Burnin' for You - Thoughts on The Torch Limited Series 1-8

The Torch - collects The Torch #s 1-8 (2010)(covers by Alex Ross)
Alex Ross/Mike Carey/Jim Krueger-Patrick Berkenkotter

Doug: If you're like me, you occasionally wile away some time searching the graphic novels and trade collections on sites like Amazon.com. A couple of years ago I stumbled across a trade that collected a series that piqued my interest. I saw this before I'd agreed to surrender my principles and embrace the Brubaker/Epting Captain America material. Going back to the Bronze Age, I've always been an Original Human Torch fan. Despite the art, I generally liked the Invaders mag, and got a big kick out of the Torch's role in the "Celestial Madonna" arc in the Avengers. I'll admit it -- despite what John Byrne did to the Vision in the pages of West Coast Avengers, I was excited for the return of the Torch. And unlike Gwen Stacy or James Buchanan Barnes, the Torch's revival was one that made sense. Well, made sense if he wasn't the Vision... Thank goodness for the sensibilities of Kurt Busiek's Avengers Forever in helping us get through the trauma. Anyway, to bring my mind back, on Easter Sunday I was in Indiana visiting our younger son. Before I left town to come back home, I'd noticed that the LCS was actually open. Since the proprietor always has a killer selection of trades/hardcovers at half off MSRP, I stopped in. Success! I scored the second volume hardcover of the Spider-Man newspaper strips, the tpb for "Batman: Year Two", and today's subject. All for $32. Happy Easter, indeed.

Doug: How about some background on this project, from Newsarama.com --

Alex Ross will team with writer Mike Carey for a Human Torch limited series which will return this Golden Age hero to prominence in the modern Marvel Universe. (NOTE: I'd argue that it's Tom Raymond, Toro, who is actually the protagonist of this story. -Doug)

According to Marvel and Dynamite, Ross conceived of the series, and will be co-plotting with Carey and providing covers. The eight-issue miniseries is slated to begin in September (2009). An interior artist was not named.

The miniseries, which will be packaged by Dynamite Entertainment (like the soon-to-conclude Avengers/Invaders limited series), is part of Marvel’s year-long 70th anniversary celebration. It’s only fitting for the original Torch to get a spotlight, as the character first appeared in 1939’s Marvel Comics #1, as an android created by Dr. Phineas Horton.

Ross’ path has intersected with that of the Torch in a couple of notable projects over the course of his career, first off, teamed with Kurt Busiek in Marvels #0, where the Torch narrated his own creation and origin in a haunting tale; and more recently, in the above-mentioned Avengers/Invaders, where the original Marvel hero (along with his sidekick Toro) found himself in the modern Marvel Universe, along with other members of the original Invaders. 

In the modern Marvel Universe, the original Human Torch (who took on the name “Jim Hammond” after returning to the modern era in the pages of West Coast Avengers) is “dead” – well, as dead as an android can be, having exploded while saving his teammates in New Invaders. Aside from his appearance in Avengers/Invaders, one of the Torch’s last appearances was as a memorial statue at The Initiative’s Camp Hammond, with the inscription: JIM HAMMOND, THE FIRST OF THE MARVELS: He showed us that heroes can be made. In Avengers: The Initiative #23, the statue was torn down by a mob after SHIELD and Tony Stark fell from grace, and Norman Osborn took over the camp (Accessed 30 March 2016).

Doug: Let me just add an editorial comment that aside from my acceptance of the returns of Bucky Barnes, the Original Human Torch, and Toro (we'll get to that in a minute), I cannot abide the fact that Norman Osborn again exists in the flesh. I know... hypocrite. Sue me.

Doug: The last appearance of Toro before the events of the Avengers/Invaders limited series was way back in 1969 in the pages of Sub-Mariner #14 and was presented by Roy Thomas, Marie Severin, and Mike Esposito. Here's the gist of that tale, in (you guessed it) a 100-Word Review: 

Namor emerges from the Pacific Ocean, only to be attacked by the Original Human Torch. The Torch is under the control of the Mad Thinker, which Namor quickly deduces. We find that the Thinker is allied with the Puppet Master and Egghead in a bid to conquer the world by negating all mechanical and electrical apparatus. The Torch frees himself from the Thinker’s control, but in an effort to foil the master plan, we find that the Torch is really Toro, brainwashed to think he was the Torch. The Thinker tries to kill Namor, but Toro gives the ultimate sacrifice.

