Showing posts with label Ringmaster and the Circus of Crime. Show all posts
Showing posts with label Ringmaster and the Circus of Crime. Show all posts

Friday, May 3, 2013

What's So Golden About... Captain America Comics 5?


Captain America Comics #5 (August 1941)
"Captain America and the Ringmaster of Death!"
Joe Simon & Jack Kirby (ink assist from Al Avison)

Doug:  What have we here?  A Golden Age story, on the Bronze Age Babies?  Why not?  We all know that our collections are littered (I say that affectionately) with GA material, whether in books like Fantasy Masterpieces, in the various Giant-Size issues, or in hardcovers such as The Greatest Batman Stories Ever ToldI asked Karen back in February if she had a problem in my branching out; certainly we've covered the Silver Age and even beyond the Bronze Age.  Today we complete the cycle of comics history.

Doug:  Back in 1990 when I thought I had to have everything that might be worth something someday, I purchased the slipcased, two volume hardcover Captain America: The Classic Years.  I read through all of it at the time.  It was OK -- but I was like, "what's the big deal?"  Now that I'm infinitely more cultured as an almost-47 year old than I was at 24, I want to take a second look.  I chose this story because the baddie will be familiar to our Silver- and Bronze Age readers.  It's none other than C-lister The Ringmaster - we'll see if he's brought his Circus of Crime.

Doug:  We open at the circus, where Private Steve Rogers and his companion Bucky Barnes stroll the midway.  Who should they meet up with but General Blaine, who Bucky refers to in a whisper to Steve as "the old man".  As Bucky plays the carnival games, we go behind the scenes in an adjacent tent and find one Ringmaster of Crime spinning his own wheel of misfortune -- and tonight's target is going to be General Blaine himself!  Putting his machinations in order, the Ringmaster summons Tommy Thumb, the "circus midget" (hey, it was the politically incorrect 1940's!) and orders him to do a dirty deed.  When Tommy balks, the Ringmaster takes after him with his whip!  While this is only silhouetted, I was still taken aback at the brutality of the act.  We then see Tommy slide up next to the tiger pen and undo the latch.  This ain't good...

Doug: The tiger, now loosed, attacks the first passerby -- and as bad luck would have it, it's General Blaine.  In one of those panels that can only be appreciated at blogs like superdickery.com, Steve orders Bucky, "off with your clothes, kid!"  They slip into the shadows, basically costing the general his life while they shed their G.I. uniforms and emerge as Captain America and Bucky.  In a scene reminiscent of Tarzan, Cap gets the big cat in a choke hold and snaps its neck (the Lord of the Jungle always preferred the full nelson, by the way).  Bucky spies the midget (I feel bad just writing that...) and even calls after him, "A midget -- hey, are you the one who opened the cage?", because you know that midgets just do that sort of thing.  Bucky's knocked out by a hammer handle-wielding goon as Cap arrives from pronouncing the general dead.  Cap lays out Bucky's assailants, punching one guy clean through the side of a canvas tent (man....) and punching the other fellow into the vacated tiger cage.  A previously-unseen thug watches from a hiding place, and goes to tell the Ringmaster.

Doug:  Back at base, Sergeant Duffy is in no way happy that Rogers missed curfew the night before.  Of course the penalty for that is peeling potatoes, so Steve and Bucky commence with this monotonous job.  Up walks Betty Ross, "special government agent", and the boys relate the goings-on of the night before.  Convinced that the general was set up, Betty decides she'd better clue in Defense Commissioner Newsome.  But, the Ringmaster is back at the circus spinning his wheel and -- you guessed it: Commissioner Newsome is next in line!  It's worth mentioning that the Ringmaster does not employ the hypnotic circle on the band of his hat as would the Silver Age version -- the only circular image employed by this guy is his "wheel of death".  The Ringmaster muses to himself that once he kills all of the swine chosen to be his victims, he will rule this leaderless land as Hitler rules Europe, with the mob as his Gestapo!  I thought these panels were interesting, as on the cover of the mag there is clearly the Nazi vibe, but while there are these and other references to the War in the story no one is pictured with swastikas, etc.  The Ringmaster assembles his circus performers (not referred to as the "Circus of Crime" at this point) and lays out his plans to kill Newsome.  He threatens them with his whip should they fail, and then sends them into action.

