Karen: In honor of the recent announcement about the discovery of liquid water on the surface of Mars, we give you the opportunity today to throw your support behind one of two books that each dealt with the red planet: In War of the Worlds, Killraven and his band of rebels fought back against invading Martians in a dark future, while John Carter, Warlord of Mars followed the adventures of the Edgar Rice Burroughs character as he rescued princesses and battled six-limbed martians on Mars itself. Which book survives this interplanetary death match?
Showing posts with label War of the Worlds. Show all posts
Showing posts with label War of the Worlds. Show all posts
Wednesday, September 30, 2015
Friday, July 5, 2013
Who's the Best...Alien Invasion movie?
Karen: Yesterday being Independence Day made me think of the crappy sci fi film, Independence Day, and alien invasion movies in general. So weigh in with your opinion: what's the best alien invasion film?
Thursday, March 8, 2012
Discuss: Martians

Karen: Since the John Carter (
They've been depicted many, many ways in the arts: funny, tragic, heroic, dangerous...you name it. On TV we had 'Uncle Martin' from My Favorite Martian, and Marvin the Martian in the Warner Brothers cartoons. Films like War of the Worlds and Invaders from Mars painted a grim picture of what our relations with the Martians might be. Yet in DC comics, we had the strange but heroic J'onn J'onnz, the Martian Manhunter. Over at Marvel though, the War of the Worlds continued into the far future with Killraven and his crew fighting some of the most repellent martians ever.
Who are your favorite martians?
Friday, March 18, 2011
Battle of the Sci-Fi Flicks: the 50s
Karen: The 1950s gave birth to a ton of science fiction films, and some of these are among the finest ever made. Most of the films, good or bad, reflect the concerns of that era: fear of "the Bomb", paranoia over communism, and wonder at new scientific and technological achievements. But the best of them takes these concepts and make something special out of them.
I'd like to name my contenders for the cream of the crop from the 50s. This is in no particular order:
The Thing From Another World (1951): Howard Hawks produced (and some say directed) this suspenseful film about military men and scientists dealing with an alien invader at an Arctic base. What could have been a run of the mill monster movie is turned into an outstanding one by the excellent cast -I love the way they talk all over each other, just like real people do -and intelligent writing. The shot of the flying saucer frozen below the ice and the men forming a circle above it is still inspired. The blood bags hanging up, feeding the alien plants/fetuses, and their cries (even though unheard) always make the hairs on the back of my neck stand up. Keep watching the skies!

The Day The Earth Stood Still (1951): How can you not love a movie with a gleaming UFO and a giant robot equipped with a disintegration ray ? But that's really just the superficial part of this film; the beauty of it lies in the character of Klaatu, the undercover alien played wonderfully by Michael Rennie, and his relationships with the different humans he meets. Klaatu allows us to ourselves from a new point of view, and with that we see both the best and worst of our natures. Yes, the Christ-like overtones may sometimes be less than subtle; still, I find myself riveted to this film whenever it is on. Am I the only one who thinks that the Destroyer of Thor fame looks something like Gort?
Them! (1954): Yes, it's a giant bug picture, but it's the best giant bug picture e
ver made. Just like the Thing, it has a great cast and a solid story which elevates it above standard monster fare. The movie actually feels very much like a police procedural, with a policeman (James Whitmore) and an FBI agent (James Arness, who also played The Thing) investigating a series of mysterious disappearances and break-ins. We soon find out it's all due to ants who have been mutated to gigantic size thanks to atomic testing in the desert. Edmund O'Brien is delightful as an ant expert, and his daughter, played by Joan Weldon, is presented as beautiful but brainy too. Sure, the ants themselves may look a bit hokey today, but they were effective. I can still hear that strange high pitched racket they made!
Forbidden Planet (1956): One of the few color sci fi films of the era, Forbidden Planet has a lush design and is wonderful eye candy. Like Day the Earth Stood Still, we get
an impressive spacecraft and an amazing robot. But that's where the similarities end. Set on the planet Altair IV, whose sole surviving occupants are Dr. Edward Morbius and his lovely daughter, Altaira, this movie is much more of a psychological drama. It's a bit odd seeing Leslie Nielson in a serious role, after so many years of Airplane and Naked Gun movies, but he does a good job as the square-jawed ship's captain. Beware the monsters from the Id!
War of the Worlds (1953): Another color-rich extravaganza, with super-cool M
artian death ships, atom bombs, and the Flying Wing! We've also got Gene Barry as one of the roughest, toughest scientist-heroes ever, Dr. Clayton Forester. The design of the Martian ship is one of the most unique in all of science fiction films, with the sleek, curvy main body and cobra-like neck extension. The utter destruction wreaked in this movie must be seen to be believed. No landmark is left standing! The ending is a bit hokey but all in all a classic.
So that's my choice for the best of the 50s. Some obvious films left off the list: This Island Earth, and Invasion of the Body Snatchers. I like them but I just don't think they quite make the top tier. One of my personal favorites is It! Terror from Beyond Space, but I can't honestly argue that it is one of the best films of the decade -I just like it a lot.
OK, batter up: what are your contenders for best sci fi films of the 50s?
I'd like to name my contenders for the cream of the crop from the 50s. This is in no particular order:

The Thing From Another World (1951): Howard Hawks produced (and some say directed) this suspenseful film about military men and scientists dealing with an alien invader at an Arctic base. What could have been a run of the mill monster movie is turned into an outstanding one by the excellent cast -I love the way they talk all over each other, just like real people do -and intelligent writing. The shot of the flying saucer frozen below the ice and the men forming a circle above it is still inspired. The blood bags hanging up, feeding the alien plants/fetuses, and their cries (even though unheard) always make the hairs on the back of my neck stand up. Keep watching the skies!

The Day The Earth Stood Still (1951): How can you not love a movie with a gleaming UFO and a giant robot equipped with a disintegration ray ? But that's really just the superficial part of this film; the beauty of it lies in the character of Klaatu, the undercover alien played wonderfully by Michael Rennie, and his relationships with the different humans he meets. Klaatu allows us to ourselves from a new point of view, and with that we see both the best and worst of our natures. Yes, the Christ-like overtones may sometimes be less than subtle; still, I find myself riveted to this film whenever it is on. Am I the only one who thinks that the Destroyer of Thor fame looks something like Gort?
Them! (1954): Yes, it's a giant bug picture, but it's the best giant bug picture e
ver made. Just like the Thing, it has a great cast and a solid story which elevates it above standard monster fare. The movie actually feels very much like a police procedural, with a policeman (James Whitmore) and an FBI agent (James Arness, who also played The Thing) investigating a series of mysterious disappearances and break-ins. We soon find out it's all due to ants who have been mutated to gigantic size thanks to atomic testing in the desert. Edmund O'Brien is delightful as an ant expert, and his daughter, played by Joan Weldon, is presented as beautiful but brainy too. Sure, the ants themselves may look a bit hokey today, but they were effective. I can still hear that strange high pitched racket they made!Forbidden Planet (1956): One of the few color sci fi films of the era, Forbidden Planet has a lush design and is wonderful eye candy. Like Day the Earth Stood Still, we get
an impressive spacecraft and an amazing robot. But that's where the similarities end. Set on the planet Altair IV, whose sole surviving occupants are Dr. Edward Morbius and his lovely daughter, Altaira, this movie is much more of a psychological drama. It's a bit odd seeing Leslie Nielson in a serious role, after so many years of Airplane and Naked Gun movies, but he does a good job as the square-jawed ship's captain. Beware the monsters from the Id!War of the Worlds (1953): Another color-rich extravaganza, with super-cool M
artian death ships, atom bombs, and the Flying Wing! We've also got Gene Barry as one of the roughest, toughest scientist-heroes ever, Dr. Clayton Forester. The design of the Martian ship is one of the most unique in all of science fiction films, with the sleek, curvy main body and cobra-like neck extension. The utter destruction wreaked in this movie must be seen to be believed. No landmark is left standing! The ending is a bit hokey but all in all a classic.So that's my choice for the best of the 50s. Some obvious films left off the list: This Island Earth, and Invasion of the Body Snatchers. I like them but I just don't think they quite make the top tier. One of my personal favorites is It! Terror from Beyond Space, but I can't honestly argue that it is one of the best films of the decade -I just like it a lot.
OK, batter up: what are your contenders for best sci fi films of the 50s?
Friday, January 22, 2010
BAB Two-In-One: Marauding Martians and the Warriors Three!