Toro, to the best information I could find, did not appear in any story that was not set in or referencing World War II until the revival of the Original Human Torch in 1989. From there, and it's difficult for me to testify as I didn't read any of the books that allegedly feature the character, Toro appeared or was at least referenced somewhat regularly. Then (and I'll let some fan from Wikipedia report):

Toro appears in the Avengers/Invaders maxi-series alongside his fellow Invaders when an incident takes them from the battlefields of WWII  to the present Marvel Universe, where they encounter both the New Avengers and Mighty Avengers and the Thunderbolts.^[4] An examination of him by S.H.I.E.L.D. agents reveals that Toro is a mutant. In Avengers/Invaders #12, Toro was revived from the dead by the Cosmic Cube thanks to a wish made by James "Bucky" Barnes, and met as he rises from his grave by the Golden Age Vision. Bucky was careful to manage the wish so Toro's revival does not upset the time stream, Toro only coming to life after the Invaders have returned to the past. Toro is the same age he was when he died.^[5]

And then someone had to go and do this (also from Wikipedia):

Following the Infinity story, when Terrigen Mists were scattered around the world, Toro was subjected to Terrigenesis and engulfed in a cocoon. Being unknowingly an Inhuman descendant, Toro was now theorized that his powers had been the consequence of his recessive Inhuman genes.^[9]

What the?!? Oh boy... I'm gonna leave that lay right there.

 

Doug: The Mad Thinker is the villain in The Torch mini-series, and I have to say this is one of those times where a writer catches lightning in a bottle. Called simply the Thinker (no "Mad", and no Awesome Android here), Alex Ross and Mike Carey chose to drop the "X will happen in 3.57 seconds" schtick and make him a truly formidable adversary. I felt when I was reading this story that the Thinker was a major player -- that he could actually pull off his scheme. His personality was perfect -- over-intelligent, haughty, rude, and overall malevolent. Obviously the character had a history with both the Original Human Torch (FF Annual #4) and Toro (see above), and this sort of forms a third and final act if you will. Yes... I think viewed through that lens it makes a really nice triptych of stories.

Doug: Here's the basic plot of the story --

1. The Thinker is hired by AIM to create a WMD -- a big WMD.
2. Tom Raymond, Toro, shepherded by the Golden Age Vision in a sort of Spectre role, thinks revival sucks -- especially when he sees his wife Ann with a new husband.
3. Toro decides the only thing worth doing would be killing the man who killed him -- the Thinker. But after the Vision spirits him to the Thinker's lab, Toro finds that his flame is immediately spent.
4. Toro is captured by the Thinker and "examined" -- tissue is extracted from various parts of his anatomy. The Thinker determines that Toro was exposed to "Horton cells" -- carbon/polymer strands of artificial "DNA" that Phineas Horton used in the creation of the Human Torch. This is a breakthrough for the Thinker's WMD creation.
5. The Thinker has the Torch's body exhumed from Arlington National Cemetery. He begins to cultivate the Horton cells he has isolated and restore the damages to the Torch's body. 
6. Toro learns that his mother was not an office assistant as he had known, but had worked closely with Phineas Horton in the years prior to the creation of the Torch. It is possible that the Horton cells were introduced to Tom's physiognomy by his mother's contact with the cells.We also learn that Toro's X-gene only gave him an immunity to fire; it was actual contact with the Torch that allowed Tom Raymond to ignite and become a flaming youth (KISS reference there, you know).
7. In a scene ripped from your favorite Frankenstein flick, the Thinker re-animates the Torch by positioning his body high in the sky, suspended from a metal post in the middle of a lightning storm. The Torch comes back to life, but has no mind of his own.
8. Using Compound D, his own variation on the Horton cells, the Thinker subverts the Torch's will and forces him to be his WMD, first ordering the Torch to attack and destroy a Scandinavian ship, and then later a gas main running beneath a village in Estonia. Both missions are successful, with property destruction and loss of life.
9. With the Torch reactivated, Toro's control of his own flame returns. The two torches indeed share a symbiotic relationship, as the Thinker hypothesized.
10. But what the Thinker had not counted was that the Torch's humanity derives from existing in the presence of human cells, human DNA -- specifically Tom Raymond's cells. The Torch's mind returned...