Doug:  As Newsome works in the armory, the acrobats form a human chain across the chasm between rooftops.  Omir the snake charmer (no Princess Python, he) moves across and sets up just outside some duct work.  Playing, the snake begins to rise form its basket and slithers into the ventilation system.  As Newsome hears the notes playing, he's suddenly beset upon by the snake and killed.  Outside, Betty Ross is walking briskly toward the armory to warn Newsome that he might be on a hit list.  A gang of thugs leaps from the shadows and attempts to drag her away.  Cap and Bucky, keeping her in their sights for safety, leap to action and pummel the baddies.  As they round up the five goons, Zandow the Strong Man emerges from the shadows and wallops Cap.  Down and out, Cap is unable to prevent the gang from spiriting Betty away, Bucky helping his mentor rather than giving chase.  But when Cap awakens, he's fighting mad and tells Bucky they are going to the circus.


Doug:  The Ringmaster addresses Betty with all the bravado we'd expect from a creep like him, and tells her that if Captain America comes for her, it will be the end of him.  And sure enough, outside we see Cap and Bucky now on the circus grounds.  As they move about, attempting to conceal their presence, they round a corner and fall right into the Ringmaster's trap -- all of his goons, the circus performers, and the elephants!  Cap pays ol' Zandow back for the knock on his noggin, and Bucky takes out "the missing link".  But an elephant grabs Cap in its trunk and hurls him -- headlong into the bad guys!  Yeah, that shield will leave a mark!  Inside the big top, the Ringmaster has suspended the now-unconscious Betty from a rope high above the center ring.  As our heroes enter, the Ringmaster slices the rope -- and their isn't any net for this trick!  Cap commandeers a trapeze, with Bucky holding onto his boots.  They swing to the middle and Bucky is able to grab Betty and spirit her to safety while Cap goes after the Ringmaster.

Doug:  Cap easily catches the Ringmaster in the tent that serves as his headquarters.  The beating he takes is pretty severe, and Simon & Kirby do a fun job of showing that with just a series of sound effects.  In the next panel we see the slumped over, would-be crime lord with his wheel of fortune bashed over his head.  Bucky comes in and reports that he was able to collapse the big top on the rest of the gang -- it's a victory for the good guys.  And as the cops arrive, Cap and Bucky make tracks.  Betty thinks to herself, as most comic book girlfriends do, that maybe some day she'll figure out who those guys are?!

Doug:  So, what's so Golden about this story?  Well, first of all it was only 12 pages long, as most Golden Age comics had several stories crammed between the covers.  Secondly, while the art was dynamic and full of action, it was somewhat crude by Silver and Bronze Age standards.  But for its time, it's really hard to knock Simon & Kirby.  Third, there were several Wertham-worthy moments, such as the comment about Bucky getting his clothes off, the beating of the "midget", the mutilation of the general by the tiger, Cap's dispensing of justice to the Ringmaster (even though off-camera), Betty in bondage, Bucky being put into countless incidents of danger as a child, and probably some other minutiae that I've missed.  Lastly, it was a self-contained story, common for the era.  But, was this good stuff?  I'd say I had a fair enough time reading it.  I took it for what it is (was) and wasn't disappointed.  Whereas I tend to look at Silver Age books as the ground floor for the Bronze Age, Golden Age stories have a bit of heritage to them that places them on a pedestal as formative to the industry as a whole.  We cannot overlook their significance.

Saturday, July 21, 2012

Doug's Favorites: Thor 147

Thor #147 (December 1967)
"The Wrath of Odin!"
Stan Lee-Jack Kirby/Vince Colletta

Doug:  We've all commented on that book or two we've read and read again, until the cover literally fell off of it.  Today, and again next Sunday, I'll be taking you inside of a couple of yard sale finds from the mid-1970's.  In fact, these consecutive issues of Thor are among, if not, the first 12c books I ever owned.  And, rather than do our usual service in providing a nice cover from the folks at the Comic Book Database, I've decided to scan the one I'm reading -- gape if you will at the frayed edges, wrinkles, so-called "Marvel chipping", rolled spine, the places where the tape stuck to the cover and peeled away the color, etc... this is a well-loved book!  So let's have a peek inside:

Doug:  One of the reasons this book stands apart is that it was my entry level for so much of the Thor mythos.  At the time I first read this story I was fascinated with Greek mythology -- this comic then encouraged my entry to Norse mythology.  Inside these covers we'll find not only the base villainy (well, for what that's worth) of the Ringmaster and his Circus of Crime and evil Loki, but also Asgardian mainstays Odin, Sif and Balder, and the whole Asgard/Earth dichotomy.  I'm pretty sure I had had some solo-Thor exposure around this same time in the then-current mags, but let's face it -- with the adventure possibilities in this comic series, one could land just about anywhere and in any situation.  So all of this felt new to me.  Add in the fact that in the current issues of the time the art was by John Buscema and here we find the classic team of Jack Kirby and Vinnie Colletta and this story again could not have been more different.  So I was fully aware that I was in the middle of something much older (I'd have been only a year and a half old when this first saw the spinner racks), and somewhat seminal.