Karen: I recently read H.G. Wells' War of the Worlds for the first time, so I thought it might be fun to go back and revisit Marvel's effort at a sequel -Amazing Adventures featuring War of the Worlds. The first issue in this on-going series was #18, published in May 1973. This book was a true group effort. Roy Thomas conceived of it, Gerry Conway scripted it, and both Neal Adams and Howard Chaykin drew it! The basic premise is that the Martians figured out how to protect themselves from the germs that killed them when they first came to Earth, so in 2001, the aliens show up and conquer our planet. To provide entertainment, they have humans train as gladiators and pit them against one another. Our protagonist, Jonathan Killraven, is one such gladiator.Killraven has managed to escape and has decided to go after the Keeper, a human servant of the Martians.
Karen: The story itself is mostly exposition, explaining how the Martians took over and how Killraven survived in post-invasion New York. It's not bad but like most origin stories, it just leaves you wanting to move forward and see where things are going to go. The Neal Adams art in the first half of the book is just great, although Killraven's costume is surely a solid candidate for another "fashion disaster"! Luckily, he would get a less giggle-inspiring suit later on. A text piece by Thomas in the back of the book explains how he had devised the basic concept, and Adams then came up with the plot and character of Killraven. Unfortunately he got bogged down in other assignments and so Chaykin finished up the book . His work wasn't terrible but he was no Adams! Thomas also didn't have time to write it - this seemed to have happened a lot when he was editor in chief -so Conway was brought in to do the job.
Karen: Not a bad first issue as such things go. There were definitely enough ideas tossed out to make a reader curious enough to come back for more. And I will, in some later Two-in-Ones.
Karen: The story itself is mostly exposition, explaining how the Martians took over and how Killraven survived in post-invasion New York. It's not bad but like most origin stories, it just leaves you wanting to move forward and see where things are going to go. The Neal Adams art in the first half of the book is just great, although Killraven's costume is surely a solid candidate for another "fashion disaster"! Luckily, he would get a less giggle-inspiring suit later on. A text piece by Thomas in the back of the book explains how he had devised the basic concept, and Adams then came up with the plot and character of Killraven. Unfortunately he got bogged down in other assignments and so Chaykin finished up the book . His work wasn't terrible but he was no Adams! Thomas also didn't have time to write it - this seemed to have happened a lot when he was editor in chief -so Conway was brought in to do the job.
Karen: Not a bad first issue as such things go. There were definitely enough ideas tossed out to make a reader curious enough to come back for more. And I will, in some later Two-in-Ones.
Doug: Marvel Spotlight #30 (October 1976) is today's literary fare, kids. This really fun story was brought to the light of day by scribe Len Wein and the classic pairing of Big John Buscema and Joltin' Joe Sinnott. You know, part of the appeal of the Mighty Thor through the years has always been the Son of Odin's supporting cast, and none among that pantheon of gods is any more entertaining than the Warriors Three: Fandral the Dashing, Hogun the Grim, and Voluminous Volstagg!
I used the hardcover Marvel Visionaries: John Buscema as the source of this story, which is entitled, "A Night on the Town!" Our tale begins with a bar fight involving our protagonists. Buscema's splash page is just the kind of fun Big John allegedly poured his heart into -- swashbuckling, lots of heavies and miscreants, and pure pandemonium. But that's not the beginning of our story...
Fandral, along with his mates, laments that Thor has left them to confront Firelord (c. Thor 246-7). But then he decides to make the most of it and the three begin to scheme where and what kind of fun they might find. Hiring a cab, the three enter and bid the driver to take them to where the fun is. Wein has their voices down perfectly -- on one panel Hogun bristles over the lack of space in the rear seat, saying "I desire only a bit more room, Fandral. Our voluminous friend fairly fills the seat entire!" To which Volstagg characteristically responds, "Pfah! A man's girth is the true measure of his nobility!" As the cab proceeds, they eventually hit a traffic jam, gapers stopping to watch a young lady perched on a ledge as if to jump. Emerging from the cab, Fandral scales the wall and eventually talks her down.
The lady, Mary, was on the ledge because her fiancee, Arnold, was mixed up with some loan sharks and as a way to pay off his debts had been forced to assist in the robbery of a diamond exchange. Fandral pledged to help her to free Arnold from those bozos, so back in the cab they go.
Enlisting the aid of a local wino, the boys get into the jewelry exchange and foil the burglary only to find that Arnold had been left outside to watch and had left via another cab as soon as the burgling had commenced. After busting a few skulls, the troupe piles back in their own cab and heads to the waterfront where Arnold had allegedly fled.
Arriving at McGinty's, a seedy tavern wherein our story began, the Asgardians enter to a less than amicable greeting. Inevitably Volstagg touches off the brawl and it's full on. Buscema is again at his best here and just cuts loose with a lot of fun.
Wein's words really compliment the pictures. As the battle winds down and finishes, the boys file back outside and who do they find but Mary with Arnold. Arnold Slackmyster, that is. Explanations are given, the couple pledges to take Arnold's story to the police, Fandral insists they find a justice of the peace to be wed that evening, and finally Fandral settles up with their cabbie.
Wein's words really compliment the pictures. As the battle winds down and finishes, the boys file back outside and who do they find but Mary with Arnold. Arnold Slackmyster, that is. Explanations are given, the couple pledges to take Arnold's story to the police, Fandral insists they find a justice of the peace to be wed that evening, and finally Fandral settles up with their cabbie.
A happy ending for all; until Fandral hails another cab!

What a fun story! Books like Marvel Premiere, Marvel Spotlight, etc., when done with top-flight talent, prove that the done-in-one format works and even with minor characters. These sort of books were a staple of the Bronze Age and a great place to seek out a favorite B-lister. I miss 'em!
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