Doug: I don't want to give anything else away, because I'd really like to encourage you to seek out this trade or the actual comics. The outline above covers most of the first three issues. If you are like Karen and I and felt that Brubaker's Winter Soldier epic was well handled, then you are going to enjoy this story. I thought the characters were handled with a reverence, such that the creators had a story to tell that involved the present. That these dead creatures should be resurrected was handled in a manner that did not require me to suspend my disbelief past what I'd usually expect. The comic book science was "sold" to me in a straightforward way, and I never doubted for an instant that in the Marvel Universe these things could happen. And let's face it -- anything involving the Cosmic Cube (used to resurrect Toro) is basically magic anyway.

Doug: The eight issues go on to include the Sub-Mariner and some Atlanteans, the Fantastic Four (there's a great team-up where we actually get to see three Torches in action!), Nazis, and a setting in the last few issues that echoes Edgar Rice Burroughs. Tour. de. Force.

Doug: Lastly, I've included below some samples of the interior art. Whenever I see that Alex Ross is doing covers for a project, I immediately want to see the interiors to see if they are up to the standards of the outer package. In this case I think you'll find that Patrick Berkenkotter is every bit as able to handle these characters as Steve Epting was to show us Bucky's return. Like I did when I first sat down to read the Captain America: Winter Soldier collection, I read this baby cover-to-cover in one sitting. It was a page turner, and I felt satisfied when I got to the end of it. It was just as much fun on the re-read for the writing of this review. Go ye forth, then, and seek! Find this tome! And then let me know if you also had a good time.

Dancing a Complex Step - Invaders 12

Invaders #12 (January 1977)
"To the Warsaw Ghetto!"
Roy Thomas-Frank Robbins/Frank Springer

Doug: I'll be proceeding with caution today, friends. Two reasons: No. 1 is the presence of Frank Robbins on the penciling. You know by now how I feel about that (his writing aside, which I enjoyed on many a Batman yarn). No. 2 is the title of the story. Our long-time readers know that I have done educational contract work for the United States Holocaust Memorial Museum since 2005. I'm just a bit leery to see how the Warsaw Ghetto (and largely the Holocaust) will be portrayed by the folks at Marvel. Fingers crossed. So the next obvious question would be, "But wait, Doug -- didn't you read this mag as a 10 1/2-year old?" The answer would be "yes", but the memory would say "Uhhhhhhhh...." You know what I mean. In spite of my strong reservations about the art on this title I was a regular reader when I could find it. I think I came on with the Liberty Legion crossover in #5 and stayed when I could through the end. I was never so happy to see Alan Kupperberg! I'll be reading and scanning from the Invaders Classic, Volume 2 trade paperback. Onward, then.

Doug: We open with the Human Torch (Original variety) flying through the night skies of London. He's mad at events that had just transpired, and we get a recap of some of the events of Invaders #s 7-11 which featured the "return" of Union Jack, the introduction of his daughter Jacqueline Falsworth, the introduction of a Professor Gold's Blue Bullet armor, the wounding of Jacqueline, and finally her healing after a blood transfusion from the android Torch -- which, by the way, gave her super speed! Got it? So the Torch decides he's going to the Tower of London to visit the now-imprisoned traitor Gold. After proving his identity to the Tower guards, our friend Jim Hammond is escorted to Gold's cell. Confronted, Gold says he's not interested in speaking about anything; he merely wishes his execution. But the Torch tells him he thinks he knows why Gold used the Blue Bullet armor to fight the Invaders on behalf of Hitler's Reich: Gold must be Jewish, and there must be more to his story.

Doug: Gold begins to sob, his head in his hands, and tells the Torch that his name was anglicized from Goldstein. He then begins to narrate his story. The Goldsteins were Hasidic Jews from Warsaw, and John Goldstein (the professor) had a younger brother named Jacob. Both boys were interested in science, John in physics, Jacob in geology. When September, 1939 came and the Germans invaded Poland, the Goldsteins were among the millions of Polish Jews who began to face intense discrimination. The Goldsteins were moved to the Warsaw Ghetto (this would have been late in 1940), but John managed to emigrate to Great Britain -- he does not say how, but does tell that his brother refused to come along. Once in England, Goldstein began to work on the Blue Bullet project. Until, that is, he was visited by a shadowy figure. The Torch puts all of the pieces together -- it was the Nazi agent who blackmailed Goldstein into turning the armor on the Invaders. Hammond ask him if the Invaders could get Jacob out of Warsaw, would the professor come back to the Allied side? In a minute, John exclaimed -- but only after seeing his brother alive. The Torch flew off, obviously with a mission in mind.