Doug:  We pick up the story right after Thor's battle with the aforementioned Ringmaster.  Trapped in a gallery of some unknown (to me) description, a dazed and confused Thor had been assisting Princess Python in the theft of an enormous golden bull. The ringing of police-fired bullets snaps the God of Thunder to his senses.  But we quickly learn that he has been stripped of his god-like control over the thunder and lightning, along with his immortality.  Still, with his wits now about him, Thor sees what he was doing and lifts the 5-ton statue back onto its base.  The police begin to read him his rights, when the Princess's giant snake suddenly finds her and spirits her away.  She seems to have a thing for Thor, but nonetheless joins her band of do-badders as they speed away.  And what of Thor?  Always one to do the right thing, he allows himself to be arrested.  And at the local precinct, after being interrogated, Thor surrenders the now-powerless Mjolnir.

Doug:  Cut to a hellish place full of Kirby Krackle, where we find the God of Lies holed up and awaiting his final judgement.  Loki has been banished from Asgard, yet still plots to gain revenge upon his half-brother.  Suddenly he is summoned to the Realm Eternal.  The All-Father Odin has deigned Loki be free once again, promising to do no further mischief.  At this point Sif and Balder enter the room and draw Odin's ire by questioning the wisdom of such a strategy.  Odin reminds them what happens to those who step on the royal piggies, as he shows them an image of Thor in jail on Earth.  Sif cries out for mercy, and Loki stalks off.  It's only about two panels later before he's on his way to torment his brother.

Doug:  Arriving on Earth, Loki disguises himself (in a Clark Kent sort of way) and posts Thor's bail.  His timing could not have been better, as Thor was about to mop the place with a tough who was making trouble.  Lucky for him...  Once outside, Thor is as dense as he's ever been, not recognizing Loki behind the shades.  But as they get into a car, the conversation takes a sinister turn and the ruse is quickly over.  The car disintegrates around them by some sort of magic, and before Thor can get his bearings Loki cold cocks him.  Remember, Thor is depowered by Asgardian standards -- he maintains his natural strength (he did just lift five tons after all), but this ain't yer daddy's Thor.  Loki knows it, and brings an endless intensely physical assault.  Thor fights valiantly, but is really no match for Loki's strength. 


Doug:  At about this same time, I had received the Bring on the Bad Guys tpb for Christmas.  In it were a couple of reprints of the "Tales of Asgard" series, so I knew Loki always relied on guile and rarely if ever dirtied his hands.  This was, as far as I was concerned, uncharted territory.

Doug:  The battle continues to rage, destroying much of the city block in the process.  At one point Thor leaps for a sign, as we might see Daredevil do, but Loki counters by sending a shockwave up the building wall, tumbling it and his brother.  As Thor lays stunned, Loki moves in for the kill.  Mustering one more defense, Thor clocks him good a couple of times.  But the effort exhausts him, and he stumbles into Loki's arms.  Lifting the Thunder God aloft, Loki prepares for the end.  However, a bright light appears behind him, and he whirls to find Balder and Sif, come to save their liege.  As they square off with Loki, we switch scenes to Asgard, where Odin has watched these events unfold.  Now blindingly angry, the All-Father sends a ray equivalent to the hand of justice, depowering all of the Asgardians who've defied him.  As they say, "to be continued"!

Doug:  I remember just having a blast reading this over 35 years ago.  As I said, there was a true sense of discovery, and Kirby was at his bombastic best.  Dabbling in DC's at the time, Stan Lee's over-the-top scripting was a real treat -- they just didn't write like this in the Batman or Teen Titans mags!  Additionally, these were the days when the Inhumans were again guesting in the Fantastic Four, and their solo series was in the offing.  This issue of Thor contains one of the Inhumans back-ups, telling their Kree origins.  Sentry-451 is featured in this story.  I have the complete back-up series in the first volume of the Inhumans Marvel Masterworks, and have hinted to Karen that if she has access to the same stories and is game, we could run a "Tales of Attilan" series.  We shall see.
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