, isn't it?


Thursday, May 14, 2015

Inaugural Post: Missed It By That Much...


Doug: Today (and in future posts like this one) we're going to give you a specific comic book title and then ask you to make some positive choices. We're looking for elements of the book that you liked, but then asking you to pick a top dog. So this isn't like "Who's the Best..." -- here we're asking you to pick two things you like and then give a rationale as to why one's just a bit better to you than the other. Today's book is the Avengers, and it's all fair game -- storylines, creators, villains, heroes, covers, you name it! I'll start, as an example.

Doug: I really like Roger Stern's run on the book, particularly after John Buscema came back aboard for the penciling (you can have the Al Milgrom years). It's a pretty key run for me personally, as Stern was the writer when I got back into regular comics buying. I enjoyed Hercules and Namor on the team, and pretty quickly gravitated to the new Captain Marvel and her mentor-mentee relationship with Captain America. But... I don't like it as much as I like Steve Englehart's run a decade earlier. If Stern's run was formative in my re-entry, it was Englehart's work that was formative, period. I came aboard as the "Celestial Madonna" arc was beginning, and really loved the book from first glance. Reading that era, with the art of Dave Cockrum, the Vision and Scarlet Witch, and the scope of that Kang/Immortus/Rama-tut saga gave me such a sense of awe each month. And reading those issues alongside the reprints in Marvel Triple Action made me a fan for life. Follow it up some months later with the Serpent Crown/Wild West/Squadron Sinister epic, and I owe it to Englehart -- he hooked me.

Doug: Your turn!

Thursday, April 9, 2015

100-Word Review - Four from the Hip


Doug: What a treat we have today! Edo Bosnar decided to take the 100-Word Review challenge, and boy -- did he ever! Edo has provided us with not one, not two... but four capsule reviews of comics he's mentioned around these parts in the past. We're excited to present his thoughts, and hope that you'll enjoy your time here. So no sense in delaying any longer -- let's get to it!

Edo Bosnar: I wanted to try my hand at the 100-word reviews that Doug mentioned, and decided to write them for some random single issues I have in my current collection – books that I re-acquired simply because I remember liking them so much when I was a youngster. None of them disappointed upon being re-read: I found I like them just as much (or at least almost as much) now as I did back then. I wanted to write about them, but didn’t really feel up to doing complete blow-by-blow reviews. Nevertheless, keeping these down to just one hundred words proved quite challenging. So here they are in chronological order of publication:

 



DC Comics Presents #3 (November 1978)
Story: David Michelinie
Art: Jose Luis Garcia-Lopez

I have fond memories of the first few issues of DCCP, all so beautifully drawn by Garcia-Lopez. Originally I bought all of them in those drugstore three-packs, all with Whitman logos instead of DC’s. Years later, I came across this one in a local comic shop, also with the Whitman logo! The story is pretty simple: Supes and Adam Strange each find themselves on the other’s world, or rather, their worlds have switched solar systems. It’s all part of a nefarious plan by one of Strange’s old foes. Besides the lovely art, there’s some nice character moments in this one. 




 



Marvel Team-Up #79  (March 1979)
Story: Chris Claremont 
Art: John Byrne and Terry Austin

My favorite single issue of Marvel Team-Up ever. This little gem from the X-men’s legendary creative team features an unlikely team-up between Spider-man and Hyborian Age female fury Red Sonja. When a museum guard is drawn to put on a mysterious amulet on exhibit, he is transformed into the wizard Kulan Gath and begins wreaking havoc. Peter Parker is sent to the scene by Jameson; Mary Jane tags along and, after picking up a sword also on exhibit, is transformed into Red Sonja. It all makes sense by its own internal logic, and  it’s action-packed and entertaining to boot.





Marvel Two-in-One #51 (May 1979)
Story: Peter Gillis
Art: Frank Miller and Bob McLeod

Our story opens with the Thing meeting Nick Fury on the roof of the Avengers Mansion to join a poker game with Ms. Marvel, the Beast, Wonder Man, and also D.A. Tower and Jarvis. Fury gets an emergency call from SHIELD – Yellow Claw’s Sky Dragon is attacking the Helicarrier! So Ben flies Fury and the Avengers Three to the scene in the Fantasticar, and they get into a high-altitude slugfest with the invading goons (not sent by Yellow Claw, incidentally). What I like best about this largely tongue-in-cheek story is how it highlights the jocular camaraderie among the Marvel heroes. 



Star Wars #38 (August 1980)
Writer: Archie Goodwin
Art: Michael Golden (plotter/penciler/colorist), Terry Austin


This is basically a filler issue, and is only peripherally even a Star Wars story, but it’s probably my favorite of the entire series. Luke and Leia, on a covert mission in a spice tanker, are attacked by an imperial destroyer and TIE fighters. They jump into hyperspace, but apparently the hyperdrive sustained damage in the attack, and they end up in a starless void. They eventually run into an immense glowing object that appears to be alive. It sucks in their ship, and once inside they get caught up in what seems like an insane and very lethal game.


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