Doug: The Torch returns to his teammates and is met by Cap and Namor. Cap wants to talk -- you see, the Torch had originally flown off because when Jacqueline had awoken she jumped into Cap's arms. But it was the Torch who'd fallen for her -- now he couldn't see hanging around the team if he was going to have to see the girl he was sweet on chasing one of his mates. The Torch said he had not decided if he was quitting the team, and didn't want to discuss it. They had other issues with which to deal. So he told Goldstein's story, and it was Lord Falsworth who spoke first. The older gentleman voiced his regret that he'd not be able to join them as Union Jack. But just then, a female voice erupted from stage left -- it was Jacqueline, now sporting the costume we know as Spitfire! Of course the boys try to talk her out of it, but she baits them into a trial -- a trial she wins as no Invader can lay a hand on her. Lord Falsworth's again melancholy about the injuries he'd suffered earlier, but gives his blessing to his daughter to accompany the Americans (and Atlantean).

Doug: Namor's flagship transported the team into the heart of Europe, landing under cover of the night near the Warsaw Ghetto. As the team began their quest they came upon a couple of SS harassing a Jewish woman. Spitfire was the first to action, followed by Captain America. The fight did not last long. Cap speaks Jacob Goldstein's name aloud, and the German Jewess understands. Spitfire interprets her German, and they ascertain that Goldstein is in a book store not far away. The men go to him and tell they've come from his brother. But Goldstein says he's not leaving -- his place is in Warsaw with his books and his studies. And then one of the Invaders (off-camera, but I assume it was Cap) utters the first line in the story that gave me pause: "But all of you are in peril! Why don't you fight back?" Having studied this history for many years, I can unequivocally say that it just wasn't that easy. Goldstein tells him that the Jews must submit, and await the will of God. He even invokes an old Jewish belief from Prague -- that the Golem will save them. Cap loses it -- he screams about Hitler's atrocities, the camps and ghettos, and that Goldstein's brother can help them combat all this if Jacob will accompany them to London. As they argue, Bucky comes to the window and say they'd better get outside -- company's coming.

Doug: The Nazis bring a tank unit and the Invaders meet it head on. As you might suspect, this, too, is not much of a fight. Spitfire notices that one of the tanks had gone off to the side and has it's turret aimed directly at Goldstein and three others. The Invaders don't even debate surrender, quitting the battle immediately. A gas grenade knocks them all out (the Torch included), and they are captured. But Jacob Goldstein makes a stand, only to be kicked in the back and thrown to the ground. As the tanks roll back out of the ghetto, Goldstein says that he knows what he must do. And it's back to his bookstore, to fight back. The next issue title? "The Golem Walks Again!" You see where this is headed.

Doug: Although I didn't read it for detail, I did skim Invaders #13 so I could report to you how this 2-parter turns out. The Invaders are captured and bound in creative ways (think Batman '66). There's a Nazi thug who mocks them, but the festivities are broken up by the appearance of the Golem. He's big and bad, and wreaks havoc on the Germans. And at the end of the story Jacob still commits to staying in Warsaw, even positing that some day his people may rise up against their oppressors. It's a heroic, if tragic, monologue. And here lay my misgivings about this story -- to my recollection the only time this magazine dealt with the Holocaust. I wish they hadn't. Not because it's not an important part of the Second World War -- it most certainly was and is. But to introduce super-powered heroes to that narrative, to have them in the Warsaw Ghetto and so close to the Treblinka killing center without doing anything about the events that our heroes were obviously privy to... it just serves to increase the magnitude of the genocide and the missed opportunities for Allied intervention. Yes, this is fictional, but what of the real-world intelligence that had exposed these events to the West? What of the Allied leaders who had this information yet chose to remain focused elsewhere? "Win the War first." I get that. I also get that some 12 million Jews/non-Jews perished in the Holocaust. And like I tell my students -- don't dwell on those numbers that your mind cannot comprehend anyway. Instead, think of it as it happened, in human lives: 1 and 1 and 1 and 1. Surely the Invaders could have offered some succor to those trampled under Hitler's boots.

All that being said... would that have been even more disrespectful to the history?